Phil Jutzi (sometimes known as Piel Jutzi) (July 22, 1896 - May 1, 1946) was a German cinematographer and film director.Born Philipp Jutzi in Altleiningen as the son of a tailor, Jutzi was self-educated. (He seems to have been generally known by the Palatinate dialect form of his given name, Piel, but a lawsuit by Harry Piel forced him to go by "Phil," though many journalists continued to use "Piel.") In 1916 he made posters for a small movie theater in the Black Forest, having been rejected by the military during World War I because of a physical disability. In 1919 he was an administrator of the Internationale Film-Industrie company in Heidelberg, which specialized in detective movies and westerns. In 1923 he married Emmy Philippine Zimmermann, the sister of the actor Holmes Zimmermann (born Johannes Zimmermann, 1900–1957), who acted in seven of his films; in May 1926 a daughter, Gisela, was born.In 1925 Jutzi moved to Berlin, where he worked as a documentary cameraman for the Communist film company Welt-Film; in 1928/29 he directed the semidocumentary film Um's tägliche Brot (Hunger in Waldenburg). From 1926 he worked as a director for the leftist Prometheus Film, and on the basis of such films as Mutter Krausens Fahrt ins Glück (Mother Krause's Journey to Happiness) (1929) became known as a leading director of proletarian films. At the beginning of 1928 he became a member of the Communist Party, but left it at the end of 1929.After the completion of Berlin Alexanderplatz: the story of Franz Biberkopfs (1931), based on the Alfred Döblin novel, his political orientation changed drastically. In March 1933 Jutzi joined the Nazi Party, and under the Nazi regime became a prolific director, from 1933 to 1941 directing 49 short films (he was rarely allowed to make feature movies because of his political past). In 1934/35 he directed the German spy film Lockspitzel Asew (Azef the Agent Provocateur) with Fritz Rasp and Olga Chekhova, following it with the Austrian spy drama Der Kosak und die Nachtigall (The Cossack and the Nightingale) with Iván Petrovich und Jarmila Novotná. But he was not by any means a renowned director, and continued to have financial difficulties until the end of his life. During the 1940s his health worsened and he became unfit for work. After the end of World War II he returned to his native Altleiningen; he died the following year in Neustadt an der Weinstraße.
In 1923 he married Emmy Philippine Zimmermann, the sister of the actor Holmes Zimmermann (born Johannes Zimmermann, 1900-1957), who acted in seven of his films; in May 1926 a daughter, Gisela, was born.
2
Because Phil Jutzi was in poor health he only died one year after the end of World War II.
3
He was rejected by the military during World War I because of a physical disability.
4
From the middle of the 20s he realised other movies as a director, among them "Die rote Front marschiert" (1927), "Kindertragödie" (1928), and "Mutter Krausens Fahrt ins Glück"19 (29). Many of his short movies of those years were influenced by his communist engagement but in 1929 he left the KPD.
5
He was not by any means a renowned director, and continued to have financial difficulties until the end of his life.
6
From 1921 Phil Jutzi was also active as a cinematographer for several productions.
7
From 1926 he worked as a director for the leftist Prometheus Film, and on the basis of such films as Mutter Krausens Fahrt ins Glück (Mother Krause's Journey to Happiness) (1929) became known as a leading director of proletarian films.
8
After the completion of Berlin Alexanderplatz: the story of Franz Biberkopfs (1931), based on the Alfred Döblin novel, his political orientation changed drastically.
9
In 1916 he made posters for a small movie theater in the Black Forest.
10
In 1925 Jutzi moved to Berlin, where he worked as a documentary cameraman for the Communist film company Welt-Film.
11
Already since 1927 he shot short movies by the majority which continued in the 30s.
12
From 1933 to 1941 directing 49 short films (he was rarely allowed to make feature movies because of his political past).
13
The director, cinematographer and writer Phil Jutzi joined an education at the arts and crafts school and he began his professional career as a poster artist. In this function he came in contact with the cinema when he created posters for it to show the actual program of the cinema.
14
His short movies were also influenced by his political engagement but this time in terms of the NSDAP. Despite his commitment to the NSDAP he still could direct feature movies seldom because of his political history.
15
During the 1940s his health worsened and he became unfit for work. After the end of World War II he returned to his native Altleiningen; he died the following year in Neustadt an der Weinstraße.
16
Jutzi was self-educated. (He seems to have been generally known by the Palatinate dialect form of his given name, Piel, but a lawsuit by Harry Piel forced him to go by "Phil," though many journalists continued to use "Piel."[.
17
Phil Jutzi often wrote the script to his movies.
18
In 1919 he was an administrator of the Internationale Film-Industrie company in Heidelberg, which specialized in detective movies and westerns.
19
He only realised sporadically feature movies.
20
Already directed his first movie in 1913 with "Fieska" (1913) but only after World War I he was able to gain a foothold in the film business.
Director
Title
Year
Status
Character
Richtiges Tragen von Lasten
1944
Documentary short
Schwätzer oder Kerle?
1941
Short
Die Sache mit dem Hermelin
1939
Short
Das Fenster im 2. Stock
1939
Short
Der Haustyrann
1938
Short
Der Schein trügt
1938
Short
Es kann der Beste nicht in Frieden leben
1938
Short
Alkohol und Steuerrad
1937
Short
Der andere Mann
1937
Short
Die Unterschlagung
1937
Short
Sparkasse mit Likör
1937
Short
Pension Elise Nottebohm
1937
Short
Ferngespräch mit Hamburg
1937
Short
Die Seitensprünge des Herrn Blohm
1937
Short
Wiederseh'n macht Freude
1937
Short
Es wird nichts so fein gesponnen
1937
Short
Frauen wollen betrogen sein
1937
Short
Münchhausens neuestes Abenteuer
1936
Short
Zeugen gesucht
1936
Short
Das häßliche Entlein
1936
Short
Die lange Grete
1936
Short
Heiteres und Ernstes um den großen König
1936
Short
Anekdoten um den alten Fritz
1935
Short
Die Frauen haben es leicht
1935
Short
Der Kosak und die Nachtigall
1935
Lockspitzel Asew
1935
as Piel Jutzi
Adam, Eva und der Apfel
1934
Short
Am Telefon wird gewünscht
1934
Short
Aufschnitt
1934
Short
Bitte ein Autogramm!
1934
Short
Carlos schönstes Abenteuer
1934
Short
Die einsame Villa
1934
Short
Mucki
1934
Short
Tante Mariechen
1934
Short
Und sie singt doch
1934
Short
Warum so aufgeregt?
1934
Short
Mausi
1934
Short
Das Geschäft blüht
1934
Short
Ich tanke, Herr Franke
1934
Short
Ich versichere Sie
1934
Short
Ein falscher Fünfziger
1934
Short
Ein fideles Büro
1934
Short
Halb und halb
1934
Short
Herr oder Diener?
1934
Short
Ferner liefen
1934
Short
Frau Eva wird mondain!
1934
Short
Herr Mahler in tausend Nöten
1934
Short
Tempo, Carlo, Tempo
1934
Short
Dr. Bluff
1934
Short
Los Nr. 13 013
1934
Short
Eine wie du
1933
Short
Was gibt's Neues heut?
1933
Short
Die Goldgrube
1933
Short
Berlin-Alexanderplatz - Die Geschichte Franz Biberkopfs
1931
Die Todeszeche
1930
Documentary short
1. Mai - Weltfeiertag der Arbeiterklasse
1929
Documentary short
100000 unter roten Fahnen
1929
Documentary short
Blutmai 1929
1929
Documentary short
Mutter Krausens Fahrt ins Glück
1929
Hunger in Waldenburg
1929
Fröhliche Pfalz
1928
Documentary
Weltstadt im Grünen
1928
Documentary
Kindertragödie
1928
Die Machnower Schleuse
1927
Documentary short
Die rote Front marschiert
1927
Documentary short
Kladd und Datsch, die Pechvögel
1926
Der graue Hund
1922
Der maskierte Schrecken
1921
Feuerteufel
1920
Das blinkende Fenster
1920
Der Fremde mit der Teufelsfratze
1920
unconfirmed
Red Bull, der letzte Apache
1920
Das deutsche Lied. Henkerskarren und Königsthron
1920
Die Rache der Banditen
1920
Die das Licht scheuen...! Aus dem Tagebuch des Meisterdetektivs Ferry White
1919
Bull Arizona
1919
Fiesko
1913
Cinematographer
Title
Year
Status
Character
Flüssigkeitswechselgetriebe
1945
Documentary short
Beerenobstpflanzung und Schnitt
1944
Documentary short
Ackerbodenbearbeitung
1944
Documentary short
Brandenburg-Preußen, Potsdam
1944
Documentary short
Großmarkthalle
1944
Documentary short
Kindergymnastik
1944
Documentary short
Richtiges Tragen von Lasten
1944
Documentary short
Ziegen und Lämmer
1944
Documentary short
Schulgymnastik für Mädchen 12- bis 16jährig
1943
Documentary short
Schulgymnastik für Mädchen 6- bis 9jährig
1943
Documentary short
So ein Früchtchen
1942
Das Gewehr über
1939
Wir marschieren mit
1938
Short
Eine wie du
1933
Short
Was gibt's Neues heut?
1933
Short
Die Todeszeche
1930
Documentary short
Klippen der Ehe
1930
Short
100000 unter roten Fahnen
1929
Documentary short
Mutter Krausens Fahrt ins Glück
1929
Hunger in Waldenburg
1929
The Living Corpse
1929
Fröhliche Pfalz
1928
Documentary unconfirmed
Weltstadt im Grünen
1928
Documentary unconfirmed
Salamandra
1928
Die Machnower Schleuse
1927
Documentary short
Kladd und Datsch, die Pechvögel
1926
Die große Gelegenheit
1925
Fröhlich Pfalz - Gott erhalts
1925
Documentary
Alle Räder stehen still
1921
Writer
Title
Year
Status
Character
Schwätzer oder Kerle?
1941
Short
Der Schein trügt
1938
Short writer
Der andere Mann
1937
Short
Die Unterschlagung
1937
Short
Sparkasse mit Likör
1937
Short
Die Seitensprünge des Herrn Blohm
1937
Short
Wiederseh'n macht Freude
1937
Short
Es wird nichts so fein gesponnen
1937
Short
Frauen wollen betrogen sein
1937
Short
Wie ein Wunder kam die Liebe über Nacht
1936
Short
Die Frauen haben es leicht
1935
Short
Am Telefon wird gewünscht
1934
Short unconfirmed - unconfirmed
Die einsame Villa
1934
Short
Los Nr. 13 013
1934
Short unconfirmed - unconfirmed
Eine wie du
1933
Short writer
1. Mai - Weltfeiertag der Arbeiterklasse
1929
Documentary short writer
Kladd und Datsch, die Pechvögel
1926
Der maskierte Schrecken
1921
Das blinkende Fenster
1920
Die das Licht scheuen...! Aus dem Tagebuch des Meisterdetektivs Ferry White