Debra Winger Net Worth
Debra Winger Net Worth is
$16 Million
Debra Winger Bio/Wiki, Net Worth, Married 2018
Mary Debra Winger is an American actress and producer. She gained critical acclaim for her performance in Urban Cowboy in 1980. She then gave Academy Award-nominated performances in An Officer and a Gentleman, Terms of Endearment, and Shadowlands. She has been nominated for ... | Full Name | Debra Winger |
| Net Worth | $16 Million |
| Date Of Birth | May 16, 1955 |
| Place Of Birth | Cleveland Heights, Ohio, United States |
| Height | 5 ft 4 in (1.63 m) |
| Profession | Actor, Teacher, Writer, Film Producer |
| Education | California State University, Northridge |
| Nationality | United States of America |
| Spouse | Arliss Howard (m. 1996), Timothy Hutton (m. 1986–1990) |
| Children | Noah Hutton, Gideon Babe Ruth Howard |
| Parents | Ruth Felder-Winger, Robert Winger |
| Nicknames | Mary Debra Winger , Emmett , Debbie Winger , Mary , Debra |
| Awards | National Society of Film Critics Award for Best Actress, TIFF Award for Lifetime Achievement |
| Nominations | Academy Award for Best Actress, Golden Globe award, BAFTA Award, Los Angeles Film Critics Association Award |
| Movies | “Slumber Party ’57” (1976), “Thank God It’s Friday”, “Urban Cowboy”, “Terms of Endearment”, “An Officer and a Gentleman”, “Shadowlands”, “A Dangerous Woman” |
| TV Shows | “Wonder Woman”, “Police Woman”, "The Ranch" (2016-) |
| Star Sign | Taurus |
| # | Trademark |
|---|---|
| 1 | Deep throaty voice |
| Title | Salary |
|---|---|
| Shadowlands (1993) | $2,000,000 |
| The Sheltering Sky (1990) | $3,000,000 |
| Legal Eagles (1986) | $2,500,000 |
| Cannery Row (1982) | $150,000 |
| # | Quote |
|---|---|
| 1 | [In 2008, responding to Lynda Carter's claim that Winger made disparaging comments about the 1970s "Wonder Woman" show where they played sisters] I don't know what she's referring to except I used to make jokes about her costumes. But she did have these golden tits that stuck out and when she turned, they didn't. I was 18 years old, staring at these gold bazooms that didn't move. That's all I ever said. So there you go. Lighten up. |
| 2 | [She earned Best Actress Oscar nominations for playing young women who died of cancer in Terms of Endearment (1983) and in Shadowlands (1993)] I remember walking through the living room years ago when the series Roseanne (1988) was on. John Goodman said, "Come on, do you want to go down to the multiplex and watch Debra Winger cough up another lung?" It was the funniest line to me. Then I realized, that's it for me. I can never do another film about death. I've cashed that card. |
| 3 | [In 2010, 17 years after her Oscar-nominated performance in Shadowlands (1993) came out, she told the "New York Times"] It was the most literate script I've ever read. I was sad every day that I wouldn't ever say those lines again. |
| 4 | [on An Officer and a Gentleman (1982)] I run in to Richard Gere quite a lot and he half jokes, 'Are you still saying terrible things about me?' |
| 5 | [on her film debut in Slumber Party '57 (1976)] A cigar-smoking agent had signed me while I was waitressing, but that only resulted in a blue movie. |
| 6 | [on Urban Cowboy (1980)]: I loved it. It was the opening of everything for me because of the way James Bridges worked: the freedom, the collaboration, the end product. It was a slice of life, that movie. I'm real proud of it. |
| 7 | I do admit to being challenging, but it's always for the work, it's never personal. I will walk out on a scene if it's all lit and ready to go but it's not happening. Just because we're on schedule is no reason to shoot bad acting. Someone once said to me, "You're inconsiderate." And I said, "Inconsiderate? Bad acting is the ultimate inconsideration." It's a collective slap to a million faces at the same time. |
| 8 | [on Legal Eagles (1986)] I don't regret doing it, but I don't think it stands on its own against good films. It was a nightmare to make. Shooting was supposed to be ten weeks, and it went on for four months. And it was fat - almost $40 million - and, politically, I'm opposed to that kind of money unless it's an epic. I took my salary and left. |
| 9 | I used to love going on a junket and promoting a film when it was not a 24-hour news cycle, and when there weren't so many media outlets. You could actually talk about the film. And I don't mean to harp on this because, really, it's fine. It's just that it eats itself. It becomes about itself, and its symbiotic and weird and I don't understand the celebrity of it. |
| 10 | [on being labeled "difficult"] It was like armor. It kept the fainthearted at a distance. But perhaps I was too tough. |
| 11 | [on Bernardo Bertolucci] For me, Bernardo is The Function. The only way I can explain it is in the analogy with mathematics and the word 'function' - addition, subtraction, multiplication, anything that numbers go through and change because of it. And when the function is a function of love, the drapes on the windows, the doors that are hung, the characters, the clothes, everything goes through this function and comes out touched and inspired by it. There are a lot of numbers but what really matters is the function. |
| 12 | I have trouble with star billing. I remember thinking on Cannery Row (1982): How can I put my name ahead of Steinbeck's? |
| 13 | [on her early roles in commercials] I was the all-American face. You name it, honey - American Dairy Milk, Metropolitan Life insurance, McDonald's, Burger King. The Face That Didn't Matter - that's what I called my face. |
| # | Fact |
|---|---|
| 1 | She didn't get along with her leading man Richard Gere during the making of the hit film An Officer and a Gentleman (1982). She publicly called him a "brickwall", while he said there was "tension" between them. He played the title role, had top billing, had more screen time and earned a larger salary than her, while hers was just a love interest role. Still, he reacted badly when he realized that she was stealing every scene she was in with her charisma and acting talent that resulted in a Best Actress Oscar nomination for her, while he wasn't nominated at all. Thirty years later, they patched things up when she presented him with an award at the Rome Film Festival. |
| 2 | In spite of her reputation of being difficult, several people repeatedly worked with her because of her talent: filmmaker James Bridges( Urban Cowboy (1980) and Mike's Murder (1984)), actors Nick Nolte( Cannery Row (1982) and Everybody Wins (1990)) and Gabriel Byrne( A Dangerous Woman (1993) and In Treatment (2008)), actresses Angie Dickinson ( Police Woman: Task Force: Cop Killer: Part 1 (1976) and Big Bad Love (2001)) and Rosanna Arquette (Big Bad Love (2001) and Searching for Debra Winger (2002)), writer/actor David Mamet ( Black Widow (1987) and the stage play "The Anarchist" (2012)), her first husband Timothy Hutton((Made in Heaven (1987) and Betrayed (1988)) and current husband Arliss Howard(Wilder Napalm (1993), Big Bad Love (2001), Dawn Anna (2005)), the stage plays "How I Learned To Drive" (1998) and "Ivanov" (1999)). |
| 3 | She was angry when director Penny Marshall cast Madonna in A League of Their Own (1992) telling her, "You're making an Elvis movie." Marshall didn't know what that meant, which frustrated Winger even more, since she dropped out of the film and Geena Davis got her role. Madonna was no fan of Winger either, since she told Carrie Fisher that one of her nicknames was Kit Moresby, a character from a novel she loved, until she saw the film adaptation of that novel where Winger played Kit in The Sheltering Sky (1990). She told Fisher, "I didn't want to be Kit Moresby anymore, because it was so disappointing. I didn't want people to think that I was Debra Winger." What's ironic is that both their ex-husbands Timothy Hutton and Sean Penn worked together twice in Taps (1981) and The Falcon and the Snowman (1985) and became friends. |
| 4 | She had a on-and-off relationship with Senator Bob Kerrey from 1982 to 1990, but she never married him contrary to persistent rumors, although they remained friends. She picked husbands, who, like her, were also actors. Unlike her, both Timothy Hutton and Arliss Howard were both Gentiles. However, she raised the sons she had with them in Jewish faith. |
| 5 | She had seen her first husband actor Timothy Hutton on TV when he accepted the Academy Award for Best Supporting Actor for Ordinary People (1980) and fell in love with him. She met him in person two years later in 1983 for a film that they were supposed to be cast in called "Road Show" but it was revamped and made with different actors a decade later under a new title Medicine Man (1992). Hutton later said they talked for six hours about everything at that first meeting, and Winger said there was so much electricity between them that they got scared and ran in opposite directions. They kept running into each other once every six months, and Hutton later described these encounters "like turning magnets around." They finally stuck together when Winger emceed Farm Aid on New Year's Eve in 1986 and Hutton was one of the guests. Almost immediately, they started living together and married just three months later. Despair followed the happy occasion. Her orthodox Jewish grandmother stopped talking to her, because Hutton wasn't Jewish. Worse, Winger miscarried when she got pregnant on her wedding night. She got pregnant again and gave birth to their son Noah Hutton in 1987, but just a year later, they separated and divorced two years later. During their short marriage, they appeared together in two films (Made in Heaven (1987) and Betrayed (1988)) that flopped at the box office, as well as a "Life" magazine cover. A decade after their divorce, Winger (married to her second husband Arliss Howard) said that there was "no bad blood" between them. |
| 6 | She spent a good part of the 1980s trying to get the studios to cast her in a biography of the torch-singer Libby Holman, and another on Isabel Eberhardt, a 19th-century mystic who became involved in fighting religious wars in the Middle East. But she had burned bridges with influential Hollywood people with her outspokenness, and the studios were also reluctant to finance female-driven films, so the two biographies were never made. |
| 7 | When she was 14, her father had installed a burglar alarm for the celebrated director George Cukor and told him that his daughter wanted to be a actress. Cukor looked at Winger and told her, "That voice, and you got no walk and you got no class!" She suspected that her father might have put Cukor up to this, in order to discourage her from pursuing a acting career. Cukor was still alive when Winger became a star with Urban Cowboy (1980) but he didn't get a chance to know about her first Oscar nomination as Best Actress for An Officer and a Gentleman (1982), since the nomination was announced a few days after he died. |
| 8 | Friends with Sheena Easton. |
| 9 | Directed by eight Academy Award winners: Steven Spielberg, Jonathan Demme, James L. Brooks, Taylor Hackford, Costa-Gavras, Bernardo Bertolucci, David S. Ward and Richard Attenborough. |
| 10 | She was originally signed to play Peggy Sue Bodell in Peggy Sue Got Married (1986) but was forced to withdraw after her back was severely injured in a bicycle accident. Debra missed out on other roles, due to the many months it took her to fully recover. |
| 11 | She also turned down the role of Alex Forrest in Fatal Attraction (1987), which went to Glenn Close. |
| 12 | She also turned down Karen Allen's role in Raiders of the Lost Ark (1981), which turned out to be one of the highest grossing films of all time. |
| 13 | Her notorious off-camera clashes with equally mercurial Shirley MacLaine brought out the best in both actresses in the complexity of their on-camera contentious mother/daughter relationship during the making of their Oscar-winning film Terms of Endearment (1983). When MacLaine nabbed the Best Actress Oscar instead of fellow nominee Winger in 1984 and famously shouted, "I deserve this!," she managed to address her co-star as "dear Debra" despite the fact there was no love lost between them. |
| 14 | In 1995, she appeared in London, Washington, and New York with both the London Symphony and the New World Symphony under the direction of Michael Tilson Thomas, performing his composition based on the life of Anne Frank. |
| 15 | She became notorious for turning down worthy roles in many popular films, such as Jodie Foster's roles in Taxi Driver (1976), The Accused (1988) and The Silence of the Lambs (1991), Brooke Shields' roles in Pretty Baby (1978) and The Blue Lagoon (1980), Liza Minnelli's role in Arthur (1981), Daryl Hannah's role in Splash (1984), Linda Hamilton's role in The Terminator (1984), Sissy Spacek's roles in Marie (1985) and Crimes of the Heart (1986), Kathleen Turner's role in Peggy Sue Got Married (1986), Barbra Streisand's role in Nuts (1987), Susan Sarandon's role in Bull Durham (1988), Michelle Pfeiffer's role in The Fabulous Baker Boys (1989), Jessica Lange's role in Music Box (1989), Julia Roberts' role in Pretty Woman (1990), Demi Moore's role in Ghost (1990), Geena Davis' roles in Thelma & Louise (1991) and A League of Their Own (1992), Sharon Stone's role in Basic Instinct (1992), Ellen Barkin's role in This Boy's Life (1993), Meg Ryan's role in Sleepless in Seattle (1993) and When a Man Loves a Woman (1994), Sandra Bullock's role in Speed (1994) and Nicole Kidman's role in To Die For (1995). |
| 16 | She was given the choice of the two roles in Black Widow (1987); she chose the role of the FBI agent, because she didn't understand the motivation as to why the Black Widow kills, so the title role went to Theresa Russell. |
| 17 | Didn't like working with Lynda Carter on Wonder Woman (1975) but Lynda said that they didn't have any problems and was like a big sister to her. |
| 18 | At first, she was excited about winning the role of Wonder Girl on the television series Wonder Woman (1975) but quickly became disillusioned and spent all her salary from the series to hire an attorney to get her out of her contract. |
| 19 | James L. Brooks wrote Broadcast News (1987) especially for her, but she turned it down because she was pregnant with her son Noah Hutton, and the role went to Holly Hunter, who was nominated for an Oscar for it. |
| 20 | Gave birth to her 2nd child at age 42, a son Babe Howard on June 15, 1997. Child's father is her 2nd husband, Arliss Howard. |
| 21 | Gave birth to her 1st child at age 31, a son Emmanuel Noah Hutton (aka Noah Hutton) on April 29, 1987. Child's father is her 1st (now ex) husband, Timothy Hutton. |
| 22 | Sister-in-law of actor/writer Jim Howard. |
| 23 | Had a romance with then-Governor of Nebraska Bob Kerrey during the filming of Terms of Endearment (1983). |
| 24 | Attended and graduated from James Monroe High School in Sepulveda, California in 1973. |
| 25 | Attended and graduated from Oliver Wendell Holmes Junior High School in Northridge, California in 1970. |
| 26 | Daughter of Robert and Ruth Winger. |
| 27 | Born at 5:15pm-EDT |
Actress
| Title | Year | Status | Character |
|---|---|---|---|
| The Ranch | 2016-2017 | TV Series | Maggie Bennett |
| The Lovers | 2017/I | Mary | |
| The Red Tent | 2014 | TV Mini-Series | Rebecca |
| Boychoir | 2014 | Ms. Steel | |
| The Being Experience | 2013/I | ||
| Lola Versus | 2012 | Robin | |
| How It Ended | 2011 | Short | |
| In Treatment | 2010 | TV Series | Frances Greer |
| Law & Order | 2010 | TV Series | Principal Woodside |
| Rachel Getting Married | 2008 | Abby | |
| Whatever Happened To? | 2007 | TV Series | |
| Sometimes in April | 2005 | TV Movie | Prudence Bushnell |
| Dawn Anna | 2005 | TV Movie | Dawn Anna Townsend |
| Eulogy | 2004 | Alice Collins | |
| Radio | 2003 | Linda | |
| Big Bad Love | 2001 | Marilyn | |
| Forget Paris | 1995 | Ellen Andrews Gordon | |
| Shadowlands | 1993 | Joy Gresham | |
| A Dangerous Woman | 1993 | Martha Horgan | |
| Wilder Napalm | 1993 | Vida Foudroyant | |
| Leap of Faith | 1992 | Jane | |
| Sesame Street | 1992 | TV Series | Debra |
| The Sheltering Sky | 1990 | Kit Moresby | |
| Everybody Wins | 1990 | Angela Crispini | |
| Betrayed | 1988 | Katie Phillips / Cathy Weaver | |
| Made in Heaven | 1987 | Emmett Humbird (as Emmett) | |
| Black Widow | 1987 | Alexandra | |
| Legal Eagles | 1986 | Laura Kelly | |
| Mike's Murder | 1984 | Betty Parrish | |
| Terms of Endearment | 1983 | Emma Horton | |
| An Officer and a Gentleman | 1982 | Paula Pokrifki | |
| E.T. the Extra-Terrestrial | 1982 | Nurse Zombie Carrying Poodle (uncredited) | |
| Cannery Row | 1982 | Suzy DeSoto | |
| Urban Cowboy | 1980 | Sissy | |
| French Postcards | 1979 | Melanie | |
| The Warriors | 1979 | Girl on Subway (uncredited) | |
| James at 16 | 1978 | TV Series | Alicia |
| Thank God It's Friday | 1978 | Jennifer | |
| Police Woman | 1978 | TV Series | Phyllis Baxter |
| Special Olympics | 1978 | TV Movie | Sherrie Hensley |
| Szysznyk | 1977 | TV Series | Jenny |
| Wonder Woman | 1976-1977 | TV Series | Drusilla Wonder Girl |
| Slumber Party '57 | 1976 | Debbie |
Producer
| Title | Year | Status | Character |
|---|---|---|---|
| Bel Borba Aqui | 2012 | Documentary executive producer | |
| Big Bad Love | 2001 | executive producer / producer |
Soundtrack
| Title | Year | Status | Character |
|---|---|---|---|
| Eulogy | 2004 | performer: "Love & Affection" | |
| The Sheltering Sky | 1990 | performer: "Oh! Susannah" - uncredited |
Miscellaneous
| Title | Year | Status | Character |
|---|---|---|---|
| GasLand | 2010 | Documentary creative consultant | |
| E.T. the Extra-Terrestrial | 1982 | voice: partially-retained E.T. temp track - uncredited |
Self
| Title | Year | Status | Character |
|---|---|---|---|
| Tavis Smiley | 2017 | TV Series | Herself |
| Good Morning America | 2017 | TV Series | Herself |
| Made in Hollywood | 2017 | TV Series | Herself |
| The Late Show with Stephen Colbert | 2017 | TV Series | Herself |
| Entertainment Tonight | 2008-2016 | TV Series | Herself |
| Richard Attenborough: A Life in Film | 2014 | Documentary | Herself |
| Up Late with Alec Baldwin | 2013 | TV Series | Herself - Guest |
| The Late Late Show with Craig Ferguson | 2010 | TV Series | Herself - Guest |
| Access Hollywood | 2009 | TV Series | Herself |
| The View | 2008 | TV Series | Herself - Guest |
| Shootout | 2008 | TV Series | Herself |
| Texas Monthly Talks | 2008 | TV Series | Herself - Interviewee |
| Can You Hear Me? Israeli and Palestinian Women Fight for Peace | 2006 | Documentary | Narrator (voice) |
| This Morning | 2006 | TV Series | Herself - Guest |
| Chaos and Order: Making American Theater | 2005 | Documentary | Herself |
| The Late Late Show | 2005 | TV Series | Herself - Guest |
| Richard & Judy | 2004 | TV Series | Herself - Guest |
| Searching for Debra Winger | 2002 | Documentary | Herself |
| Inside the Actors Studio | 2002 | TV Series | Herself - Guest |
| Rumi: Poet of the Heart | 1998 | Documentary | Herself / Narrator (voice) |
| In the Wild | 1997 | TV Series documentary | Herself |
| The Wizard of Oz in Concert: Dreams Come True | 1995 | TV Movie documentary | The Wicked Witch of the West |
| The Making of 'Forget Paris' | 1995 | TV Movie documentary | Herself |
| In Search of Angels | 1994 | Documentary | Narrator (voice) |
| The 66th Annual Academy Awards | 1994 | TV Special | Herself - Nominated: Best Actress in a Leading Role |
| Late Show with David Letterman | 1993 | TV Series | Herself - Guest |
| Moving Image Salutes Al Pacino | 1993 | TV Movie | Herself |
| The 63rd Annual Academy Awards | 1991 | TV Special | Herself - Presenter: 'Awakenings' Film Clip |
| Late Night with David Letterman | 1990 | TV Series | Herself |
| Saturday Night Live | 1990 | TV Series | Herself - Host / Various |
| The Arsenio Hall Show | 1989 | TV Series | Herself - Guest |
| De película | 1987 | TV Series | Herself - Interviewee |
| The Barbara Walters Summer Special | 1987 | TV Series | Herself |
| The 56th Annual Academy Awards | 1984 | TV Special documentary | Herself - Nominee: Best Actress in a Leading Role |
| The 54th Annual Academy Awards | 1982 | TV Special documentary | Herself - Presenter: Best Live Action Short Film and Best Animated Short Film |
| The Making of 'Cannery Row' | 1982 | Video documentary short | Herself |
| The 38th Annual Golden Globe Awards | 1981 | TV Special | Herself - Nominee |
| The Alan Thicke Show | 1980 | TV Series | Herself - Guest |
Archive Footage
| Title | Year | Status | Character |
|---|---|---|---|
| Hoy nos toca | 2017 | TV Series | Herself |
| Entertainment Tonight | 2008-2016 | TV Series | Herself |
| Premio Donostia a Richard Gere | 2007 | TV Special | Paula Pokrifki |
| The Kid Stays in the Picture | 2002 | Documentary | Herself (uncredited) |
| 50 Years of Funny Females | 1995 | TV Movie documentary | Herself |
Won Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2014 | Lifetime Achievement Award | Transilvania International Film Festival | ||
| 2002 | Master Screen Artist Tribute | USA Film Festival | ||
| 1994 | Best Actress Award | Tokyo International Film Festival | A Dangerous Woman (1993) | |
| 1984 | NSFC Award | National Society of Film Critics Awards, USA | Best Actress | Terms of Endearment (1983) |
| 1983 | ShoWest Award | ShoWest Convention, USA | Female Star of the Year |
Nominated Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2011 | WIN Award | Women's Image Network Awards | Actress Drama Series | In Treatment (2008) |
| 2010 | OFTA Television Award | Online Film & Television Association | Best Guest Actress in a Drama Series | Law & Order (1990) |
| 2009 | Movies for Grownups Award | AARP Movies for Grownups Awards | Best Supporting Actress | Rachel Getting Married (2008) |
| 2009 | Critics Choice Award | Broadcast Film Critics Association Awards | Best Acting Ensemble | Rachel Getting Married (2008) |
| 2009 | Gold Derby Award | Gold Derby Awards | Ensemble Cast | Rachel Getting Married (2008) |
| 2009 | Independent Spirit Award | Independent Spirit Awards | Best Supporting Female | Rachel Getting Married (2008) |
| 2008 | Gotham Independent Film Award | Gotham Awards | Best Ensemble Performance | Rachel Getting Married (2008) |
| 2005 | Primetime Emmy | Primetime Emmy Awards | Outstanding Lead Actress in a Miniseries or a Movie | Dawn Anna (2005) |
| 1994 | Oscar | Academy Awards, USA | Best Actress in a Leading Role | Shadowlands (1993) |
| 1994 | Golden Globe | Golden Globes, USA | Best Performance by an Actress in a Motion Picture - Drama | A Dangerous Woman (1993) |
| 1994 | BAFTA Film Award | BAFTA Awards | Best Actress | Shadowlands (1993) |
| 1994 | CFCA Award | Chicago Film Critics Association Awards | Best Actress | A Dangerous Woman (1993) |
| 1984 | Oscar | Academy Awards, USA | Best Actress in a Leading Role | Terms of Endearment (1983) |
| 1984 | Golden Globe | Golden Globes, USA | Best Performance by an Actress in a Motion Picture - Drama | Terms of Endearment (1983) |
| 1984 | People's Choice Award | People's Choice Awards, USA | Favorite Motion Picture Actress | |
| 1983 | Oscar | Academy Awards, USA | Best Actress in a Leading Role | An Officer and a Gentleman (1982) |
| 1983 | Golden Globe | Golden Globes, USA | Best Actress in a Motion Picture - Drama | An Officer and a Gentleman (1982) |
| 1981 | Golden Globe | Golden Globes, USA | Best Actress in a Supporting Role - Motion Picture | Urban Cowboy (1980) |
| 1981 | Golden Globe | Golden Globes, USA | New Star of the Year in a Motion Picture - Female | Urban Cowboy (1980) |
| 1981 | BAFTA Film Award | BAFTA Awards | Most Outstanding Newcomer to Leading Film Roles | Urban Cowboy (1980) |
2nd Place Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1993 | LAFCA Award | Los Angeles Film Critics Association Awards | Best Actress | A Dangerous Woman (1993) |
| 1983 | NYFCC Award | New York Film Critics Circle Awards | Best Actress | Terms of Endearment (1983) |
| 1981 | NSFC Award | National Society of Film Critics Awards, USA | Best Supporting Actress | Urban Cowboy (1980) |
| 1980 | NYFCC Award | New York Film Critics Circle Awards | Best Supporting Actress | Urban Cowboy (1980) |
3rd Place Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2008 | NYFCC Award | New York Film Critics Circle Awards | Best Supporting Actress | Rachel Getting Married (2008) |
| 1991 | NSFC Award | National Society of Film Critics Awards, USA | Best Actress | Everybody Wins (1990) |
Known for movies
Terms of Endearment (1983)
as Emma Horton
An Officer and a Gentleman (1982)
as Paula Pokrifki
The Sheltering Sky (1990)
as Kit Moresby
Urban Cowboy (1980)
as Sissy
