Stéphane Audran Net Worth
Stéphane Audran Net Worth is
$500,000
Stéphane Audran Bio/Wiki, Net Worth, Married 2018
Stéphane Audran (born Colette Suzanne Dacheville 8 November 1932) is a French film and television actress, known for her performances in award-winning movies such as Le charme discret de la bourgeoisie (1972) and Babette's Feast (1987) and in critically acclaimed films like The Big Red One (1980) and Violette Nozière (1978).She married French director and screenwriter Claude Chabrol in 1964, after a short marriage to the French actor Jean-Louis Trintignant. Her son by her marriage to Chabrol (which ended in 1980) is the French actor Thomas Chabrol (born in 1963).Her first major role was in Chabrol's film Les Cousins (1959). She has since appeared in most of Chabrol's films. Some of the more noteworthy of his films Audran has appeared in are Les Bonnes Femmes (1960), La Femme Infidèle (1968), Les Biches (1968) as a rich lesbian who becomes involved in a ménage à trois (she first gained notice in this), Le Boucher (1970) as a school teacher who falls in love with a murderous butcher, Juste Avant La Nuit (1971), and Violette Nozière (1978). She won the Silver Bear for Best Actress for her role in Les Biches at the 18th Berlin International Film Festival.She has also appeared in the first film of Éric Rohmer (Signe du Lion), and in films by Jean Delannoy (La Peau de Torpedo), Gabriel Axel (Babette's Feast, as the mysterious cook, Babette), Bertrand Tavernier (Coup de Torchon, as the wife of the cop turned serial killer) and Samuel Fuller (The Big Red One). The most celebrated of her non-Chabrol films was Luis Buñuel's Oscar-winning Le charme discret de la bourgeoisie (1972) as Alice Senechal.Also appearing in English-language productions, Audran has appeared in American features like The Black Bird (1975), and in TV serials like Brideshead Revisited (1981), Mistral's Daughter (1984) and The Sun Also Rises (1984). She starred in the 1974 film version of Agatha Christie's mystery, And Then There Were None.Audran won a French César Award for Best Supporting Actress for her performance in Violette Nozière (1978) and British Film Academy award for Just Before Nightfall (1975). | Date Of Birth | November 8, 1932 |
| Place Of Birth | Versailles, Yvelines, France |
| Height | 5' 6½" (1.69 m) |
| Profession | Actress, Soundtrack |
| Spouse | Claude Chabrol (m. 1964–1980) |
| Children | Thomas Chabrol |
| Awards | César Award for Best Supporting Actress |
| TV Shows | Brideshead Revisited, 3 femmes... un soir d'été |
| Star Sign | Scorpio |
| # | Trademark |
|---|---|
| 1 | Often plays bourgeois ladies |
| 2 | Frequently cast by Claude Chabrol and Samuel Fuller |
| 3 | Mole on cheek |
| 4 | Drawled vowels; frequent aahing and oohing between sentences |
| 5 | Often the screen wife or lover of Jean-Pierre Cassel |
| 6 | Often plays adulterous women |
| 7 | Icy, unemotional acting style |
| 8 | Often plays characters named Hélène |
| # | Quote |
|---|---|
| 1 | [on shooting Les liens de sang (1978) in Canada] If you're going to make a film outside of France, it might as well be in English. The book is in English and the scene is a large American city and, besides, the film market these days is English. We tried making movies before that were shot in two languages, but it doesn't really work. So this one will be shot in English and then a French-dubbed print made later. Actually, it's not my first English-language film. Several years ago I made The Black Bird (1975) in Hollywood with George Segal- it was a remake of the The Maltese Falcon (1941)- and more recently I made "The Twist" [The Twist (1976)] with Bruce Dern, who cannot and does not want to speak a word for French. |
| 2 | [on working in Canada, 1978 interview] On one hand, it's America. The buildings, the streets, the cars, the stones, the sirens, the way the telephones ring. Yet the people are not so American. They're more European somehow than the people in New York and Hollywood. You know, being French, I had no idea what to expect here. People in France know nothing of Canada, except the Olympics, lately a bit of politics and, of course, the baby seals. I was surprised to see so many Chinese and Portuguese here. I expected only, well, Canadians. |
| 3 | If you don't suffer, you don't understand the suffering of others. That is my secret garden. |
| 4 | [on Claude Chabrol] Chabrol helped me to understand life. |
| 5 | [on Karl Lagerfeld] He inspires me a lot. |
| 6 | [on France] We are a very sensuous country. With fashion, we speak to sight; with cuisine, we speak to taste; with perfume, we appeal to the smell. I go for it! |
| 7 | [making a comparison between Claude Chabrol and Luis Buñuel] Both of them know exactly where to put the camera, which is rare in directors. They are different in their work, however. Buñuel is much more demanding. He knows exactly what he wants and he gets it. He doesn't like actors, though he does like people. As long as you do your job well, he approves of you. Chabrol likes actors too much. He is not demanding enough and we have fights over this. Other actors enjoy working with him more than I do; he is nicer to them than he is to me. He wins of course. He is gifted and he is my husband. |
| 8 | [on the failure of The Black Bird (1975)] I didn't understand what happened on the picture. Everyone was fighting: George [Segal], the director and writer, Davie [David] Giler, the producer, Ray Stark. It's so difficult to do a good film even if the people are getting along well. If you have fights every day, it can't help. |
| 9 | [1978 interview] The French people used to be able to enjoy life. But in the last few years they have become so depressed and complaining. It is sad. They complain about the government and they keep the same government. Usually when people complain enough, they insist on change. But the French seem to enjoy their misery. |
| 10 | [on her relationship with Luis Buñuel] If I could have met him during the war, and if I were 18 or 20, he could have made me turn my family into the Nazis. He could do whatever he wanted. I was fascinated by him, I would have done anything he told me to. It was scary. |
| 11 | [on Luis Buñuel] Buñuel was a child. A naughty child, a rascal. |
| 12 | [on Gabriel Axel] Gabriel's enthusiastic, like an enchanted child, and that is very stimulating. There is no fear. He eases you into a state of total confidence. Actors, we're like children, you know. And he had such a love for this subject, there was necessarily a great joy in working with him to make Babette come alive. |
| 13 | [reflecting on her career] I have not made a career; I have not given that much thought. When I first started, I just wanted to be a good actress. My voice was wrong; I could not move around, I tried to improve with lessons. Then I was lucky enough to meet [Claude] Chabrol. |
| 14 | [on her approach to characters] Until I have the clothing, I don't know who the character is. |
| # | Fact |
|---|---|
| 1 | Husband Claude Chabrol once stated that the bus scene in The Breach (1970) where Stéphane's character Hélène tells her family's story to her lawyer was the occasion when he finally thought that she had become an actress. |
| 2 | Friends with Jean Carmet and Alexandra Stewart. |
| 3 | She's the first of only three French actresses to win the Best Actress BAFTA since the integration of Best British Actress and Best Foreign Actress to one category: the other two are Marion Cotillard in La Vie en Rose (2007) (in 2008) and Emmanuelle Riva in Amour (2012) (in 2013). |
| 4 | She's a knight of the French Legion of Honor and an Officer of the National Order of Merit. |
| 5 | Her theatrical studies include René Simon's dramatic course. |
| 6 | She and Charlotte Gainsbourg are the only two French actresses to win the Robert award in Denmark. |
| 7 | She had a strong input in Pauline Lafont getting cast in Poulet au vinaigre (1985). She did this as a friendly favor to Pauline's mother, Bernadette Lafont. |
| 8 | She personally wanted Jean Yanne as her co-star in Le Boucher (1970) after seeing him act on the set of This Man Must Die (1969) under the direction of her husband, Claude Chabrol. She advised Chabrol to write a new screenplay including a male character that would have showcased Yanne's animal side. |
| 9 | She and Marie Laforêt were the female winners of Raymond Rouleau's radio competition 'Naissance d'une étoile", meant to create the acting stars of tomorrow. The male winners were Claude Berri and Bernard Tiphaine. |
| 10 | Before starting to shoot The Discreet Charm of the Bourgeoisie (1972), she was scared by the thought of having to work with Delphine Seyrig (her fellow student at Tania Balachova's theatre classes) because she thought her pretentious. They got along perfectly in the end. |
| 11 | On 6 December 2013, she took part in "Bernadette Lafont l'exposition hommage", a public exhibition dedicated to the memory of her late friend Bernadette Lafont. Along with actors Guillaume Gouix and Alexandra Stewart, she read some extracts of Bernard Bastide's new biography "Bernadette Lafont, une vie de cinéma", including some original letters written by Bernadette. The event was filmed by Gérard Courant and aired as an episode of "Carnets filmés", "In Memoriam Bernadette Lafont". |
| 12 | Her 24th and final film collaboration with ex-husband Claude Chabrol was Betty (1992), a rare instance where her character died at the end. As she read the script, Audran immediately got the feeling that this was going to be the last time she and Chabrol would work together, taking his choice of killing her character off as his way of ending their long partnership. |
| 13 | She was never able to replicate her European success in the US, as American audiences found her too cold. |
| 14 | At one point in her life, as she divorced Claude Chabrol and her acting career began its rapid decline, Audran started to experience psychosomatic problems such as sudden and unexpected fainting fits, memory losses, inability to concentrate and chronic tiredness. After unsuccessfully trying remedies such as vitamins and tonics, she eventually turned to Chinese medicine to 'go after her lost energy'. All her research has been documented in her book 'Une autre façon de vivre', which focuses on the evolution of culture, medicine and cooking. |
| 15 | Her relationship with Claude Chabrol ended when he fell in love with his frequent collaborator Aurore Chabrol (nee Aurore Pajot). Chabrol always liked to claim that it was Stéphane who threw him into Aurore's arms as, during the shooting of Ten Days Wonder (1971), she couldn't attend his birthday dinner and jokingly suggested that he should jump on the script-girl instead. The script-girl was Aurore and the friendship between her and Claude developed into a love affection. Audran always claimed that the story isn't true. |
| 16 | She's very fond of gastronomy. She credits first husband Jean-Louis Trintignant for having introduced her to Provençal cooking. |
| 17 | In 1971, she signed the Manifesto of the 343 to support the legalization of abortion in France. After her conversion to Chinese medicine, she went on to regret her choice, stating that she wouldn't sign the petition anymore. |
| 18 | On the set of The Discreet Charm of the Bourgeoisie (1972), Luis Buñuel enjoyed embarrassing Audran by calling her Mrs. Chabrol in front of the cast and crew. Delphine Seyrig used to cheer up Stéphane, telling her that she had already worked with Buñuel and that he was doing this without malice. |
| 19 | Jesús Franco stated that she agreed to appear in Faceless (1987) because she's a major fan of horror movies. |
| 20 | Bulle Ogier recalls that, on the set of The Discreet Charm of the Bourgeoisie (1972), Stéphane (wearing Lagerfeld) and Delphine Seyrig (wearing Chanel) were engaged in an elegance contest. They asked Luis Buñuel if he could give a close-up to the back décolletages of their dresses, a wish he was happy to grant in exchange for one bottle of champagne and one of whiskey. |
| 21 | Friends with Karl Lagerfeld, who often designed her clothes. |
| 22 | She played the role of Charlotte in Les affinités électives (1982), a Claude Chabrol adaptation of Goethe's novel. In Paolo Taviani and Vittorio Taviani's film adaptation, Elective Affinities (1996) , the role was played by Isabelle Huppert. Huppert had played Audran's daughter in Chabrol's Violette (1978) and replaced her as the director's muse. |
| 23 | Having taken some lessons, she started to act on the stage in the 50's, appearing in theatrical productions of "La Tragédie des Albigeois" (1955), "La Maison Carrée" (1955) and "La Nuit Romaine" (1957), but failed to build a noteworthy stage career as several of her classmates had already done. After playing a few tiny roles on film, she asked emerging French New Wave star Gérard Blain (whom she knew from acting courses) if he could introduce her to director Claude Chabrol, with whom he had already done the successful Le beau Serge (1958) and was going to team up again in Les cousins (1959). Blain granted her wish and introduced her to Chabrol, who gave her a role in "Les Cousins" and started to date her shortly after. The movie won the Golden Bear at Berlin Film Festival, but, with his immediately subsequent features- which often starred Audran- Chabrol used up most of the credit he had enjoyed with reviewers to the moment and Stéphane's performances were never greeted with critical enthusiasm. Only with Les Biches (1968), the director began to enjoy a second wave and started to cast Audran in roles of glacial bourgeois ladies better suited to her acting. This led the two of them to a successful cycle of thrillers in the late 60's-early 70's. Audran frequently stated she owed everything to Chabrol. |
| 24 | To cast the role of Babette Hersant in Babette's Feast (1987), director Gabriel Axel had made a list of 50 actresses, one of them being Audran. He eventually started to strongly consider her because he felt she possessed a natural Parisian way of doing things - such as walking or opening doors- that would have created the right contrast between Babette and the Danish characters. With Catherine Deneuve being his other dream pick, Axel eventually cast Audran thanks to the advice of her ex-husband, Claude Chabrol. |
| 25 | Married Jean-Louis Trintignant in 1953. Their relationship ended when he fell in love with Brigitte Bardot on the set of ...And God Created Woman (1956). |
| 26 | She attended the stage acting courses of Charles Dullin, René Simon, Michel Vitold and Tania Balachova. Some of her fellow students at the Balachova classes included Delphine Seyrig, Michael Lonsdale, Laurent Terzieff, Bernard Fresson, Antoine Vitez, Daniel Emilfork and her first husband, Jean-Louis Trintignant. |
| 27 | She was initially reluctant to play the role of Isabelle Huppert's working class mother in Violette (1978), as she knew it wasn't a right fit for her. Her performance in the film was actually what led Gabriel Axel to consider her for the title role in Babette's Feast (1987), which became her signature movie. |
| 28 | Her mother never approved of her dream of becoming an actress and wasn't happy when she caught her playing with clothes to pretend to be other people. Her father, a doctor, died when she was only age 6. |
| 29 | She had a difficult childhood. From the age of 6 to the age of 15, she suffered from renal colic pain and colibacillosis. Her mother, having lost her first daughter, was very much obsessed with Stéphane's health and rigorously treated her with hot water packs and thermal baths. |
| 30 | During the shooting of Bluebeard (1963), producer Carlo Ponti was so appalled by her performance that he asked 'who's that slut who's playing Fernande?' Claude Chabrol (who was already engaged to Audran) slapped Ponti in the face and screamed 'that's my woman!' Claude and Stéphane married one year later. |
| 31 | While she was shooting The Discreet Charm of the Bourgeoisie (1972), her husband Claude Chabrol (a great gourmet) used to prepare some delicious dishes that she would bring on the set and share with members of the cast and crew. |
| 32 | She befriended Bernadette Lafont on the set of Les Bonnes Femmes (1960). |
| 33 | She appeared in two movies that won the Oscar for Best Foreign Language Film: The Discreet Charm of the Bourgeoisie (1972) and Babette's Feast (1987). |
| 34 | She appeared in 3 movies with ex-husband Jean-Louis Trintignant: Les Biches (1968), Sans mobile apparent (1971) and Boulevard des assassins (1982). They never worked together while they were married. |
| 35 | Jean-Louis Trintignant stated that he was a bit embarrassed when he had to film his erotic scenes with ex-wife Audran in Les Biches (1968) right under the eyes of Stéphane's new husband, Claude Chabrol. |
| 36 | Husband Claude Chabrol directed her in 24 movies, 1 TV movie and 1 tv episode. |
| 37 | Mother of actor Thomas Chabrol. |
Actress
| Title | Year | Status | Character |
|---|---|---|---|
| The Other Side of the Wind | 2018 | post-production | Stéphane |
| La fille de Monaco | 2008 | Édith Lassalle | |
| La battante | 2005 | TV Mini-Series | Edwige Fournier |
| 3 femmes... un soir d'été | 2005 | TV Mini-Series | Louise Bonnier |
| Sissi, l'impératrice rebelle | 2004 | TV Movie | Sophie |
| Ma femme... s'appelle Maurice | 2002 | Jacqueline Boisdain | |
| J'ai faim!!! | 2001 | Gaby, la mère de Lily | |
| Le pique-nique de Lulu Kreutz | 2000 | Lulu Kreutz | |
| The Blue Bicycle | 2000 | TV Mini-Series | Lisa Montpleynet |
| Belle maman | 1999 | Brigitte | |
| Madeline | 1998 | Lady Covington | |
| Arlette | 1997 | Diane | |
| Un printemps de chien | 1997 | TV Movie | Geneviève |
| Petit | 1996 | TV Movie | Françoise |
| Maximum Risk | 1996 | Chantal Moreau | |
| Au petit Marguery | 1995 | Joséphine | |
| L'évanouie | 1994 | TV Movie | Claire |
| Weep No More, My Lady | 1992 | TV Movie | Minna |
| The Turn of the Screw | 1992 | Mrs. Grose | |
| Betty | 1992 | Laure | |
| Le droit à l'oubli | 1992 | TV Movie | |
| Sons | 1990 | Florence | |
| TECX | 1990 | TV Series | Isabelle Souverain |
| Jours tranquilles à Clichy | 1990 | Adrienne | |
| La messe en si mineur | 1990 | Marie-Laure Villegrain | |
| David e David | 1989 | TV Movie | |
| Manika, une vie plus tard | 1989 | Soeur Amanda | |
| Champagne Charlie | 1989 | TV Movie | Thérèse |
| Les dossiers secrets de l'inspecteur Lavardin | 1988 | TV Series | Catherine |
| Il nido del ragno | 1988 | Mrs. Kuhn | |
| Corps z'a corps | 1988 | Edna Chabert | |
| Les saisons du plaisir | 1988 | Bernadette | |
| Poor Little Rich Girl: The Barbara Hutton Story | 1987 | TV Movie | Pauline de la Rochelle |
| Le cri du hibou | 1987 | ||
| Faceless | 1987 | Mme Sherman (as Stephane Audran) | |
| Babette's Feast | 1987 | Babette Hersant (as Stephane Audran) | |
| Un'isola | 1986 | TV Mini-Series | Signora Lecoq |
| Suivez mon regard | 1986 | La femme du téléphage | |
| La gitane | 1986 | Brigitte | |
| La Cage aux Folles 3: The Wedding | 1985 | Matrimonia | |
| Night Magic | 1985 | Janice | |
| Poulet au vinaigre | 1985 | Madame Cuno | |
| The Sun Also Rises | 1984 | TV Mini-Series | Georgette |
| Mistral's Daughter | 1984 | TV Mini-Series | Paula Deslandes |
| The Bay Boy | 1984 | Blanche (uncredited) | |
| The Blood of Others | 1984 | Gigi | |
| Les voleurs de la nuit | 1984 | Isabelle's mother (as Stephane Audran) | |
| La scarlatine | 1983 | Minon Palazzi | |
| Deadly Circuit | 1983 | The grey lady | |
| La marseillaise | 1982 | TV Movie | Juliette Poussin |
| Paradis pour tous | 1982 | Edith | |
| Le choc | 1982 | Jeanne Faulques (uncredited) | |
| Les affinités électives | 1982 | TV Movie | Charlotte |
| Boulevard des assassins | 1982 | Francine | |
| Brideshead Revisited | 1981 | TV Mini-Series | Cara |
| Coup de torchon | 1981 | Huguette Cordier | |
| Le beau monde | 1981 | TV Movie | Ariane |
| Cinéma 16 | 1981 | TV Series | Marianne Bernejoul |
| Les Plouffe | 1981 | Mme Boucher | |
| La cage aux folles II | 1980 | ||
| Le coeur à l'envers | 1980 | Jeanne | |
| The Big Red One | 1980 | Underground Walloon Fighter at Asylum (as Stephane Audran) | |
| Le soleil en face | 1980 | Geneviève | |
| Orient-Express | 1980 | TV Mini-Series | La baronne Maria von Pallberg |
| Le gagnant | 1979 | Hélène Dupré-Granval | |
| Eagle's Wing | 1979 | The Widow (as Stephane Audran) | |
| Violette | 1978 | Germaine Nozière | |
| Les liens de sang | 1978 | Mrs. Lowery | |
| Mort d'un pourri | 1977 | Christiane | |
| Des Teufels Advokat | 1977 | Anne - Contessa di Sanctis | |
| Silver Bears | 1977 | Shireen Firdausi | |
| The Twist | 1976 | Claire Brandels | |
| Chi dice donna dice donna | 1976 | Mimì / Chantal (segment "Donne d'affari") | |
| The Black Bird | 1975 | Anna Kemidov | |
| Vincent, François, Paul and the Others | 1974 | Catherine, Vincent's Wife | |
| Ein Unbekannter rechnet ab | 1974 | Ilona Morgan | |
| Le cri du coeur | 1974 | Claire, la mère d'Alexandre | |
| Comment réussir... quand on est con et pleurnichard | 1974 | Cécile Malempin | |
| Hay que matar a B. | 1974 | Susana (as Stephane Audran) | |
| Les noces rouges | 1973 | Lucienne Delamare | |
| Tatort | 1973 | TV Series | Dr. Bogdanovich |
| The Discreet Charm of the Bourgeoisie | 1972 | Alice Sénéchal (as Stephane Audran) | |
| Murder Is a Murder | 1972 | Marie Kastner / Anne | |
| Aussi loin que l'amour | 1971 | La femme de Michel | |
| Sans mobile apparent | 1971 | Hélène Vallée | |
| Just Before Nightfall | 1971 | Hélène Masson | |
| The Lady in the Car with Glasses and a Gun | 1970 | Anita Caldwell | |
| The Breach | 1970 | Hélène Régnier | |
| Only the Cool | 1970 | Dominique Krestowitz | |
| Le Boucher | 1970 | Hélène | |
| La femme infidèle | 1969 | Hélène Desvallées | |
| Les Biches | 1968 | Frédérique | |
| The Champagne Murders | 1967 | Jacqueline Belling / Lydia | |
| La ligne de démarcation | 1966 | La femme du Dr. Lafaye / Wife | |
| Blue Panther | 1965 | Olga | |
| Paris vu par... | 1965 | The mother (segment "La Muette") | |
| Code Name: Tiger | 1964 | La chanteuse d'opéra (uncredited) | |
| Les durs à cuire ou Comment supprimer son prochain sans perdre l'appétit | 1964 | Rika Lormond | |
| Bluebeard | 1963 | Fernande Segret | |
| The Third Lover | 1962 | Hélène | |
| Le signe du lion | 1962 | La patronne de l'hôtel | |
| Saint-Tropez Blues | 1961 | Lucie | |
| Les godelureaux | 1961 | Xavière, la danseuse / Xavière, the dancer | |
| Les Bonnes Femmes | 1960 | Ginette | |
| Présentation ou Charlotte et son steak | 1960 | Short | Charlotte (recorded 1961) (voice) |
| Les cousins | 1959 | Françoise | |
| Modigliani of Montparnasse | 1958 | Une fille à la terrasse (uncredited) | |
| Secrets of a French Nurse | 1958 | Aline | |
| Le jeu de la nuit | 1957 |
Soundtrack
| Title | Year | Status | Character |
|---|---|---|---|
| Belle maman | 1999 | performer: "Marcia Baila" |
Self
| Title | Year | Status | Character |
|---|---|---|---|
| C'est la Vie | Documentary filming | Herself | |
| In Memoriam Bernadette Lafont | 2014 | Documentary Herself | |
| Il était une fois... | 2013 | TV Series documentary | Herself |
| Cinema 3 | 2012 | TV Series | Herself |
| Días de cine | 2012 | TV Series | Herself |
| On n'est pas couché | 2009 | TV Series | Herself |
| Grand manège: Qu'est-ce qui fait tourner Claude Chabrol? | 2006 | TV Movie documentary | Herself |
| Regarding Buñuel | 2000 | Documentary | Ella misma |
| Le fils de Gascogne | 1995 | Herself / En personne | |
| Alexandra David-Néel | 1992 | Documentary voice | |
| Mardi cinéma | 1982-1988 | TV Series documentary | Herself |
| Cinématon | 1984 | Documentary | Participant |
| La nuit des Césars | 1979-1980 | TV Series documentary | Herself / Herself - César de la meilleure actrice dans un second rôle |
| Les rendez-vous du dimanche | 1980 | TV Series | Herself |
| Monsieur Cinéma | 1976-1979 | TV Series | Herself |
| Top à... | 1973 | TV Series | Herself |
| Gala de l'union | 1973 | TV Series | Herself |
| Midi Trente | 1973 | TV Series | Herself |
| Sacha show | 1970 | TV Series | Herself |
| 47 rue Vieille-du-Temple | 1960 | Documentary short | Herself (uncredited) |
Archive Footage
| Title | Year | Status | Character |
|---|---|---|---|
| Le monde en face | 2012 | TV Series documentary | Herself |
| Les 13 vies du chat Lelouch | 2002 | TV Movie documentary | Herself / Elle-même, actrice dans 'Le jeu de la nuit' (1957) |
| Eddie Constantine: Cet homme est un sentimental... | 1999 | TV Movie documentary | Herself (uncredited) |
| La Cérémonie | 1995 | Lucienne Delamare in 'Les Noces Rouges' (uncredited) |
Won Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1989 | ALFS Award | London Critics Circle Film Awards | Actor of the Year | Babettes gæstebud (1987) |
| 1988 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Actress (Migliore Attrice Straniera) | Babettes gæstebud (1987) |
| 1988 | Robert | Robert Festival | Best Actress (Årets kvindelige hovedrolle) | Babettes gæstebud (1987) |
| 1979 | César | César Awards, France | Best Supporting Actress (Meilleure actrice dans un second rôle) | Violette Nozière (1978) |
| 1974 | BAFTA Film Award | BAFTA Awards | Best Actress | Juste avant la nuit (1971) |
| 1970 | Prize San Sebastián | San Sebastián International Film Festival | Best Actress | Le boucher (1970) |
| 1968 | Silver Berlin Bear | Berlin International Film Festival | Best Actress | Les biches (1968) |
Nominated Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1989 | BAFTA Film Award | BAFTA Awards | Best Actress | Babettes gæstebud (1987) |
| 1984 | César | César Awards, France | Best Supporting Actress (Meilleure actrice dans un second rôle) | Mortelle randonnée (1983) |
| 1983 | César | César Awards, France | Best Supporting Actress (Meilleure actrice dans un second rôle) | Paradis pour tous (1982) |
| 1982 | César | César Awards, France | Best Supporting Actress (Meilleure actrice dans un second rôle) | Coup de torchon (1981) |
| 1973 | BAFTA Film Award | BAFTA Awards | Best Actress | Le boucher (1970) |
Known for movies
Babette's Feast (1987)
as Babette Hersant
The Discreet Charm of the Bourgeoisie (1972)
as Alice Sénéchal
Le Boucher (1970)
as Hélène
La femme infidèle (1969)
as Hélène Desvallées