Gilberto Freyre Net Worth
Gilberto Freyre Net Worth is
$1.2 Million
Gilberto Freyre Bio/Wiki, Net Worth, Married 2018
Gilberto de Mello Freyre (March 15, 1900 – July 18, 1987) was a Brazilian sociologist, anthropologist, historian, writer, painter, journalist and congressman, born in Recife, Northeast Brazil. He is commonly associated with other great Brazilian cultural interpreters of the first half of the 20th century, such as Sérgio Buarque de Holanda and Caio Prado Júnior. His best-known work is a sociological treatise named Casa-Grande & Senzala (variously translated, but roughly The Masters and the Slaves, as on a traditional plantation). Two sequels followed, The Mansions and the Shanties: the making of modern Brazil and Order and Progress: Brazil from monarchy to republic. The trilogy is generally considered a classic of modern cultural anthropology and social history, although it is not without its critics. | Date Of Birth | March 15, 1900 |
| Died | 1987-07-18 |
| Place Of Birth | Recife, Pernambuco, Brazil |
| Profession | Writer |
| Star Sign | Pisces |
| # | Fact |
|---|---|
| 1 | Father of Sônia Maria and Fernando Alfredo and grandfather of Gilberto, born 1973 (Fernando's son). |
| 2 | Brother of Ulysses and Gasparina. |
| 3 | Son of Alfredo Freyre and Francisca de Mello. |
Writer
| Title | Year | Status | Character |
|---|---|---|---|
| Casa-Grande e Senzala | 2000 | TV Mini-Series documentary | |
| Inventário de um Feudalismo Cultural | 1978 | Short book "Sobrados e Mocambos" | |
| O Mestre de Apipucos | 1959 | Short documentary commentary |
Self
| Title | Year | Status | Character |
|---|---|---|---|
| Abolição | 1988 | Documentary | Himself |
| Die Welt heißt Brasilien - Auf den Spuren von Blaise Candrars | 1985 | TV Movie documentary | Himself |
| O Mestre de Apipucos | 1959 | Short documentary | Himself |
Known for movies
O Mestre de Apipucos (1959)
as Writer
Casa-Grande e Senzala (2000)
as Writer
Inventário de um Feudalismo Cultural (1978)
as Writer
Die Welt heißt Brasilien - Auf den Spuren von Blaise Candrars (1985)
as Himself