Robby Müller was born on April 4, 1940 in Willemstad, Curaçao, Netherlands Antilles as Robert Müller. He is known for his work on Sokeja tamsoje (2000), Breaking the Waves (1996) and Dead Man (1995).
National Society of Film Critics Award for Best Cinematography
Nominations
Independent Spirit Award for Best Cinematography, Satellite Award for Best Cinematography
Star Sign
Aries
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Quote
1
The absence of colour can be a stronger factor than the presence of colour.[2008]
2
Wim and I became well known after The American Friend (1977) and I made features in Holland, Germany, France and a few - not many - in America. (...) When you're working there, there's not much room for improvisation and low-budget shooting. It's all well-planned in advance. It's all machinery...so at first you are overwhelmed by it and your work starts looking maybe 'American.' After my first film in Hollywood, I could have been booked out for a year, maintained myself there, got a Green Card, joined the union. But it's not really my world.[1993]
3
I've not been involved with the later Dogma films, but I understand them very well, because that's the way I started. We had nothing. I was not frightened to shoot a complete film with one lamp. Or no light at all. As people dare to do it and take the consequences of it, they will find the light.[2008]
4
In the early days - when I started my career - most cameramen were pretty arrogant. They didn't talk to you. I would have liked it so much to speak with them. But I never have! And now at Camerimage almost everyone you want to see or speak to is there. Storaro - whoever - is there and you can speak to them if you want to. Yes, the feeling stays...Teacher and student, actually I have always remained a student...like everyone.[2008]
5
For me, seeing 8½ (1963) was very important. What that cameraman [Gianni Di Venanzo] did there in a tunnel! Really breathtaking! You could totally understand the way he introduced Claudia Cardinale in that film. A fantastic moment. Ni]cely done. Carried by light.[2008]
6
There are many films made today where the color is not really necessary, but you don't have a choice because the distributor wants color so he can sell it. But I always have a kind of 'thinking exercise' with the director, 'Why not in b&w?' or 'Why not in color?' So if we explain it to ourselves we know where we have to pay attention because, if you make the kind of films I generally make, color could give you too much information. Alice in the Cities (1974), for instance, would have been very bad in color. The same with Down by Law (1986). You would have had so much information around you that it would distract you from what you are telling. "Alice in the Cities"(1973) was originally planned for color. We even had a sponsor, Polaroid, who was bringing out that same year the SX-70 [a compact, reflex-viewing camera for Polaroid film] on a trial market in Florida and they agreed to sponsor us. But when Wim [Wim Wenders] and I discussed it I said this will be no good in color; this little girl will be totally lost in this loud, exotic New York. Polaroid later agreed but they didn't withdraw their sponsorship. [June 1993]
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Fact
1
Lives with his family in a house with a view on the Prinsengracht in Amsterdam, Netherlands.[2008].
2
He was born in the colonial Dutch Antilles and didn't see Holland until he was 13 years old in 1953.
3
Jim Jarmusch at the Lincoln Center, New York, April 2014: "Robby Müller, I learned so much from this man about filmmaking, about a lot of things, about life in general and about light and about recording things and about capturing things in the moment and about trusting instincts. Robby and I had a really wonderful way of working: No storyboard, a shot list only if really necessary for ourselves. I still don't like making a shot list each day when I'm working. Robby's idea is about instincts, trusting your instinct and your intuition and Robby would always say things like: 'Of course we can plan everything in advance and when we go to that location it's a different time of day, the light is different, the clouds are different, so why would we cling to the idea we had previously? We must always be on our feet.' Think on your feet. And we did a lot of interesting things while scouting for this film together which was: We find the most dramatic, incredibly beautiful landscape you could imagine and then we would turn our backs on it and film the other way. [audience laughs] That was something that Robby said: 'Look how magnificent this is, we've seen it in a fucking calender! Let's look over there, it's a small tree and a rock, very sad and emotional, you know?' [audience laughs] So we would film that instead. And this is just one example of the kind of way that Robby thinks. And I learned so much from him, thinking that way. Don't look for the obvious, always keep your eyes open, keep thinking on your feet. Shooting a film is a process and you can't control everything in the process, so be open. Another thing Robby taught me was: O.K., you're shooting a scene outside and suddenly it starts raining. And most crews would say: 'Well, the scene doesn't take place in the rain, so let's pack up and we'll have to stop for today'. And Robby would be: 'I wonder what it would be like, if the scene's in the rain. Maybe it's much better'. Or if we already shot some of it: 'O.K. think of some dialogue where they say it's about the rain, you know?' Like, keep thinking, keep thinking, don't be set in your script. It's something that came from Nicholas Ray, who said: 'If you just gonna shoot the script then why bother?' And that's something Robby also instilled in me. Robby Müller is a kind of brilliant man who's a very rebellious teenager in part of his spirit and yet an incredibly technically gifted person.".
4
Lives in Amsterdam, Netherlands.
5
Member of the 'Official Competition' jury at the 41st Cannes International Film Festival in 1988.
Cinematographer
Title
Year
Status
Character
Alice in the Cities
1974
Die Eltern
1974
TV Movie
Die Reise nach Wien
1973
The Scarlet Letter
1973
Can
1972
Documentary
Marie
1972
TV Movie
The Goalie's Anxiety at the Penalty Kick
1972
Overload
1972
Carlos
1971
TV Movie
Summer in the City
1971
as Robert Müller
Eine Rose für Jane
1970
TV Movie
Der Fall Lena Christ
1970
TV Movie as Robert Müller
Pakbo
1970
TV Movie as Robert Müller
Jonathan
1970
as Robert Müller
Alabama: 2000 Light Years from Home
1969
Short
Toets
1968
Short as Rob Müller
Ashes
2014/VI
Short
Nach grauen Tagen
2004
Short
Visions of Europe
2004
segment "Prologue"
Coffee and Cigarettes
2003
director of photography - segment "Twins"
Poem: I Set My Foot Upon the Air and It Carried Me
2003
segments "Gesang der Geister über den Wassern", "Nach grauen Tagen", "Der Schiffüchige"
24 Hour Party People
2002
director of photography - as Robby Muller
Carib's Leap
2002
Short
My Brother Tom
2001
Dancer in the Dark
2000
director of photography
Ghost Dog: The Way of the Samurai
1999
Shattered Image
1998
The Tango Lesson
1997
as Robby Muller
Breaking the Waves
1996
Al di l
1995
Wenders segment
Dead Man
1995
Hoogste tijd
1995
When Pigs Fly
1993
Mad Dog and Glory
1993
director of photography
Until the End of the World
1991
Red Hot and Blue
1990
TV Movie
Korczak
1990
Aufzeichnungen zu Kleidern und Städten
1989
Documentary
Mystery Train
1989
director of photography
Coffee and Cigarettes II
1989
Short
Il piccolo diavolo
1988
The Believers
1987
director of photography
Barfly
1987
Down by Law
1986
director of photography
The Longshot
1986
director of photography
To Live and Die in L.A.
1985
director of photography - as Robby Muller
Finnegan Begin Again
1985
TV Movie
Body Rock
1984
Paris, Texas
1984
director of photography
Tricheurs
1984
Repo Man
1984
director of photography - as Robby Muller
Un dimanche de flic
1983
Les îles
1983
Klassen Feind
1983
Een zwoele zomeravond
1982
They All Laughed
1981
Honeysuckle Rose
1980
Opname
1979
Saint Jack
1979
Mysteries
1978
Die linkshändige Frau
1978
Die gläserne Zelle
1978
The American Friend
1977
The Wild Duck
1976
Kings of the Road
1976
Es herrscht Ruhe im Land
1976
Das Double
1975
TV Movie
Wrong Move
1975
Wandas Paradies
1975
TV Movie
Perahim - die zweite Chance
1974
Ein bißchen Liebe
1974
Camera Department
Title
Year
Status
Character
Buena Vista Social Club
1999
Documentary director of photography: Amsterdam crew
The Longshot
1986
camera operator
Ich bin ein Elefant, Madame
1969
assistant camera
Liebe und so weiter
1968
assistant camera
To Grab the Ring
1968
assistant camera
Het gangstermeisje
1966
assistant camera
Een ochtend van zes weken
1966
assistant camera
Een zondag op het eiland van de Grande Jatte
1965
Short assistant camera
Actor
Title
Year
Status
Character
Tricheurs
1984
Ingénieur
Saint Jack
1979
Robby (uncredited)
Thanks
Title
Year
Status
Character
Tranceformer - A Portrait of Lars von Trier
1997
Documentary special thanks
Self
Title
Year
Status
Character
Von einem der auszog - Wim Wenders' frühe Jahre
2007
Documentary
Himself
Don't Try This at Home: Von Dogma bis Dogville
2006
Documentary
Himself
Robby Müller on 'Down by Law'
2002
Video documentary short
Himself
Foot on the Moon
1999
Documentary
Himself
De domeinen Ditvoorst
1992
Documentary
Filmreview
1992
TV Series
Himself
Archive Footage
Title
Year
Status
Character
Counterfeit World: Making 'To Live and Die in L.A.'
2003
Video documentary short
Himself
Won Awards
Year
Award
Ceremony
Nomination
Movie
2013
International Award
American Society of Cinematographers, USA
2006
Lifetime Achievement Award
Camerimage
2005
Honorary Award
German Camera Award
2003
Marburg Camera Award
Marburg Camera Award
2002
Special Golden Camera 300
Brothers Manaki International Film Festival
For exceptional contribution to the world film art.