Clem Portman Net Worth
Clem Portman Net Worth is
$900,000
Clem Portman Bio/Wiki, Net Worth, Married 2018
Clem Portman (1 March 1905 – 21 October 1992) was an American sound engineer. He was nominated for an Academy Award in the category Sound Recording for the film Gaily, Gaily. He worked on over 200 films between 1930 and 1970. | Date Of Birth | March 1, 1905 |
| Died | 1992-10-21 |
| Place Of Birth | Proviso, Illinois, United States |
| Profession | Sound Department |
| Spouse | Alberta Rose Long |
| Star Sign | Pisces |
| # | Fact |
|---|---|
| 1 | Father of Richard Portman. |
Sound Department
| Title | Year | Status | Character |
|---|---|---|---|
| The Happy Ending | 1969 | sound re-recordist | |
| The Reivers | 1969 | re-recording mixer | |
| Gaily, Gaily | 1969 | sound re-recordist | |
| Flareup | 1969 | re-recording mixer | |
| The Secret of Santa Vittoria | 1969 | sound re-recordist | |
| Some Kind of a Nut | 1969 | re-recording mixer | |
| Chastity | 1969 | re-recording engineer | |
| The First Time | 1969 | sound re-recordist | |
| Guns of the Magnificent Seven | 1969 | sound re-recordist | |
| Riot | 1969 | sound recordist | |
| Hell in the Pacific | 1968 | re-recording supervisor | |
| The Thomas Crown Affair | 1968 | sound recordist | |
| Charly | 1968 | re-recording supervisor | |
| The Devil's Brigade | 1968 | sound | |
| The Private Navy of Sgt. O'Farrell | 1968 | sound re-recordist | |
| The Party | 1968 | sound re-recordist | |
| The Wicked Dreams of Paula Schultz | 1968 | re-recordist | |
| Fitzwilly | 1967 | sound re-recordist | |
| Guess Who's Coming to Dinner | 1967 | re-recording | |
| In the Heat of the Night | 1967 | rerecordist | |
| The War Wagon | 1967 | re-recording | |
| The Way West | 1967 | sound re-recordist | |
| Eight on the Lam | 1967 | sound | |
| How to Succeed in Business Without Really Trying | 1967 | sound re-recordist | |
| Hawaii | 1966 | sound re-recordist | |
| What Did You Do in the War, Daddy? | 1966 | sound re-recordist | |
| The Russians Are Coming the Russians Are Coming | 1966 | sound re-recordist | |
| The Fugitive | TV Series re-recording mixer - 45 episodes, 1963 - 1966 sound re-recordist - 35 episodes, 1963 - 1966 re-recording - 8 episodes, 1963 - 1965 | ||
| Frankie and Johnny | 1966 | re-recordist | |
| Cast a Giant Shadow | 1966 | sound re-recordist | |
| Ship of Fools | 1965 | sound re-recordist | |
| The Hallelujah Trail | 1965 | sound re-recordist | |
| The Collector | 1965 | sound re-recordist | |
| Kiss Me, Stupid | 1964 | re-recording | |
| The Candidate | 1964 | sound re-recordist | |
| It's a Mad Mad Mad Mad World | 1963 | sound re-recordist | |
| Stoney Burke | 1962 | TV Series audio supervisor - 1 episode | |
| Sea Divers | 1958 | TV Movie sound recordist | |
| Macabre | 1958 | sound re-recordist | |
| Son of Sinbad | 1955 | sound | |
| Susan Slept Here | 1954 | sound | |
| Dangerous Mission | 1954 | sound | |
| She Couldn't Say No | 1954 | sound | |
| The French Line | 1953 | sound | |
| Devil's Canyon | 1953 | sound | |
| Second Chance | 1953 | sound | |
| Affair with a Stranger | 1953 | sound | |
| Split Second | 1953 | sound | |
| The Hitch-Hiker | 1953 | sound | |
| Angel Face | 1953 | sound | |
| Blackbeard, the Pirate | 1952 | sound | |
| Androcles and the Lion | 1952 | sound | |
| The Lusty Men | 1952 | sound | |
| Beware, My Lovely | 1952 | sound | |
| One Minute to Zero | 1952 | sound | |
| The Big Sky | 1952 | sound | |
| Clash by Night | 1952 | sound | |
| Desert Passage | 1952 | sound | |
| The Half-Breed | 1952 | sound | |
| The Narrow Margin | 1952 | sound | |
| Macao | 1952 | sound | |
| Target | 1952 | sound | |
| Road Agent | 1952 | sound | |
| The Pace That Thrills | 1952 | sound | |
| Trail Guide | 1952 | sound | |
| A Girl in Every Port | 1952 | sound | |
| At Sword's Point | 1952 | sound | |
| The Las Vegas Story | 1952 | sound | |
| Double Dynamite | 1951 | sound | |
| On Dangerous Ground | 1951 | sound | |
| Overland Telegraph | 1951 | sound | |
| Two Tickets to Broadway | 1951 | sound | |
| The Blue Veil | 1951 | sound | |
| The Racket | 1951 | sound | |
| Hot Lead | 1951 | sound | |
| The Whip Hand | 1951 | sound | |
| On the Loose | 1951 | sound | |
| Roadblock | 1951 | sound | |
| Behave Yourself! | 1951 | sound | |
| Pistol Harvest | 1951 | sound | |
| Flying Leathernecks | 1951 | sound | |
| His Kind of Woman | 1951 | sound | |
| Best of the Badmen | 1951 | sound | |
| Gunplay | 1951 | sound | |
| Hard, Fast and Beautiful | 1951 | sound | |
| Sealed Cargo | 1951 | sound | |
| My Forbidden Past | 1951 | sound | |
| Saddle Legion | 1951 | sound | |
| The Thing from Another World | 1951 | sound | |
| Law of the Badlands | 1951 | sound | |
| Payment on Demand | 1951 | sound | |
| The Company She Keeps | 1951 | sound | |
| Gambling House | 1950 | sound | |
| Hunt the Man Down | 1950 | sound | |
| Double Deal | 1950 | sound | |
| Rio Grande Patrol | 1950 | sound | |
| Walk Softly, Stranger | 1950 | sound | |
| Outrage | 1950 | sound | |
| Bunco Squad | 1950 | sound | |
| Never a Dull Moment | 1950 | sound | |
| Border Treasure | 1950 | sound technician | |
| Born to Be Bad | 1950 | sound | |
| Where Danger Lives | 1950 | sound | |
| The White Tower | 1950 | sound | |
| Armored Car Robbery | 1950 | sound | |
| Rider from Tucson | 1950 | sound | |
| Storm Over Wyoming | 1950 | sound | |
| Wagon Master | 1950 | sound | |
| Dynamite Pass | 1950 | sound | |
| The Secret Fury | 1950 | sound | |
| Riders of the Range | 1950 | sound | |
| A Dangerous Profession | 1949 | sound | |
| The Threat | 1949 | sound | |
| Holiday Affair | 1949 | sound | |
| Bride for Sale | 1949 | sound | |
| Easy Living | 1949 | sound | |
| The Woman on Pier 13 | 1949 | sound | |
| The Mysterious Desperado | 1949 | sound | |
| Masked Raiders | 1949 | sound | |
| Mighty Joe Young | 1949 | sound | |
| She Wore a Yellow Ribbon | 1949 | sound | |
| Follow Me Quietly | 1949 | sound | |
| The Big Steal | 1949 | sound | |
| The Clay Pigeon | 1949 | sound | |
| Roughshod | 1949 | sound | |
| Adventure in Baltimore | 1949 | sound | |
| The Set-Up | 1949 | sound | |
| A Woman's Secret | 1949 | sound | |
| Every Girl Should Be Married | 1948 | sound | |
| The Boy with Green Hair | 1948 | sound | |
| Good Sam | 1948 | sound | |
| Variety Time | 1948 | sound editor | |
| They Live by Night | 1948 | sound | |
| The Velvet Touch | 1948 | sound - uncredited | |
| Berlin Express | 1948 | sound | |
| Mr. Blandings Builds His Dream House | 1948 | sound | |
| The Miracle of the Bells | 1948 | sound | |
| If You Knew Susie | 1948 | sound | |
| Tycoon | 1947 | sound | |
| The Judge Steps Out | 1947 | sound | |
| Out of the Past | 1947 | sound | |
| Mourning Becomes Electra | 1947 | sound | |
| Night Song | 1947 | sound | |
| The Bachelor and the Bobby-Soxer | 1947 | sound | |
| Crossfire | 1947 | sound | |
| They Won't Believe Me | 1947 | sound | |
| So Well Remembered | 1947 | sound re-recordist | |
| The Woman on the Beach | 1947 | sound | |
| The Long Night | 1947 | sound | |
| Honeymoon | 1947 | sound | |
| Banjo | 1947 | sound | |
| The Farmer's Daughter | 1947 | sound | |
| Sinbad, the Sailor | 1947 | sound | |
| It's a Wonderful Life | 1946 | sound | |
| The Locket | 1946 | sound | |
| Sister Kenny | 1946 | sound | |
| Notorious | 1946 | sound re-recordist - uncredited | |
| Till the End of Time | 1946 | sound | |
| Without Reservations | 1946 | sound | |
| From This Day Forward | 1946 | sound | |
| Come on Danger | 1942 | sound - uncredited | |
| Citizen Kane | 1941 | sound re-recordist - uncredited | |
| Quality Street | 1937 | sound recordist - uncredited | |
| Smartest Girl in Town | 1936 | recordist | |
| A Woman Rebels | 1936 | sound recordist - uncredited | |
| Don't Turn 'em Loose | 1936 | sound recordist - uncredited | |
| Swing Time | 1936 | sound recordist - uncredited | |
| Bunker Bean | 1936 | recordist | |
| The Ex-Mrs. Bradford | 1936 | sound: second unit - uncredited | |
| Murder on a Bridle Path | 1936 | sound recordist | |
| Love on a Bet | 1936 | sound recordist | |
| All Business | 1936 | Short sound | |
| Muss 'em Up | 1936 | sound recordist - uncredited | |
| Too Many Surprises | 1936 | Short sound | |
| In Person | 1935 | sound recordist - as Clem A. Portman | |
| The Last Days of Pompeii | 1935 | sound recordist | |
| Top Hat | 1935 | sound re-recordist - uncredited | |
| Village Tale | 1935 | sound recordist | |
| The Little Minister | 1934 | recordist | |
| Kentucky Kernels | 1934 | sound re-recordist - uncredited | |
| The Fountain | 1934 | sound recordist | |
| Bachelor Bait | 1934 | sound recordist | |
| Of Human Bondage | 1934 | recordist | |
| This Man Is Mine | 1934 | recordist | |
| Spitfire | 1934 | recordist | |
| Love on a Ladder | 1934 | Short recordist - as C. Portman | |
| The Lost Patrol | 1934 | sound | |
| Ann Vickers | 1933 | sound recordist - uncredited | |
| Midshipman Jack | 1933 | sound recordist | |
| The Gay Nighties | 1933 | Short recordist | |
| Professional Sweetheart | 1933 | sound recordist | |
| Diplomaniacs | 1933 | sound re-recordist - uncredited | |
| Sweepings | 1933 | sound recordist | |
| Scarlet River | 1933 | sound recordist | |
| King Kong | 1933 | re-recording mixer - uncredited | |
| The Cheyenne Kid | 1933 | sound recordist - uncredited | |
| No Other Woman | 1933 | recordist | |
| The Most Dangerous Game | 1932 | recordist | |
| Bird of Paradise | 1932 | sound recordist | |
| The Lost Squadron | 1932 | recordist | |
| Men of Chance | 1931 | sound recordist - uncredited | |
| Are These Our Children | 1931 | sound recordist | |
| Smart Woman | 1931 | sound recordist | |
| Three Who Loved | 1931 | recordist | |
| Bachelor Apartment | 1931 | sound recordist | |
| Cimarron | 1931 | sound recordist | |
| The Silver Horde | 1930 | recordist | |
| Whoopee! | 1930 | sound recordist - uncredited | |
| Danger Lights | 1930 | recordist | |
| Midnight Mystery | 1930 | sound recordist | |
| Alias French Gertie | 1930 | recordist | |
| Framed | 1930 | sound recordist | |
| The McMasters | 1970 | re-recording supervisor | |
| The Delta Factor | 1970 | re-recordist | |
| Halls of Anger | 1970 | sound re-recordist |
Nominated Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 1970 | Oscar | Academy Awards, USA | Best Sound | Gaily, Gaily (1969) |
Known for movies
It's a Wonderful Life (1946)
as Sound Department
The Fugitive (1963-1966)
as Sound Department
In the Heat of the Night (1967)
as Sound Department
Guess Who's Coming to Dinner (1967)
as Sound Department