Babette Mangolte Net Worth is
$700,000
Babette Mangolte Bio/Wiki, Net Worth, Married 2018
Babette Mangolte is a cinematographer and director, known for Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), Seven Easy Pieces (2007) and The Cold Eye (My Darling, Be Careful) (1980).
| Profession | Cinematographer, Director, Editor |
| Nationality | France |
| # | Quote |
|---|
| 1 | [on Delphine Seyrig] Delphine had lived with her husband, an abstract expressionist painter, in New York. She had her first film role in Pull My Daisy (1959), the Robert Frank movie. It is in Nancy that Delphine befriended Chantal [Akerman] and two years later, she agreed to do Jeanne Dielman. Really, without her, the film does not exist. You see, she's key to the imagination of the film and why the stylisation of the character works. Delphine was an actress able to make an interpretation and not be the real thing. The key to the film Jeanne Dielman, is making Jeanne Dielman a character embodying a certain archetype, which at the time had not been expressed in film. |
| 2 | [on working in Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975)] Chantal [Akerman] was very clear about the character and the character had nothing to do with who Delphine Seyrig was, who plays Jeanne Dielman. Really the opposite of [Robert] Bresson who cast somebody who looked the part in order to shape that person as if they were clay so he could do with them what he wished. In a film you need to have the stylization of a certain distance, Chantal knew that. Film is not realism. It's not neorealism. Delphine was perfect for the role: first she was a great actress and she had the intelligence of knowing how you communicated the drama, the unfolding and break down of a woman. It's not melodrama, it's a woman who is unsettled and falling apart. |
| # | Fact |
|---|
| 1 | Resides in New York. |
Cinematographer
| Title | Year | Status | Character |
|---|
| Edward Krasinski's Studio | 2013 | Short | |
| Seven Easy Pieces | 2007 | Documentary | |
| The Interview | 2004/III | Short | |
| Four Pieces by Morris | 1993 | | |
| My Crasy Life | 1992 | Documentary | |
| Artist on Fire: Joyce Wieland | 1987 | Documentary | |
| Routine Pleasures | 1986 | Documentary | |
| On Tour with Pina Bausch | 1983 | TV Movie documentary | |
| The Sky on Location | 1983 | Documentary | |
| The Gold Diggers | 1983 | | |
| Strong Medicine | 1981 | | |
| The Cold Eye (My Darling, Be Careful) | 1980 | | |
| The Camera: Je or La Camera: I | 1977 | | |
| News from Home | 1977 | | |
| Kristina Talking Pictures | 1976 | | |
| Out of the Body Travel | 1976 | Short | |
| Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles | 1975 | | |
| Film About a Woman Who... | 1974 | | |
| Hanging Out Yonkers | 1973 | | |
| Hôtel Monterey | 1972 | | |
| La chambre | 1972 | Short | |
| Lives of Performers | 1972 | | |
Director
| Title | Year | Status | Character |
|---|
| Edward Krasinski's Studio | 2013 | Short | |
| Seven Easy Pieces | 2007 | Documentary | |
| Les modèles de 'Pickpocket' | 2005 | Video documentary | |
| Four Pieces by Morris | 1993 | | |
| Visible Cities | 1991 | Short | |
| The Sky on Location | 1983 | Documentary | |
| The Cold Eye (My Darling, Be Careful) | 1980 | | |
| Water Motor | 1978 | Short | |
| The Camera: Je or La Camera: I | 1977 | | |
| (Now) or Maintenant Entre Parenthèses | 1976 | Short | |
| What Maisie Knew | 1976 | | |
Editor
| Title | Year | Status | Character |
|---|
| Edward Krasinski's Studio | 2013 | Short | |
| Seven Easy Pieces | 2007 | Documentary | |
| Les modèles de 'Pickpocket' | 2005 | Video documentary | |
| Four Pieces by Morris | 1993 | | |
| Routine Pleasures | 1986 | Documentary | |
| The Sky on Location | 1983 | Documentary | |
| The Cold Eye (My Darling, Be Careful) | 1980 | | |
| The Camera: Je or La Camera: I | 1977 | | |
| Lives of Performers | 1972 | | |
Producer
| Title | Year | Status | Character |
|---|
| Edward Krasinski's Studio | 2013 | Short producer | |
| Four Pieces by Morris | 1993 | producer | |
| Visible Cities | 1991 | Short producer | |
| The Sky on Location | 1983 | Documentary producer | |
| The Cold Eye (My Darling, Be Careful) | 1980 | producer | |
| The Camera: Je or La Camera: I | 1977 | producer | |
Camera Department
| Title | Year | Status | Character |
|---|
| 'Rameau's Nephew' by Diderot (Thanx to Dennis Young) by Wilma Schoen | 1974 | cinematographer: New York | |
| L'automne | 1973 | assistant camera | |
| L'hiver | 1969 | camera operator | |
Actress
| Title | Year | Status | Character |
|---|
| There? Where? | 1979 | | Voice |
| The Camera: Je or La Camera: I | 1977 | | |
Writer
| Title | Year | Status | Character |
|---|
| The Sky on Location | 1983 | Documentary writer | |
| The Cold Eye (My Darling, Be Careful) | 1980 | | |
Assistant Director
| Title | Year | Status | Character |
|---|
| Le printemps | 1972 | assistant director - as Elisabeth Mangolte | |
Thanks
| Title | Year | Status | Character |
|---|
| Letter to Peter, on Saint François d'Assise by Olivier Messiaen | 1992 | TV Movie documentary dedicatee | |
Self
| Title | Year | Status | Character |
|---|
| New York Framed | 1986 | TV Movie documentary | Herself |
| The Sky on Location | 1983 | Documentary | Narrator (voice) |
