J. McMillan Johnson Net Worth
J. McMillan Johnson Net Worth is
$800,000
J. McMillan Johnson Bio/Wiki, Net Worth, Married 2018
Date Of Birth | September 15, 1912 |
Place Of Birth | Los Angeles, California, USA |
Height | 5' 7" (1.7 m) |
Profession | Visual Effects, Art Director, Production Designer |
Star Sign | Virgo |
# | Fact |
---|---|
1 | Worked at Paramount from 1952 to 1960. |
2 | Worked for well-known architect Kem Weber until he was hired by Selznick Studios in 1938. Worked as a sketch-artist on Gone with the Wind, and is credited in this regard in the book "David O. Selznick's Hollywood" on pages 248 and 271. |
3 | Graduated in Architecture, USC... followed by Art Center School in Los Angeles. |
4 | During the Hollywood blacklist era he left the motion picture industry for about a year and did architectural delineation (renderings) for many notable architects in the LA area, many of whom had been class-mates of his at USC. |
Visual Effects
Title | Year | Status | Character |
---|---|---|---|
Advance to the Rear | 1964 | special visual effects | |
Honeymoon Hotel | 1964 | visual effects supervisor | |
The Prize | 1963 | special visual effects | |
A Ticklish Affair | 1963 | special visual effects | |
Billy Rose's Jumbo | 1962 | special visual effects | |
Earth II | 1971 | TV Movie special visual effects | |
Marlowe | 1969 | special visual effects | |
The Gypsy Moths | 1969 | special visual effects | |
The Extraordinary Seaman | 1969 | special visual effects | |
Ice Station Zebra | 1968 | special visual effects | |
Where Were You When the Lights Went Out? | 1968 | special visual effects | |
Guns for San Sebastian | 1968 | special visual effects | |
The Power | 1968 | special visual effects | |
Point Blank | 1967 | special visual effects | |
Double Trouble | 1967 | special visual effects | |
Hot Rods to Hell | 1967 | special visual effects | |
Spinout | 1966 | special visual effects | |
Hold On! | 1966 | special visual effects | |
The Glass Bottom Boat | 1966 | special visual effects - as J. McMillin Johnson | |
7 Women | 1966 | special visual effects | |
When the Boys Meet the Girls | 1965 | special visual effects | |
Joy in the Morning | 1965 | special visual effects | |
The Greatest Story Ever Told | 1965 | special visual effects | |
Signpost to Murder | 1964 | special visual effects | |
The Americanization of Emily | 1964 | special visual effects | |
The Outrage | 1964 | special visual effects | |
The Unsinkable Molly Brown | 1964 | special visual effects |
Art Director
Title | Year | Status | Character |
---|---|---|---|
Dirty Dingus Magee | 1970 | ||
Mutiny on the Bounty | 1962 | ||
One-Eyed Jacks | 1961 | ||
The Facts of Life | 1960 | as J. MacMillan Johnson | |
Li'l Abner | 1959 | ||
King Creole | 1958 | as Joseph MacMillan Johnson | |
Maracaibo | 1958 | ||
Desire Under the Elms | 1958 | as Joseph MacMillan Johnson | |
The Tin Star | 1957 | as J. MacMillan Johnson | |
Hear Me Good | 1957 | ||
Omar Khayyam | 1957 | ||
Anything Goes | 1956 | as Joseph MacMillan Johnson | |
The Desperate Hours | 1955 | as Joseph MacMillan Johnson | |
To Catch a Thief | 1955 | as Joseph MacMillan Johnson | |
Conquest of Space | 1955 | as Joseph MacMillan Johnson | |
Rear Window | 1954 | as Joseph MacMillan Johnson | |
Elephant Walk | 1954 | as Joseph McMillan Johnson | |
Forever Female | 1953 | as Joseph MacMillan Johnson | |
Botany Bay | 1952 | as Joseph McMillan Johnson | |
Road to Bali | 1952 | ||
The Turning Point | 1952 | as Joseph McMillan Johnson | |
Jungle Book | 1942 |
Production Designer
Title | Year | Status | Character |
---|---|---|---|
Behave Yourself! | 1951 | ||
His Kind of Woman | 1951 | ||
Sealed Cargo | 1951 | ||
Portrait of Jennie | 1948 | ||
The Paradine Case | 1947 | production designed by | |
Duel in the Sun | 1946 |
Art Department
Title | Year | Status | Character |
---|---|---|---|
Since You Went Away | 1944 | production artist - uncredited | |
To Be or Not to Be | 1942 | associate art director - as J. MacMillan Johnson | |
Gone with the Wind | 1939 | production illustrator - uncredited |
Special Effects
Title | Year | Status | Character |
---|---|---|---|
The Wizard of Oz | 1939 | senior special effects technician - uncredited |
Won Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
1949 | Oscar | Academy Awards, USA | Best Effects, Special Effects | Portrait of Jennie (1948) |
Nominated Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
1969 | Oscar | Academy Awards, USA | Best Effects, Special Visual Effects | Ice Station Zebra (1968) |
1966 | Oscar | Academy Awards, USA | Best Effects, Special Visual Effects | The Greatest Story Ever Told (1965) |
1963 | Oscar | Academy Awards, USA | Best Art Direction-Set Decoration, Color | Mutiny on the Bounty (1962) |
1961 | Oscar | Academy Awards, USA | Best Art Direction-Set Decoration, Black-and-White | The Facts of Life (1960) |
1956 | Oscar | Academy Awards, USA | Best Art Direction-Set Decoration, Color | To Catch a Thief (1955) |