Ingmar Bergman Net Worth
Ingmar Bergman Net Worth is
$500,000
Ingmar Bergman Bio/Wiki, Net Worth, Married 2018
Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] (13px ); 14 July 1918 – 30 July 2007) was a Swedish director, writer and producer who worked in film, television, and theatre. He is recognized as one of the most accomplished and influential auteurs of all time, and is most famous for films such as The Seventh Seal (1957), Wild Strawberries (1957), Persona (1966), Cries and Whispers (1972), and Fanny and Alexander (1982).He directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in his country, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often dealt with death, illness, faith, betrayal, bleakness and insanity. | Full Name | Ingmar Bergman |
| Date Of Birth | July 14, 1918, Uppsala, Sweden |
| Died | July 30, 2007, Fårö, Sweden |
| Place Of Birth | Uppsala, Uppsala län, Sweden |
| Height | 5' 10½" (1.79 m) |
| Profession | Writer, Director, Actor |
| Education | Stockholm University |
| Nationality | Swedish |
| Spouse | Ingrid von Rosen (m. 1971–1995) |
| Children | Linn Ullmann, Eva Bergman, Anna Bergman |
| Parents | Erik Bergman, Karin Bergman |
| Siblings | Margareta Bergman, Dag Bergman |
| Awards | Academy Award for Best Foreign Language Film, Palme d'Or, Golden Bear, Cannes Jury Prize, Cannes Best Director Award, César Award for Best Foreign Film, Irving G. Thalberg Memorial Award, Grand Jury Prize, Guldbagge Award for Best Director, Golden Lion for Lifetime Achievement, BAFTA Fellowship, Pr... |
| Nominations | Academy Award for Best Picture, Academy Award for Best Director, Academy Award for Best Original Screenplay, Golden Lion, BAFTA Award for Best Film, Golden Globe Award for Best Director - Motion Picture, BAFTA Award for Best Foreign Language Film, Nordic Council's Literature Prize, Directors Guild o... |
| Movies | Persona, The Seventh Seal, Wild Strawberries, Fanny and Alexander, Cries and Whispers, Through a Glass Darkly, The Silence, Autumn Sonata, Winter Light, The Virgin Spring, Smiles of a Summer Night, Hour of the Wolf, The Magician, Scenes from a Marriage, The Passion of Anna, Summer with Monika, Sawdu... |
| Star Sign | Cancer |
| # | Trademark |
|---|---|
| 1 | Two characters having an intense and emotional - sometimes heated - conversation while barely looking at each other. |
| 2 | Frequently has a character surnamed "Jacobi" |
| 3 | Most of his films are around 90 minutes long |
| 4 | Religious themes |
| 5 | Frequently casted Gunnar Björnstrand (23 films), Erland Josephson (14 films), Max von Sydow (13 films), Bibi Andersson (13 films), Liv Ullmann (10 films) and Ingrid Thulin (10 films). |
| 6 | Dynamic use of shadows |
| 7 | Close-ups of ticking clocks |
| 8 | Close-ups of faces |
| # | Quote |
|---|---|
| 1 | My professor told me when I started in the '40s that a director should listen and keep his mouth shut. Took me a long time to understand I talked too much. Now I know you should listen with your ears - and your heart. |
| 2 | Directing is more fun with women. Everything is. |
| 3 | [Interviewed for Sommar on Swedish Radio P1 in 2004] I have asked prominent composers. I have asked prominent musicians. Several conductors. Where does the music come from? What, how can it be that we are the only animals, on the entire globe of the earth that makes music? And why do we do it and how has it come to be? That is something I really would like to know because none of these people I have asked has been able to give any answer to "where does the music come from?" "Why do we have music?" Personally I have an impression, that the music is a thing we have been given as a gift. I am not a believer but I do still believe that the music is a gift, so that we might have an impression of realities and worlds beyond the world we live in. |
| 4 | Working in this medium and being a man of the theater, I'm like the common whore. I have an enormous need for people to like me and what I'm doing. That it be accepted and praised and so forth. It's always painful to be disapproved of. |
| 5 | Fellini, Kurosawa and Buñuel move in the same fields as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness. |
| 6 | [on Akira Kurosawa] Now I want to make it plain that The Virgin Spring (1960) must be regarded as an aberration. It's touristic, a lousy imitation of Kurosawa. |
| 7 | [on Andrei Tarkovsky]: My discovery of Tarkovsky's first film was like a miracle. Suddenly I found myself standing at the door of a room, the key to which, until then, had never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease. I felt encouraged and stimulated: someone was expressing what I had always wanted to say without knowing how. Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream. |
| 8 | To shoot a film is to organize an entire universe. |
| 9 | New cities arouse too many sensations in me. They give me too many impressions to experience at the same time. They all crowd in on me. Being in a new city overwhelms me, unsettles me. |
| 10 | I've had to learn everything about movies by myself. For the theater, I studied with a wonderful old man in Goteborg, where I spent four years. He was a hard, difficult man, but he knew the theater- and I learned from him. For the movies, however, there was no one. Before the War, I was a schoolboy. Then, during the War, we got see no foreign films at all. By the time it was over, I was working had to support a wife and three children. Before, fortunately, I am by nature an autodidact, one who can teach himself- though it's an uncomfortable thing at times. Self-taught people sometimes cling too much to the technical side, the sure side and place technical perfection too high. |
| 11 | I'd prostitute my talents if it would further my cause, steal if there was no way out, killing my friends or anyone else if it would help my art. |
| 12 | When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about. |
| 13 | [on Alfred Hitchcock] I think he's a very good technician. And he has something in Psycho (1960), he had some moments. "Psycho" is one of his most interesting pictures because he had to make the picture very fast, with very primitive means. He had little money, and this picture tells very much about him. Not very good things. He is completely infantile, and I would like to know more - no, I don't want to know - about his behavior with, or, rather, against women. But this picture is very interesting. |
| 14 | [on Federico Fellini] He is enormously intuitive. He is intuitive; he is creative; he is an enormous force. He is burning inside with such heat. Collapsing. Do you understand what I mean? The heat from his creative mind, it melts him. He suffers from it; he suffers physically from it. One day when he can manage this heat and can set it free, I think he will make pictures you have never seen in your life. He is rich. As every real artist, he will go back to his sources one day. He will find his way back. |
| 15 | [on Andrei Tarkovsky]: When film is not a document, it is dream. That is why Tarkovsky is the greatest of them all. He moves with such naturalness in the room of dreams. He doesn't explain. What should he explain anyhow? He is a spectator, capable of staging his visions in the most unwieldy but, in a way, the most willing of media. All my life I have hammered on the doors of the rooms in which he moves so naturally. Only a few times have I managed to creep inside. Most of my conscious efforts have ended in embarrassing failure- The Serpent's Egg (1977), The Touch (1971), Face to Face (1976) and so on. |
| 16 | I'm deeply fixated on my childhood. Some impressions are extremely vivid, light, smell, and all. There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film-little scraps of a film, which I set running and which I can reconstruct to the last detail-except their smell. |
| 17 | My basic view of things is - not to have any basic view of things. From having been exceedingly dogmatic, my views on life have gradually dissolved. They don't exist any longer. |
| 18 | Everything is worth precisely as much as a belch, the difference being that a belch is more satisfying. |
| 19 | Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls. |
| 20 | I think I have made just one picture that I really like, and that is Nattvardsgästerna (1963). Everything is exactly as I wanted to have it, in every second of this picture. |
| 21 | I write scripts to serve as skeletons awaiting the flesh and sinew of images. |
| 22 | [on Michelangelo Antonioni] He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up (1966), which I've seen many times, and the other is La Notte (1961), also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido (1957) and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade. He concentrated on single images, never realizing that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura (1960), for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress." |
| 23 | Among today's directors I'm of course impressed by Steven Spielberg and Scorsese [Martin Scorsese], and Coppola [Francis Ford Coppola], even if he seems to have ceased making films, and Steven Soderbergh - they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic (2000) is amazing. Another great couple of examples of the strength of American cinema is American Beauty (1999) and Magnolia (1999). |
| 24 | [on Jean-Luc Godard] I've never gotten anything out of his movies. They have felt constructed, faux intellectual and completely dead. Cinematographically uninteresting and infinitely boring. Godard is a fucking bore. He's made his films for the critics. One of the movies, Masculin Féminin (1966), was shot here in Sweden. It was mind-numbingly boring. |
| 25 | [on Orson Welles] I've never liked Welles as an actor, because he's not really an actor. In Hollywood you have two categories, you talk about actors and personalities. Welles was an enormous personality, but when he plays Othello, everything goes down the drain, you see, that's when he croaks. In my eyes he's an infinitely overrated filmmaker. |
| 26 | [on Orson Welles] For me he's just a hoax. It's empty. It's not interesting. It's dead. Citizen Kane (1941), which I have a copy of, is all the critics' darling, always at the top of every poll taken, but I think it's a total bore. Above all, the performances are worthless. The amount of respect that movie's got is absolutely unbelievable. |
| 27 | In a quarrel with one of my sons, I said, "I know I've been a lousy father". He said, "A father? You haven't been a father at all!" |
| 28 | I hope I never get old so I get religious. |
| 29 | No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. |
| 30 | The theater is like a faithful wife. The film is the great adventure -- the costly, exacting mistress. |
| # | Fact |
|---|---|
| 1 | He was approached by Italian television in the seventies, about making a TV-movie based on the life of Jesus Christ. He wrote a synopsis and planned on filming the entire movie in the Swedish province Gotland (for example, the rocky beaches of Langhammars on the island of Fårö were to serve as Golgatha). Eventually, Franco Zeffirelli was commissioned to helm the project, which became Jesus of Nazareth (1977). |
| 2 | One of favorite filmmakers of Andrei Tarkovsky, Francis Ford Coppola, Guillermo del Toro, Woody Allen, and Stanley Kubrick. |
| 3 | Died on the same day as Michelangelo Antonioni. |
| 4 | Recovering from hip replacement surgery. [January 2007] |
| 5 | Has now retired from directing, emptied his apartment in Stockholm and his room at the Dramatic Theater, and lives permanently at Fårö, Gotland (Sweden). [May 2004] |
| 6 | Like his fellow World Cinema masters, Akira Kurosawa (who started in the Japanese art world) and Federico Fellini (who started in journalism) he came to cinema via circumvention after working as a theater director. |
| 7 | Is going to appear in the new 200 Kronors banknote in 2015. |
| 8 | Often directed plays for the radio. |
| 9 | He was an admirer of the films of 'Francois Truffaut' and Jean-Pierre Melville. |
| 10 | He said his favorite Hollywood director was Billy Wilder. |
| 11 | Fluently spoke Swedish, French and English. |
| 12 | Directed 2 actresses to Oscar nominations: Liv Ullmann (Best Actress, Face to Face (1976)) and Ingrid Bergman (Best Actress, Autumn Sonata (1978)). |
| 13 | The Swedish film industry ground to a halt in 1951 due to a ten-month strike by studio personnel, intended as a protest against an "amusement tax" levied against motion picture producers. During this period he directed several TV commercials for a soap called Bris (i.e. Breeze). He later said he was "absurdly grateful" to get this job. |
| 14 | 10 of his films are listed in the 5th edition of 1001 Movies You Must See Before You Die (edited by Steven Jay Schneider). He is the third best represented director (behind Alfred Hitchcock and Howard Hawks) and has the greatest number of writing credits on that list of any screenwriter. On the list are the films Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), Through a Glass Darkly (1961), Nattvardsgästerna (1963), Persona (1966), Hour of the Wolf (1968), Shame (1968), Cries & Whispers (1972) and Fanny and Alexander (1982). |
| 15 | Considered Persona (1966) and Cries & Whispers (1972) his best movies. |
| 16 | Profiled in "Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick and Wong Kar-Wei" by Thurston Botz-Borsnstein. Lanham, MD: Scarecrow Press, 2008. |
| 17 | Among his fellow directors, he listed the three most significant to him as Federico Fellini, Victor Sjöström and Akira Kurosawa. |
| 18 | Erland Josephson appeared in 14 Bergman films as an actor in a span of almost 60 years (1946-2004): Det regnar på vår kärlek (1946) ("It Rains on Our Love" (1946)), Till glädje (1950) ("To Joy" (1950)), The Magician (1958) ("The Magician" (1959)), Brink of Life (1958) ("Brink of Life" (1959)), Hour of the Wolf (1968) ("Hour of the Wolf" (1968)), The Passion of Anna (1969) ("The Passion of Anna" (1970)), Cries & Whispers (1972) ("Cries and Whispers" (1972)), Scenes from a Marriage (1973) ("Scenes from a Marriage" (1974)), The Magic Flute (1975) ("The Magic Flute" (1975)), Face to Face (1976) ("Face to Face (1976)), Autumn Sonata (1978) ("Autumn Sonata" (1978)), Fanny and Alexander (1982), After the Rehearsal (1984) ("After the Rehearsal" (1984)), Larmar och gör sig till (1997) ("In the Presence of a Clown" (1997)), and Saraband (2003). In addition to acting in Bergman's films, Josephson also co-wrote Bergman's All These Women (1964) ("All These Women (1964)), one of Bergman's rare comedies (and his first film shot in color). |
| 19 | Was romantically linked to Harriet Andersson from 1952 to 1955 and Bibi Andersson from 1955 to 1959. |
| 20 | Born to Erik Bergman, a Lutheran minister who later became the chaplain to the King of Sweden, and his wife Karen Åkerblom. |
| 21 | Lived on the island of Fårö since the early 1960s, but moved to Munich, Germany for a while battling with the Swedish government over alleged tax evasion. |
| 22 | Is buried on the island of Fårö, where he had lived most of his life. |
| 23 | He and Liv Ullmann made 10 movies together: Face to Face (1976), Autumn Sonata (1978), The Passion of Anna (1969), Persona (1966), Saraband (2003), Scenes from a Marriage (1973), The Serpent's Egg (1977), Shame (1968), Hour of the Wolf (1968) and Cries & Whispers (1972). |
| 24 | His Top 11 films are (as presented at Goteborg Film Festival, Sweden in 1994): The Circus (1928), Port of Shadows (1938), The Conductor (1980), Kvarteret Korpen (1963), The Passion of Joan of Arc (1928). Körkarlen (1921), Rashômon (1950), La Strada (1954), Sunset Blvd. (1950), Marianne & Juliane (1981), Andrei Rublev (1966). |
| 25 | He and Bibi Andersson made 13 movies together: The Magician (1958), The Touch (1971), The Devil's Eye (1960), All These Women (1964), Brink of Life (1958), Herr Sleeman kommer (1957) (not released), The Passion of Anna (1969), Persona (1966), Scenes from a Marriage (1973), Rabies (1958), The Seventh Seal (1957), Wild Strawberries (1957) and Smiles of a Summer Night (1955). |
| 26 | He and Ingrid Thulin made 10 movies together: Ett drömspel (1963), The Magician (1958), After the Rehearsal (1984), Nattvardsgästerna (1963), Brink of Life (1958), Riten (1969), Wild Strawberries (1957), The Silence (1963), Hour of the Wolf (1968) and Cries & Whispers (1972). |
| 27 | His three favorite movies are: The Emigrants (1971), La Dolce Vita (1960) and Monsieur Hulot's Holiday (1953). |
| 28 | He and Max von Sydow made 13 movies together: The Magician (1958), The Touch (1971), Herr Sleeman kommer (1957) (not released), The Virgin Spring (1960), Nattvardsgästerna (1963), Brink of Life (1958), The Passion of Anna (1969), Rabies (1958), The Seventh Seal (1957), Shame (1968), Wild Strawberries (1957), Through a Glass Darkly (1961) and Hour of the Wolf (1968). |
| 29 | Was fluent in French. |
| 30 | His grandmother introduced Ingmar to the cinema and went with him to several shows when he was a little boy, always in secrecy since he wasn't allowed to go to the movies by his strict father. |
| 31 | After their daughter Maria had been born out of wedlock in 1959, he finally married Ingrid Bergman (Ingrid von Rosen) in 1971. This was his only marriage which didn't end in divorce. |
| 32 | Was chosen the world's greatest living filmmaker by "Time" magazine (11 July 2005). |
| 33 | Published "Tre dagböcker", including the diaries of him, his fifth wife Ingrid and their daughter Maria von Rosen (2004). |
| 34 | Among Woody Allen's biggest idols. |
| 35 | No relation to Ingrid Bergman, although he was married to another Ingrid, Ingrid Bergman. |
| 36 | Likes to watch BMX racing on television. |
| 37 | Father-in-law of Henning Mankell. |
| 38 | His movies The Virgin Spring (1960), Through a Glass Darkly (1961) and Fanny and Alexander (1982) were Oscar-nominated for "Best Foreign Language Film". All three movies won. |
| 39 | Inspired the word "Bergmanesque" |
| 40 | Has a daughter, Linn Ullmann, with actress Liv Ullmann. Linn, who played a child in several of her father's movies, became a literary critic, then novelist. Her debut novel, in 1999, was "Före du sover" (Before you fall asleep). |
| 41 | The rock band Van Halen wrote a song called "The Seventh Seal" (from the "Balance" album) in honor of his films. The song talks about The Seventh Seal (1957) and The Virgin Spring (1960). |
| 42 | He retired from filmmaking in 1984, and then in 2003, at the age of 85, he retired from directing plays. |
| 43 | Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945- 1985". Pages 103-115. New York: The H.W. Wilson Company, 1988. |
| 44 | Was voted the 8th Greatest Film Director of all time by Entertainment Weekly,. |
| 45 | For many years, he and actor Erland Josephson have had an hour-long telephone conversation once a week, on Saturdays. |
| 46 | Swedish Film Institute announced Bergman will donate his raw footage, photographs and manuscripts from his films and plays to a new foundation established to honor him. (5 June 2002) |
| 47 | Father of nine children. They include director Daniel Bergman, (with Käbi Laretei), actress Anna Bergman, actor Mats Bergman, director Eva Bergman, director Jan Bergman, (with Ellen Bergman), actress Lena Bergman, (with Else Fisher), airline captain Ingmar Bergman Jr. (born 1951) (with Gun Hagberg), writer Linn Ullmann, (with Liv Ullmann), and writer Maria won Rosen (with Ingrid Bergman). |
| 48 | Had a dispute with the Swedish Royal Dramatic Theatre about his production of the play "Misantropen". Directed it for Swedish television instead. Ironically, the chief of Swedish Television's 'Dramatic Department' has become chief of the Royal Dramatic Theatre. |
Writer
| Title | Year | Status | Character |
|---|---|---|---|
| Sixty-Four Minutes with Rebecka | 2018 | original screenplay pre-production | |
| A Spiritual Matter | 2015 | TV Movie play: En Själslig Angelägenhet | |
| Skines apo ena gamo | 2006 | TV Movie original scenario | |
| Bergmanova sonata | 2005 | TV Movie play | |
| Saraband | 2003 | TV Movie | |
| Persona | 2002 | Video short | |
| Trolösa | 2000 | ||
| Larmar och gör sig till | 1997 | TV Movie | |
| Private Confessions | 1996 | TV Movie | |
| Harald & Harald | 1996 | TV Short | |
| Sista skriket | 1995 | TV Movie play / screenplay | |
| Sunday's Children | 1992 | ||
| The Best Intentions | 1992 | ||
| The Best Intentions | 1991 | TV Mini-Series 4 episodes | |
| Live from Lincoln Center | 1990 | TV Series by: was suggested by a film - 1 episode | |
| Dokument Fanny och Alexander | 1986 | Documentary | |
| After the Rehearsal | 1984 | TV Movie | |
| Karins ansikte | 1984 | Documentary short | |
| Fanny och Alexander | 1983 | TV Mini-Series | |
| Fanny and Alexander | 1982 | written by | |
| From the Life of the Marionettes | 1980 | TV Movie | |
| The Making of Autumn Sonata | 1978 | Documentary | |
| Autumn Sonata | 1978 | writer | |
| The Serpent's Egg | 1977 | ||
| A Little Night Music | 1977 | suggested by: a film by "Sommarnattens leende" | |
| De fördömda kvinnornas dans | 1976 | Short | |
| Face to Face | 1976 | ||
| The Magic Flute | 1975 | TV Movie screenplay | |
| Scener ur ett äktenskap | 1974 | ||
| Scenes from a Marriage | 1973 | TV Mini-Series 6 episodes | |
| The Lie | 1973 | TV Movie | |
| Cries & Whispers | 1972 | ||
| The Touch | 1971 | screenplay - uncredited | |
| Play for Today | 1970 | TV Series writer - 1 episode | |
| Reservatet | 1970 | TV Movie | |
| Sliki na drvo | 1970 | TV Movie play | |
| The Passion of Anna | 1969 | writer | |
| Riten | 1969 | TV Movie | |
| Shame | 1968 | writer | |
| Hour of the Wolf | 1968 | writer | |
| Stimulantia | 1967 | segment "Daniel" | |
| Persona | 1966 | story and screenplay | |
| All These Women | 1964 | written by | |
| The Silence | 1963 | writer | |
| Trämålning | 1963 | TV Movie | |
| Nattvardsgästerna | 1963 | writer | |
| Staden | 1962 | TV Movie play | |
| Lustgården | 1961 | written by - as Buntel Ericsson | |
| Through a Glass Darkly | 1961 | ||
| The Devil's Eye | 1960 | screenplay | |
| The Magician | 1958 | writer | |
| Brink of Life | 1958 | uncredited | |
| Wild Strawberries | 1957 | written by | |
| Nattens ljus | 1957 | uncredited | |
| The Seventh Seal | 1957 | play "Trämålning" / screenplay | |
| Sista paret ut | 1956 | ||
| Smiles of a Summer Night | 1955 | ||
| Kvinnodröm | 1955 | ||
| A Lesson in Love | 1954 | ||
| Sawdust and Tinsel | 1953 | uncredited | |
| Summer with Monika | 1953 | uncredited | |
| Kvinnors väntan | 1952 | ||
| Frånskild | 1951 | ||
| Summer Interlude | 1951 | ||
| Medan staden sover | 1950 | synopsis | |
| Till glädje | 1950 | ||
| Prison | 1949 | writer | |
| Eva | 1948 | screenplay / short story "Trumpetaren och Vår Herre" | |
| Port of Call | 1948 | screenplay | |
| A Ship Bound for India | 1947 | ||
| Kvinna utan ansikte | 1947 | ||
| Det regnar på vår kärlek | 1946 | screenplay | |
| Crisis | 1946 | screenplay | |
| Torment | 1944 |
Director
| Title | Year | Status | Character |
|---|---|---|---|
| Persona | 1966 | ||
| Don Juan | 1965 | TV Mini-Series | |
| All These Women | 1964 | ||
| The Silence | 1963 | ||
| Ett drömspel | 1963 | TV Movie | |
| Nattvardsgästerna | 1963 | ||
| Through a Glass Darkly | 1961 | ||
| The Devil's Eye | 1960 | ||
| The Virgin Spring | 1960 | ||
| Oväder | 1960 | TV Movie | |
| The Magician | 1958 | ||
| Rabies | 1958 | TV Movie | |
| Brink of Life | 1958 | ||
| Venetianskan | 1958 | TV Movie | |
| Wild Strawberries | 1957 | ||
| Herr Sleeman kommer | 1957 | TV Movie | |
| The Seventh Seal | 1957 | ||
| Bakomfilm Smultronstället | 1957 | Documentary short | |
| Smiles of a Summer Night | 1955 | ||
| Kvinnodröm | 1955 | ||
| A Lesson in Love | 1954 | ||
| Sawdust and Tinsel | 1953 | ||
| Summer with Monika | 1953 | ||
| Kvinnors väntan | 1952 | ||
| Summer Interlude | 1951 | ||
| Sånt händer inte här | 1950 | ||
| Till glädje | 1950 | ||
| Thirst | 1949 | ||
| Prison | 1949 | ||
| Port of Call | 1948 | ||
| Music in Darkness | 1948 | ||
| A Ship Bound for India | 1947 | ||
| Det regnar på vår kärlek | 1946 | ||
| Crisis | 1946 | ||
| On Set Home Movies | 2008 | Video documentary short | |
| Spöksonaten | 2007 | TV Movie stage director | |
| Saraband | 2003 | TV Movie | |
| Bildmakarna | 2000 | TV Movie | |
| Larmar och gör sig till | 1997 | TV Movie | |
| Harald & Harald | 1996 | TV Short | |
| Sista skriket | 1995 | TV Movie | |
| Backanterna | 1993 | TV Movie | |
| Markisinnan de Sade | 1992 | TV Movie | |
| Dokument Fanny och Alexander | 1986 | Documentary | |
| De två saliga | 1986 | TV Movie | |
| Dom Juan | 1985 | TV Movie | |
| After the Rehearsal | 1984 | TV Movie | |
| Karins ansikte | 1984 | Documentary short | |
| Hustruskolan | 1983 | TV Movie tv director | |
| Fanny och Alexander | 1983 | TV Mini-Series | |
| Fanny and Alexander | 1982 | ||
| From the Life of the Marionettes | 1980 | TV Movie | |
| Fårö-dokument 1979 | 1979 | TV Movie documentary | |
| The Making of Autumn Sonata | 1978 | Documentary | |
| Autumn Sonata | 1978 | ||
| The Serpent's Egg | 1977 | ||
| De fördömda kvinnornas dans | 1976 | Short | |
| Face to Face | 1976 | ||
| The Magic Flute | 1975 | TV Movie uncredited | |
| Scener ur ett äktenskap | 1974 | ||
| Misantropen | 1974 | TV Movie | |
| Scenes from a Marriage | 1973 | TV Mini-Series 6 episodes | |
| Cries & Whispers | 1972 | ||
| The Touch | 1971 | ||
| Fårö dokument | 1970 | TV Movie documentary | |
| The Passion of Anna | 1969 | ||
| Riten | 1969 | TV Movie | |
| Shame | 1968 | ||
| Hour of the Wolf | 1968 | ||
| Stimulantia | 1967 | segment "Daniel" |
Actor
| Title | Year | Status | Character |
|---|---|---|---|
| Larmar och gör sig till | 1997 | TV Movie | Mental patient (uncredited) |
| The Magic Flute | 1975 | TV Movie | Man in Audience (uncredited) |
| Scenes from a Marriage | 1973 | TV Mini-Series | Pressfotografens röst |
| Cries & Whispers | 1972 | Narrator (voice, uncredited) | |
| The Passion of Anna | 1969 | Narrator (voice, uncredited) | |
| Riten | 1969 | TV Movie | Priest |
| Kvinnodröm | 1955 | Man with poodle (uncredited) | |
| A Lesson in Love | 1954 | Narrator / Man with Cap at Railway Station (uncredited) | |
| Kvinnors väntan | 1952 | Man in the stairs at the gynecologist's (uncredited) | |
| Till glädje | 1950 | Expecting Father at the Maternity Ward (uncredited) | |
| Thirst | 1949 | Train Passenger (uncredited) | |
| Music in Darkness | 1948 | Man with Newspaper on the Train (uncredited) | |
| A Ship Bound for India | 1947 | Man wearing a beret at the funfair (uncredited) | |
| Torment | 1944 | Voice on the Radio (voice, uncredited) |
Producer
| Title | Year | Status | Character |
|---|---|---|---|
| Gotska Sandön | 1987 | Documentary producer | |
| Sally and Freedom | 1981 | producer | |
| From the Life of the Marionettes | 1980 | TV Movie producer | |
| Min älskade | 1979 | producer | |
| Rätt ut i luften | 1978 | TV Movie producer | |
| Paradistorg | 1977 | producer | |
| De fördömda kvinnornas dans | 1976 | Short producer | |
| Cries & Whispers | 1972 | producer | |
| The Touch | 1971 | producer - uncredited | |
| Persona | 1966 | producer | |
| The Virgin Spring | 1960 | producer - uncredited | |
| Bakomfilm Smultronstället | 1957 | Documentary short producer |
Miscellaneous
| Title | Year | Status | Character |
|---|---|---|---|
| Backanterna | 1993 | TV Movie stage director | |
| Scenes from a Marriage | 1973 | TV Mini-Series speaker - 6 episodes | |
| Prästen i Uddarbo | 1957 | script consultant - uncredited |
Soundtrack
| Title | Year | Status | Character |
|---|---|---|---|
| The Seventh Seal | 1957 | lyrics: "HÅLLAS MELLAN RONA", "DET SITTER EN DUVA", "ÖDET ÄR EN RACKARE", "HÄSTEN SITTER I TRÄDET", "SKATS SÅNG" | |
| Sista paret ut | 1956 | lyrics: "DET ÄR LÖRDAG I DAG" | |
| Smiles of a Summer Night | 1955 | writer: "BORT MED SORG OCH BITTERHET" | |
| Kvinnors väntan | 1952 | lyrics: "Marta är Ett rosende träd" / writer: "Marta är Ett rosende träd" |
Cinematographer
| Title | Year | Status | Character |
|---|---|---|---|
| Bilder från lekstugan | 2009 | Documentary short | |
| Stimulantia | 1967 |
Art Director
| Title | Year | Status | Character |
|---|---|---|---|
| A Lesson in Love | 1954 | uncredited |
Assistant Director
| Title | Year | Status | Character |
|---|---|---|---|
| Torment | 1944 | assistant director |
Camera Department
| Title | Year | Status | Character |
|---|---|---|---|
| Liv & Ingmar | 2012 | Documentary cinematographer: archive footage |
Thanks
| Title | Year | Status | Character |
|---|---|---|---|
| The Well | 2016 | Short the director wishes to thank | |
| Nosferatu vs. Father Pipecock & Sister Funk | 2014 | special thanks | |
| The Debridement of Rome | 2012 | Short acknowledgment | |
| Acid Head: The Buzzard Nuts County Slaughter | 2011 | special thanks | |
| The Pain of Creation | 2011 | Short special thanks for inspiration | |
| Amor o Muerte | 2009 | Short in memoriam | |
| Palermo Shooting | 2008 | in memory of | |
| Milk | 2008/II | Short dedicatee - as Ernst Ingmar Bergman | |
| 777 | 2007 | Short dedicatee | |
| Tehzeeb | 2003 | this one's for you; the inspiration | |
| Dansaren | 1994 | Documentary thanks | |
| Dieter & Andreas | 1989 | Short grateful acknowledgment | |
| Ingrid | 1984 | Documentary thanks | |
| Summer Wishes, Winter Dreams | 1973 | acknowledgment: "Wild Strawberries" sequence courtesy - as Mr. Ingmar Bergman |
Self
| Title | Year | Status | Character |
|---|---|---|---|
| Gomorron | 2000-2009 | TV Series | Himself / Himself - Om hans liv / pictures from his life |
| Ingmar Bergman: Intermezzo | 2004 | Documentary short | Himself |
| Bergman Island | 2004 | TV Movie documentary | Himself |
| I Bergmans regi | 2003 | TV Movie documentary | Himself |
| Ljuset håller mig sällskap | 2000 | Documentary | Himself - Interviewee |
| Ingmar Bergman on Life and Work | 1998 | TV Movie documentary | Himself |
| The Voice of Bergman | 1997 | Documentary | |
| Liv Ullmann scener fra et liv | 1997 | Documentary | |
| Bergman: On Stage | 1994 | TV Movie documentary | Himself |
| The 1988 European Film Awards | 1988 | TV Special | Himself |
| Ingmar Bergman: The Magic Lantern | 1988 | TV Movie documentary | |
| Ingmar Bergman á Íslandi | 1986 | Documentary | Himself |
| Dokument Fanny och Alexander | 1986 | Documentary | Himself |
| Inför Scener ur ett äktenskap | 1986 | TV Short documentary | Himself |
| Ingmar Bergman tar farväl av filmen | 1983 | TV Movie documentary | Himself |
| Victor Seastrom | 1981 | Documentary | Himself |
| A Look at Liv | 1979 | Documentary | Himself |
| The Making of Autumn Sonata | 1978 | Documentary | Himself |
| The South Bank Show | 1978 | TV Series documentary | Himself |
| The Bergman File | 1978 | Documentary | |
| Ingmar Bergman inszeniert | 1977 | TV Movie documentary | Himself |
| Apropos Film | 1977 | TV Series documentary | Himself |
| Gespräch mit Ingmar Bergman | 1977 | TV Short documentary | Himself |
| Three Scenes with Ingmar Bergman | 1975 | Documentary | Himself - Interviewee |
| Film Night | 1970-1971 | TV Series | Himself |
| The Dick Cavett Show | 1971 | TV Series | Himself |
| Hinter der Leinwand | 1970 | TV Series documentary | Himself |
| The 42nd Annual Academy Awards | 1970 | TV Special | Himself - Commenting on New Freedom and Trends in Film: Pre-Recorded |
| Fårö dokument | 1970 | TV Movie documentary | Reporter |
| Public Broadcast Laboratory | 1968 | TV Series | Himself |
| Begegnung mit Ingmar Bergman | 1964 | TV Movie documentary | Himself - Narrator |
| Ingmar Bergman Makes a Movie | 1963 | TV Movie documentary | Himself |
| Die VII. Internationalen Filmfestspiele | 1957 | TV Mini-Series documentary | Himself |
Archive Footage
| Title | Year | Status | Character |
|---|---|---|---|
| Ammatti: elokuvaohjaaja - Jörn Donner | 2013 | TV Movie documentary | Himself |
| Liv & Ingmar | 2012 | Documentary | Himself |
| Palme | 2012 | Documentary | Himself |
| Viaggio in Bergmania | 2011 | Documentary | |
| Corman's World: Exploits of a Hollywood Rebel | 2011 | Documentary | Himself |
| The South Bank Show | 2010 | TV Series documentary | Himself |
| Hollywood sul Tevere | 2009 | Documentary | Himself |
| Bilder från lekstugan | 2009 | Documentary short | |
| The 80th Annual Academy Awards | 2008 | TV Special | Himself - Memorial Tribute |
| The Orange British Academy Film Awards | 2008 | TV Movie documentary | Himself - Memorial Tribute |
| On Set Home Movies | 2008 | Video documentary short | Himself |
| Upp till kamp | 2007 | TV Mini-Series | Himself |
| Allsång på Skansen | 2007 | TV Series | Himself |
| Un écran nommé désir | 2006 | TV Movie documentary | Himself |
| The Originals | 2005 | Documentary short | Himself |
| Filmmakers in Action | 2005 | Documentary | Himself |
| Hour of the Wolf: The Search for Sanity | 2004 | Video documentary short | Himself |
| Away from Home | 2004 | Video documentary short | Himself |
| Passion of Anna: Disintegration of Passion | 2004 | Video documentary short | Himself |
| Federico Fellini - un autoritratto ritrovato | 2000 | Documentary | Himself |
| Cinema Europe: The Other Hollywood | 1995 | TV Mini-Series documentary | Himself |
| Karins ansikte | 1984 | Documentary short | Himself (uncredited) |
Won Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2006 | Special Award | Sant Jordi Awards | Saraband (2003) | |
| 2005 | Special Condor | Argentinean Film Critics Association Awards | Saraband (2003) | |
| 1998 | Special Award | Camerimage | Best Duo of All Times: Director - Cinematographer | |
| 1998 | Prize of the Ecumenical Jury | Cannes Film Festival | Special award for his whole works. | |
| 1997 | Palm of the Palms | Cannes Film Festival | ||
| 1996 | Special Silver Ribbon | Italian National Syndicate of Film Journalists | ||
| 1993 | Guldbagge | Guldbagge Awards | Best Screenplay (Bästa manuskript) | Den goda viljan (1992) |
| 1990 | Lifetime Achievement Award | Directors Guild of America, USA | ||
| 1988 | Academy Fellowship | BAFTA Awards | ||
| 1988 | Life Achievement Award | European Film Awards | ||
| 1986 | Luchino Visconti Award | David di Donatello Awards | ||
| 1986 | Venice TV Prize | Venice Film Festival | De två saliga (1986) | |
| 1984 | César | César Awards, France | Best Foreign Film (Meilleur film étranger) | Fanny och Alexander (1982) |
| 1984 | David | David di Donatello Awards | Best Foreign Film (Miglior Film Straniero) | Fanny och Alexander (1982) |
| 1984 | David | David di Donatello Awards | Best Foreign Director (Migliore Regista Straniero) | Fanny och Alexander (1982) |
| 1984 | David | David di Donatello Awards | Best Foreign Screenplay (Migliore Sceneggiatura Straniera) | Fanny och Alexander (1982) |
| 1984 | Critics Award | French Syndicate of Cinema Critics | Best Foreign Film | Fanny och Alexander (1982) |
| 1984 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Fanny och Alexander (1982) |
| 1983 | Nocciola d'Oro | Giffoni Film Festival | ||
| 1983 | Guldbagge | Guldbagge Awards | Best Direction (Bästa regi) | Fanny och Alexander (1982) |
| 1983 | LAFCA Award | Los Angeles Film Critics Association Awards | Best Foreign Film | Fanny och Alexander (1982) |
| 1983 | NYFCC Award | New York Film Critics Circle Awards | Best Director | Fanny och Alexander (1982) |
| 1983 | FIPRESCI Prize | Venice Film Festival | Fanny och Alexander (1982) | |
| 1979 | Bodil | Bodil Awards | Best European Film (Bedste europæiske film) | Höstsonaten (1978) |
| 1979 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Höstsonaten (1978) |
| 1978 | NBR Award | National Board of Review, USA | Best Director | Höstsonaten (1978) |
| 1976 | BAFTA TV Award | BAFTA Awards | Best Foreign Programme | Trollflöjten (1975) |
| 1976 | LAFCA Award | Los Angeles Film Critics Association Awards | Best Foreign Film | Ansikte mot ansikte (1976) |
| 1975 | Jussi | Jussi Awards | Best Foreign Director | Viskningar och rop (1972) |
| 1975 | NSFC Award | National Society of Film Critics Awards, USA | Best Screenplay | Scener ur ett äktenskap (1973) |
| 1975 | Special Award | National Society of Film Critics Awards, USA | Trollflöjten (1975) | |
| 1974 | Bodil | Bodil Awards | Best European Film (Bedste europæiske film) | Viskningar och rop (1972) |
| 1974 | David | David di Donatello Awards | Best Foreign Director (Migliore Regista Straniero) | Viskningar och rop (1972) |
| 1974 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Viskningar och rop (1972) |
| 1974 | NYFCC Award | New York Film Critics Circle Awards | Best Screenplay | Scener ur ett äktenskap (1973) |
| 1973 | Technical Grand Prize | Cannes Film Festival | Viskningar och rop (1972) | |
| 1973 | KCFCC Award | Kansas City Film Critics Circle Awards | Best Director | Viskningar och rop (1972) |
| 1973 | NBR Award | National Board of Review, USA | Best Director | Viskningar och rop (1972) |
| 1973 | NYFCC Award | New York Film Critics Circle Awards | Best Director | Viskningar och rop (1972) |
| 1973 | NYFCC Award | New York Film Critics Circle Awards | Best Screenplay | Viskningar och rop (1972) |
| 1972 | NSFC Award | National Society of Film Critics Awards, USA | Best Screenplay | Viskningar och rop (1972) |
| 1971 | Irving G. Thalberg Memorial Award | Academy Awards, USA | Ingmar Bergman was not present at the awards ceremony. Liv Ullmann | |
| 1971 | NSFC Award | National Society of Film Critics Awards, USA | Best Director | En passion (1969) |
| 1971 | Career Golden Lion | Venice Film Festival | ||
| 1969 | NSFC Award | National Society of Film Critics Awards, USA | Best Director | Skammen (1968) |
| 1968 | NSFC Award | National Society of Film Critics Awards, USA | Best Director | Persona (1966) |
| 1967 | Golden Plate | David di Donatello Awards | For his career. | |
| 1964 | Guldbagge | Guldbagge Awards | Best Direction (Bästa regi) | Tystnaden (1963) |
| 1963 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Language Film | Smultronstället (1957) |
| 1962 | OCIC Award | Berlin International Film Festival | Såsom i en spegel (1961) | |
| 1962 | CEC Award | Cinema Writers Circle Awards, Spain | Best Foreign Director (Mejor Director Extranjero) | Det sjunde inseglet (1957) |
| 1962 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Language Film | Jungfrukällan (1960) |
| 1962 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Film Language Director | Jungfrukällan (1960) |
| 1962 | Sant Jordi | Sant Jordi Awards | Best Film of the Year (Mejor Película del Año) | Det sjunde inseglet (1957) |
| 1962 | Sant Jordi | Sant Jordi Awards | Best Foreign Director (Mejor Director Extranjero) | Det sjunde inseglet (1957) |
| 1961 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Det sjunde inseglet (1957) |
| 1960 | Special Mention | Cannes Film Festival | Jungfrukällan (1960) | |
| 1960 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Smultronstället (1957) |
| 1959 | Bodil | Bodil Awards | Best European Film (Bedste europæiske film) | Smultronstället (1957) |
| 1959 | Best Film | Mar del Plata Film Festival | Smultronstället (1957) | |
| 1959 | Special Citation | National Board of Review, USA | ||
| 1959 | Special Jury Prize | Venice Film Festival | Ansiktet (1958) | |
| 1959 | New Cinema Award | Venice Film Festival | Best Film | Ansiktet (1958) |
| 1959 | Pasinetti Award | Venice Film Festival | Competition | Ansiktet (1958) |
| 1958 | Golden Berlin Bear | Berlin International Film Festival | Smultronstället (1957) | |
| 1958 | Best Director | Cannes Film Festival | Nära livet (1958) | |
| 1958 | Pasinetti Award | Venice Film Festival | Parallel Sections | Smultronstället (1957) |
| 1957 | Bodil | Bodil Awards | Best European Film (Bedste europæiske film) | Sommarnattens leende (1955) |
| 1957 | Jury Special Prize | Cannes Film Festival | Det sjunde inseglet (1957) | |
| 1956 | Award | Cannes Film Festival | Best Poetic Humor | Sommarnattens leende (1955) |
Nominated Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2005 | César | César Awards, France | Best European Union Film (Meilleur film de l'Union Européenne) | Saraband (2003) |
| 1986 | Gold Hugo | Chicago International Film Festival | Best Documentary | Karins ansikte (1984) |
| 1984 | Oscar | Academy Awards, USA | Best Director | Fanny och Alexander (1982) |
| 1984 | Oscar | Academy Awards, USA | Best Writing, Screenplay Written Directly for the Screen | Fanny och Alexander (1982) |
| 1984 | Golden Globe | Golden Globes, USA | Best Director - Motion Picture | Fanny och Alexander (1982) |
| 1984 | BAFTA Film Award | BAFTA Awards | Best Foreign Language Film | Fanny och Alexander (1982) |
| 1984 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | Fanny och Alexander (1982) |
| 1980 | Gold Hugo | Chicago International Film Festival | Best Documentary | Fårö-dokument 1979 (1979) |
| 1979 | Oscar | Academy Awards, USA | Best Writing, Screenplay Written Directly for the Screen | Höstsonaten (1978) |
| 1979 | César | César Awards, France | Best Foreign Film (Meilleur film étranger) | Höstsonaten (1978) |
| 1977 | Oscar | Academy Awards, USA | Best Director | Ansikte mot ansikte (1976) |
| 1976 | César | César Awards, France | Best Foreign Film (Meilleur film étranger) | Trollflöjten (1975) |
| 1974 | Oscar | Academy Awards, USA | Best Picture | Viskningar och rop (1972) |
| 1974 | Oscar | Academy Awards, USA | Best Director | Viskningar och rop (1972) |
| 1974 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced | Viskningar och rop (1972) |
| 1968 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Persona (1966) |
| 1965 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Tystnaden (1963) |
| 1963 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay - Written Directly for the Screen | Såsom i en spegel (1961) |
| 1962 | Golden Berlin Bear | Berlin International Film Festival | Såsom i en spegel (1961) | |
| 1960 | Oscar | Academy Awards, USA | Best Writing, Story and Screenplay - Written Directly for the Screen | Smultronstället (1957) |
| 1960 | BAFTA Film Award | BAFTA Awards | Best Film from any Source | Ansiktet (1958) |
| 1960 | Palme d'Or | Cannes Film Festival | Jungfrukällan (1960) | |
| 1959 | Golden Lion | Venice Film Festival | Ansiktet (1958) | |
| 1958 | Palme d'Or | Cannes Film Festival | Nära livet (1958) | |
| 1957 | Palme d'Or | Cannes Film Festival | Det sjunde inseglet (1957) | |
| 1956 | Palme d'Or | Cannes Film Festival | Sommarnattens leende (1955) | |
| 1953 | Golden Lion | Venice Film Festival | Kvinnors väntan (1952) | |
| 1952 | Golden Lion | Venice Film Festival | Sommarlek (1951) | |
| 1948 | Grand International Award | Venice Film Festival | Musik i mörker (1948) | |
| 1947 | Award | Cannes Film Festival | Feature films | Skepp till India land (1947) |
2nd Place Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1978 | LAFCA Award | Los Angeles Film Critics Association Awards | Best Foreign Film | Höstsonaten (1978) |
| 1974 | NYFCC Award | New York Film Critics Circle Awards | Best Director | Scener ur ett äktenskap (1973) |
| 1972 | NSFC Award | National Society of Film Critics Awards, USA | Best Director | Viskningar och rop (1972) |
| 1971 | NSFC Award | National Society of Film Critics Awards, USA | Best Screenplay | En passion (1969) |
| 1969 | NSFC Award | National Society of Film Critics Awards, USA | Best Screenplay | Skammen (1968) |
| 1968 | NSFC Award | National Society of Film Critics Awards, USA | Best Screenplay | Persona (1966) |
3rd Place Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1984 | NSFC Award | National Society of Film Critics Awards, USA | Best Director | Fanny och Alexander (1982) |
| 1978 | NYFCC Award | New York Film Critics Circle Awards | Best Director | Höstsonaten (1978) |
Known for movies
The Seventh Seal (1957)
as Writer
Wild Strawberries (1957)
as Writer
Persona (1966)
as Writer
Fanny and Alexander (1982)
as Writer