Blanche Thebom (September 19, 1915 – March 23, 2010) was an American operatic mezzo-soprano, voice teacher, and opera director. She was part of the first wave of American opera singers that had highly successful international careers. In her own country she had a long association with the Metropolitan Opera in New York City which lasted 22 years. Opera News stated, "An ambitious beauty with a velvety, even-grained dramatic mezzo, Thebom was a natural for opera: she commanded the stage with the elegantly disciplined hauteur of an old-school diva, relishing the opportunity to play femmes du monde such as Marina in Boris Godunov, Herodias and Dalila."While Thebom sang a broad repertoire which encompassed everything from Handel and Mozart to Verdi and Debussy, she was best known for her performances in the operas of Richard Wagner. Two Wagner roles with which she was particularly associated were Fricka in Die Walküre and Brangaene in Tristan und Isolde. She notably sang the latter role in a famous 1952 recording made in London with Kirsten Flagstad, Ludwig Suthaus, and conductor Wilhelm Furtwängler. In addition to several other recordings, she also appeared in two feature films during her career: Irish Eyes Are Smiling (1944) and, with Mario Lanza, The Great Caruso (1951).After retiring from the stage in 1967, Thebom worked as an opera director in Atlanta for 6 years. She then taught singing both privately and on the music faculties of the University of Arkansas and San Francisco State University. She also co-founded the Opera Arts Training Program of the San Francisco Girls Chorus and served on the board of the Metropolitan Opera for nearly four decades.
When she was a teenager, she and her parents went to Sweden. She was heard singing in the ship's lounge by a pianist who was the accompanist of Marian Anderson. He arranged for Thebom to study voice in New York with a professional opera singer.
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Raised in Canton, Ohio as the daughter of Swedish immigrants.
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She was awarded a Star on the Hollywood Walk of Fame for Recording at 1651 Vine Street in Hollywood, California.
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American mezzo-soprano. She was once a member of the Metropolitan Opera.
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She was invited to Atlanta, Georgia in 1967, to head the Southern Regional Opera Company. Their first production was a spectacular version of Henry Purcell's "King Arthur", staged at the just-completed Memorial Arts Center (now the Woodruff Arts Center). It was a success with the critics, but the company soon went bankrupt.
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Auf den Spuren von Richard Wagners Tristan und Isolde