At age 17, Samuel Fuller was the youngest reporter ever to be in charge of the events section of the New York Journal. After having participated in the European battle theater in World War II, he directed some minor action productions for which he mostly wrote the scripts himself and which he also produced (e.g. The Baron of Arizona (1950)). His ...
The only way to bring the real experience of war to a movie audience is by firing a machine gun above their heads during the screening.
2
I write with the camera. It is my typewriter.
3
I grew up believing that people make things move, like the word "movie". The world, like a moving picture, was moving forward. I wanted to advance, too, as rapidly as my quick mind and fast legs would carry me. I also grew up believing in truth--not just the word itself, but the deeper conviction that getting to the truth was a noble cause. My nature has always been to tell people the truth, even if they feel insulted. I care too much about people to bullshit them. If they're offended by the truth, why waste my time on them? When a young director comes to me for advice on a script, I don't pull any punches, especially if the thing's overwritten.
4
[about Run of the Arrow (1957)] The Confederate in that scene who sang the song against the Constitution was played by a Southerner, whose hobby was collecting folklore and ballads. He loved it, being a Southerner and against the damn Yankees. My art director on the picture was a very virulent Yankee. I'm only telling you this because there's an evil streak in me that I like. I thought it would be wonderful to get them together in my office. I'll never forget it; it was the most wonderful moment of my life to introduce these two men who despised each other. They immediately got into a tremendous argument. I heard the whole Civil War fought all over again in my office.
5
[Fuller, a WW II combat veteran, writing to director Lewis Milestone--himself a World War I combat veteran--expressing his displeasure at what he considered the phony heroics of Milestone's A Walk in the Sun (1945)] Why a man of your calibre should resort to a colonel's technical advice [the film's technical advisor was a US Army colonel] on what happens in a platoon is something I'll never figure out . . . When colonels are back in their garrison hutments where they belong I'll come out with a yarn that won't make any doggie that was ever on the line retch with disgust.
6
I hate violence. That has never prevented me from using it in my films.
7
[Vincent van Gogh] was a great inspiration for me, a guy for whom life was work and work was life. I wanted to be like him, except I didn't want to go nuts and cut off my ear.
8
Ninety-five per cent of films are born of frustration, of self-despair, of ambition for survival, for money, for fattening bank accounts. Five per cent, maybe less, are made because a man has an idea, an idea which he must express.
9
Am I a cult director? Yeah, I love all that. I want to join the cult of the $100- to $200-million grossers and still make an artistic picture.
10
Film is a battleground. Love, hate, violence, action, death . . . In a word, emotion.
Owner of Globe Enterprises, a film production company.
3
Was the American-born son of Russian-Jewish immigrants named Rabonovitch who changed their surname to Fuller apparently in tribute to a doctor named Sam Fuller who came to the U.S. on the Mayflower.
4
Close friend of Richard Brooks since the days when they were both reporters in New York.
5
Interviewed in "The Director's Event: Interviews with Five American Filmmakers" by Eric Sherman and Martin Rubin.
6
Served as a rifleman in the U.S. 1st Infantry Division during World War II. Fuller saw action in North Africa, Sicily, Omaha Beach on D-Day, and then on through Europe to Czechoslovakia. He was awarded the Silver Star, Bronze Star, and Purple Heart. He later used many of his war experiences in The Big Red One (1980).
7
Biography in John Wakeman, editor, "World Film Directors, Volume Two, 1945-1985," pp. 375-382. New York: The H.W. Wilson Company, 1988.
As a young crime reporter with the New York Evening Graphic, the veteran crime reporter who "showed him the ropes" when he first started out was Rhea Gore, the wife of actor Walter Huston and the mother of John Huston. Fuller's first big "scoop" was when he became the first journalist to report the death of Jeanne Eagels.
10
He was the guest of honor at the first annual film festival in Sodankylä, Finland, in 1986 (accompanied by such younger directors as Jonathan Demme and Bertrand Tavernier). Part of a street in Sodankylä was later renamed Samuel Fullerin Katu (Samuel Fuller Street).
Writer
Title
Year
Status
Character
A Fuller Life
2013
Documentary autobiography A Third Face
Girls in Prison
1994
TV Movie written by
Rebel Highway
1994
TV Series writer - 1 episode
Tinikling ou 'La madonne et le dragon'
1990
TV Movie adaptation and dialogue / scenario
Chillers
1990
TV Series written by - 1 episode
Samuel Fuller's Street of No Return
1989
writer
Let's Get Harry
1986
story
Les voleurs de la nuit
1984
adaptation
White Dog
1982
screenplay
The Big Red One
1980
written by
The Meanest Men in the West
1978
TV Movie screenplay
Klansman
1974
screenplay
The Deadly Trackers
1973
story "Riata"
Tatort
1973
TV Series writer - 1 episode
Shark
1969
screenplay
Targets
1968
co-screenwriter - uncredited
The Cape Town Affair
1967
Iron Horse
TV Series teleplay - 1 episode, 1966 writer - 1 episode, 1966
The Naked Kiss
1964
written by
Shock Corridor
1963
written by
The Virginian
1962
TV Series writer - 1 episode
Merrill's Marauders
1962
screenplay
Underworld U.S.A.
1961
written by
The Roaring 20's
1960
TV Series story - 1 episode
Dog Face
1959
TV Movie creator
The Crimson Kimono
1959
written by
Verboten!
1959
written by
Forty Guns
1957
written by
Run of the Arrow
1957
written by
China Gate
1957
House of Bamboo
1955
additional dialogue
Hell and High Water
1954
screenplay
The Command
1954
adaptation
Pickup on South Street
1953
screenplay
Park Row
1952
written by
Scandal Sheet
1952
based upon the novel "The Dark Page" by
Fixed Bayonets!
1951
screenplay
The Tanks Are Coming
1951
story
The Steel Helmet
1951
written by
The Baron of Arizona
1950
written by
Captain Video and His Video Rangers
1949
TV Series writer
I Shot Jesse James
1949
written by
Shockproof
1949
written by
Gangs of the Waterfront
1945
story
Power of the Press
1943
story - as Sam Fuller
Margin for Error
1943
uncredited
Confirm or Deny
1941
story
Bowery Boy
1940
story
Federal Man-Hunt
1938
original story idea - as Sam Fuller
Adventure in Sahara
1938
story - as Sam Fuller
Gangs of New York
1938
original story - as Sam Fuller / screenplay - as Sam Fuller
It Happened in Hollywood
1937
screen play - as Sam Fuller
Hats Off
1936
original story by - as Sam Fuller / screen play by - as Sam Fuller
Director
Title
Year
Status
Character
The Big Red One: The Reconstruction
2005
Video documentary
Tinikling ou 'La madonne et le dragon'
1990
TV Movie
Chillers
1990
TV Series 1 episode
Samuel Fuller's Street of No Return
1989
Les voleurs de la nuit
1984
White Dog
1982
The Big Red One
1980
The Meanest Men in the West
1978
TV Movie
The Deadly Trackers
1973
uncredited
Tatort
1973
TV Series 1 episode
Shark
1969
Iron Horse
1966-1967
TV Series 6 episodes
The Naked Kiss
1964
Shock Corridor
1963
The Virginian
1962
TV Series 1 episode
The Dick Powell Theatre
1962
TV Series 1 episode
Merrill's Marauders
1962
Underworld U.S.A.
1961
Dog Face
1959
TV Movie
The Crimson Kimono
1959
Verboten!
1959
Forty Guns
1957
Run of the Arrow
1957
China Gate
1957
House of Bamboo
1955
Hell and High Water
1954
Pickup on South Street
1953
Park Row
1952
Fixed Bayonets!
1951
The Steel Helmet
1951
The Baron of Arizona
1950
I Shot Jesse James
1949
Actor
Title
Year
Status
Character
Slapstick of Another Kind
1982
Colonel Sharp
The State of Things
1982
Joe
White Dog
1982
Charlie Felton
Hammett
1982
Old Man in Pool Hall
The Big Red One
1980
War Correspondent (as Sam Fuller)
1941
1979
Interceptor Commander (as Sam Fuller)
Scott Joplin
1977
TV Movie
Impresario
The American Friend
1977
Der Amerikaner
The Young Nurses
1973
Doc Haskell (as Sam Fuller)
Tatort
1973
TV Series
American Senator
The Last Movie
1971
Sam
House of Bamboo
1955
Japanese policeman (uncredited)
Carmel
2009
voice
The End of Violence
1997
Louis Bering (as Sam Fuller)
Metamorphosis of a Melody
1996
Flavius (narrator)
Somebody to Love
1994
Sam Silverman
Le cascadeur
1994
TV Series
William Davidson
Falstaff on the Moon
1993
Short
Golem, le jardin pétrifié
1993
Sam
Gibellina, Metamorphosis of a Melody
1992
Golem, l'esprit de l'exil
1992
Elimelek
La Vie de Bohème
1992
Gassot
Il est interdit de jouer dans la cour
1991
Short
Sons
1990
Father
Tinikling ou 'La madonne et le dragon'
1990
TV Movie
Chef de bureau Newsweek
Samuel Fuller's Street of No Return
1989
Police Commissioner
David Lansky
1989
TV Series
Capodagli / John Fraser
Médecins des hommes
1988
TV Series
Le capitaine américain
Helsinki Napoli All Night Long
1987
Boss
A Return to Salem's Lot
1987
Dr. Van Meer
L'étoile de sang
1986
Short
The Blood of Others
1984
Old Man in Small Cafe (uncredited)
Les voleurs de la nuit
1984
Zoltan
Producer
Title
Year
Status
Character
The Naked Kiss
1964
producer
Shock Corridor
1963
producer
Underworld U.S.A.
1961
producer
The Crimson Kimono
1959
producer
Verboten!
1959
producer
Forty Guns
1957
producer
Run of the Arrow
1957
producer
China Gate
1957
producer
The Colgate Comedy Hour
TV Series executive producer - 13 episodes, 1951 - 1954 supervising producer - 1 episode, 1952
All Star Revue
1952-1953
TV Series executive producer - 4 episodes
Park Row
1952
producer
The Steel Helmet
1951
producer
Production Manager
Title
Year
Status
Character
The Colgate Comedy Hour
TV Series production supervisor - 12 episodes, 1950 - 1952 program supervisor - 1 episode, 1951
Miscellaneous
Title
Year
Status
Character
The Dreamers
2003
director: Shock Corridor 1963 - as Sam Fuller
The Men Who Made the Movies: Samuel Fuller
2002
TV Movie documentary director: archive footage
Tigrero: A Film That Was Never Made
1994
Documentary stock footage
The Colgate Comedy Hour
1950
TV Series production assistant
Cinematographer
Title
Year
Status
Character
Shock Corridor
1963
dream sequence, uncredited
V-E +1
1945
Documentary short
Camera Department
Title
Year
Status
Character
Tigrero: A Film That Was Never Made
1994
Documentary cinematographer: 16mm stock footage
Editorial Department
Title
Year
Status
Character
Samuel Fuller's Street of No Return
1989
supervising editor
Thanks
Title
Year
Status
Character
Nosferatu vs. Father Pipecock & Sister Funk
2014
special thanks
Charm
2012
dedicated to
Horrors of War
2006
thanks: in memoriam
C'est comme ça
2005
Short special thanks
The Dreamers
2003
acknowledgment: director of Shock Corridor 1963 - as Sam Fuller
Saint Jude
2000
thanks - as Sam Fuller
Cradle Will Rock
1999
in memoriam - as Sam Fuller
I Stand Alone
1998
special thanks
Jackie Brown
1997
thanks for everything - as Sam Fuller
The Lovers on the Bridge
1991
thanks
Blood and Concrete
1991
the filmmakers wish to express their gratitude to - as Sam Fuller
Self
Title
Year
Status
Character
Sodankylä ikuisesti
2010
TV Series documentary
Himself
A Travelling Is a Moral Affair
2008
Video documentary
Himself
The Making of 'Street of No Return'
2002
Short documentary
Himself
The Men Who Made the Movies: Samuel Fuller
2002
TV Movie documentary
Himself
Nina Hagen = Punk + Glory
1999
Documentary
Himself
The Typewriter, the Rifle & the Movie Camera
1996
Documentary
Himself
Shallow Grave: Digging Your Own Grave
1994
Video documentary short
Himself - Film Director
Tigrero: A Film That Was Never Made
1994
Documentary
Himself
Anything for John
1993
TV Movie documentary
Días de cine
1993
TV Series
Himself
Missä on Musette?
1992
Documentary
Langlois monumental
1991
TV Short documentary
Himself
Falkenau, the Impossible
1988
Documentary short
Himself & narrator
Keskiyön auringon kuvat
1987
TV Movie documentary
Himself
Fear - Angst
1984
TV Movie documentary
Guest
Cinématon
1984
Documentary
Participant
Report from Hollywood
1982
Documentary
Himself
Scotch Myths
1982
Documentary
Himself
Cinéma cinémas
1982
TV Series documentary
Himself
Les rendez-vous du dimanche
1980
TV Series
Himself
Sam Fuller and the Big Red One
1979
Documentary
Himself
Flash 28
1968
Short documentary
Himself
Flash 29
1968
Short documentary
Himself
Cinéastes de notre temps
1967
TV Series documentary
Himself
Brigitte et Brigitte
1966
Himself
Pierrot le Fou
1965
Himself (uncredited)
Underworld U.S.A.
1961
Himself - Trailer Host (uncredited)
Archive Footage
Title
Year
Status
Character
Mika Kaurismäki, elokuvaohjaaja
2015
TV Movie documentary
Himself
A Fuller Life
2013
Documentary
Himself
Edge of Outside
2006
Documentary
Himself
Filmmakers in Action
2005
Documentary
Himself
Premio Donostia a Willem Dafoe
2005
TV Special
Himself
Cinema mil
2005
TV Series
Himself
The Real Glory: Reconstructing 'The Big Red One'
2005
Video documentary
Himself
Play It Around Sam
2003
Video documentary short
Himself
The 70th Annual Academy Awards
1998
TV Special
Himself (Memorial Tribute)
A Personal Journey with Martin Scorsese Through American Movies
1995
TV Movie documentary
Himself (uncredited)
Hollywood Mavericks
1990
Documentary
Himself
Won Awards
Year
Award
Ceremony
Nomination
Movie
1996
Special Distinction Award
Independent Spirit Awards
For his vast contributions to independent filmmaking.
1993
Leopard of Honor
Locarno International Film Festival
1991
Lucien Barrière Literary Award
Deauville Film Festival
For the novel "The Big Red One" (Le Grand Rouge).
1987
Career Achievement Award
Los Angeles Film Critics Association Awards
1966
Golden Spike
Valladolid International Film Festival
Shock Corridor (1963)
1953
Bronze Lion
Venice Film Festival
Pickup on South Street (1953)
1952
WGA Award (Screen)
Writers Guild of America, USA
Best Written American Low-Budget
The Steel Helmet (1951)
Nominated Awards
Year
Award
Ceremony
Nomination
Movie
1984
Golden Berlin Bear
Berlin International Film Festival
Les voleurs de la nuit (1984)
1980
Palme d'Or
Cannes Film Festival
The Big Red One (1980)
1955
DGA Award
Directors Guild of America, USA
Outstanding Directorial Achievement in Motion Pictures