John Frankenheimer Net Worth
John Frankenheimer Net Worth is
$6 Million
John Frankenheimer Bio/Wiki, Net Worth, Married 2018
John Michael Frankenheimer (February 19, 1930 – July 6, 2002) was an American film and television director known for social dramas and action/suspense films. Among his credits were Birdman of Alcatraz (1962), The Manchurian Candidate (1962), Seven Days in May (1964), The Train (1964), Seconds (1966), Grand Prix (1966), French Connection II (1975), Black Sunday (1977), and Ronin (1998).Frankenheimer won four consecutive Emmy Awards in the 1990s for the television movies Against the Wall, The Burning Season, Andersonville, and George Wallace, which also received a Golden Globe award. He was considered one of the last remaining directors who insisted on having complete control over all elements of production, making his style unique in Hollywood.Frankenheimer's 30 feature films and over 50 plays for television were notable for their influence on contemporary thought. He became a pioneer of the "modern-day political thriller," having begun his career at the peak of the Cold War. Technically highly accomplished from his days in live television, many of his films were noted for creating "psychological dilemmas" for his male protagonists along with having a strong "sense of environment," similar in style to films by director Sidney Lumet, for whom he had earlier worked as assistant director. He developed a "tremendous propensity for exploring political situations" which would ensnare his characters.Movie critic Leonard Maltin writes that "in his time [1960s]... Frankenheimer worked with the top writers, producers and actors in a series of films that dealt with issues that were just on top of the moment—things that were facing us all." Date Of Birth | February 19, 1930, Queens, New York City, New York, United States |
Died | July 6, 2002, Los Angeles, California, United States |
Place Of Birth | New York City, New York, USA |
Height | 6' 3" (1.91 m) |
Profession | Director, Miscellaneous Crew, Producer |
Spouse | Evans Evans (m. 1963–2002), Carolyn Miller (m. 1954–1962) |
Children | Kristi Frankenheimer, Elise Frankenheimer |
Parents | Helen Mary Sheedy, Walter Martin Frankenheimer |
Star Sign | Pisces |
# | Trademark |
---|---|
1 | Unusual camera angles and blocking techniques |
2 | Films set in France |
# | Quote |
---|---|
1 | I'm a filmmaker... I like to work. |
2 | [on Alfred Hitchcock] When I say I have been influenced by Hitchcock, I think every director in a certain way has been influenced by Hitchcock, because in many of his films, you find those marvellous moments; but I've never been fulfilled by a Hitchcock film. I would certainly never want to be Hitchcock, and would never want to make films like his because I think they're meaningless. I think all those kind of "after the fact" and "in depth" studies of Hitchcock are ludicrous. If ever there was a commercial director, it was Hitchcock. He's terribly good, but also terribly glib and really a very surface director. I don't think his films contain deep motivations. It's very easy to read things into certain films. He's a clever man and gifted and I often think of what he could have achieved if his talents had been directed toward something more meaningful. |
3 | [on Alfred Hitchcock] Any American director who says he hasn't been influenced by him is out of his mind. |
4 | Many of my films concern the individual trying to find himself in society and trying to maintain his individuality in a mechanized world. I do feel that society wants everybody to be exactly the same. It's so much easier. I think the theme of the indomitability of the human spirit is very much there, and the fight against regimentation. When we talk about life my philosophy is that you have to live your life the way it is. You can change it but you can't change who you are or what you've done before. And you have to live with that. I think that point was very well brought out in Seconds (1966), that's what the film is all about. |
5 | [on Kirk Douglas] He's wanted to be Burt Lancaster all his life. |
6 | No one ever looked like Burt Lancaster in "The Crimson Pirate. [on the impressive physique of friend Lancaster] |
7 | On referring to Val Kilmer and his personal feelings about him while making The Island of Dr. Moreau (1996): Will Rogers never met Val Kilmer. |
8 | There are two things I will never do in my life. I will never climb Mount Everest, and I will never work with Val Kilmer again. There isn't enough money in the world. - in Premiere magazine, April 1997. (Frankenheimer directed the 1996 film The Island of Dr. Moreau (1996), which starred Val Kilmer, with whom he reportedly had personal differences.) |
9 | I feel that my job is to create an atmosphere where creative people can do their best work. In other words, I have to create an atmosphere where these people feel safe, where they feel respected, and where they feel that they can contribute. |
10 | It's very eclectic, the way one chooses subjects in the movie business, especially in the commercial movie business. You need to develop material yourself or material is presented to you as an assignment to direct. |
# | Fact |
---|---|
1 | Named the State Fair (1945) as his favorite film when polled by the AFI's "Private Screenings.". |
2 | Steve Martin's long-time girlfriend in the 1970s, Mitzi Trumbo, left him for Frankenheimer. A number of years later, Frankenheimer tried unsuccessfully to seduce Martin's wife at the time, Victoria Tennant, according to Martin's autobiography. |
3 | 'Burt Lancaster' (aqv) personally chose him to replace 'Arthur Penn' as director of The Train (1964) when Lancaster did not approve of Penn's vision of the film--he wanted a more action-oriented film that would appeal to a wider audience, while Penn envisioned it as being more about the paintings that drove the film's plot. |
4 | Although often thought of as an actor's director, he had a very abrasive working relationship with Sir Dirk Bogarde on The Fixer (1968). Since then, Bogarde always referred to him as "Frankenstein". |
5 | He was married three times. His first wife was called Joanne Evans and they were briefly married while both were college students--chiefly, he claimed, because in the 1940s it was easier than living together. He claimed that neither of them remotely expected the marriage to last long, and it didn't. |
6 | According to Frankenheimer he and Burt Lancaster did not get along doing The Young Savages (1961). In a 1983 interview the director remarked, "We disliked each other intensely. There was no way I was ever going to work with him again." Lancaster changed his mind after seeing the film, and when the actor acquired the rights to "Birdman of Alcatraz" and learned that Frankenheimer wanted to do it, they formed a personal and professional partnership and ended up doing five films together, among them Birdman of Alcatraz (1962). |
7 | Frankenheimer was initially set to direct Breakfast at Tiffany's (1961), but was taken off the film because star Audrey Hepburn had never heard of him. Ironically that gave him the opportunity to do The Manchurian Candidate (1962). |
8 | Was attached to direct Men of War (1994) starring Dolph Lundgren, originally written by John Sayles as "A Safe Place". Dropped out to make a somewhat ecologically similarly themed, The Burning Season: The Chico Mendes Story (1994). |
9 | Owned a 1988 supercharged Mercedes-Benz 560 SEL, which was willed to the Petersen Automotive Museum in Los Angeles upon his death. It can occasionally be seen at the museum on display. |
10 | Was originally set to direct Breakfast at Tiffany's (1961) with Marilyn Monroe in the leading role. |
11 | Directed six actors in Oscar-nominated performances: Burt Lancaster, Telly Savalas, Thelma Ritter, Angela Lansbury, Edmond O'Brien, and Alan Bates. |
12 | Grandson Dylan. |
13 | Had been working on directing Exorcist: The Beginning (2004) at the time of his death. |
14 | One of his biggest dreams when he started directing was to work with a concert orchestra. He eventually did it twice, in Prophecy (1979) and The Holcroft Covenant (1985). |
15 | Directed "For Whom The Bell Tolls" for Playhouse 90 (1956), one of the first showcase dramas to be presented in two parts and on tape. The production, which cost $400,000, was the most expensive TV show at that time (1959). |
16 | The camera work of most directors in "The Golden Age" of TV drama was static, reflecting most TV directors' backgrounds in the theater, and they typically used blocking more appropriate for a stage production. Frankenhiemer was one of the first TV directors to use multiple camera angles, a moving camera, quick editing and close-ups. |
17 | When Burt Lancaster walked onto the set the first day of shooting of The Young Savages (1961), he was startled and dismayed to see the camera on the floor, aiming upward. Lancaster had never before worked with a director who used such innovative camera angles. He grew to trust Frankenhiemer, and they made four more films together. |
18 | Famous for his use of innovative camera angles, Frankenheimer was acclaimed for a shot in The Manchurian Candidate (1962) that is slightly out of focus. He said that the shot was an accident. |
19 | Directed 140 live television dramas for Studio One in Hollywood (1948), Playhouse 90 (1956), The DuPont Show of the Month (1957) and other showcase anthologies. |
20 | Directed the television debuts of Sir John Gielgud and Ingrid Bergman in "The Browning Version" episode for The DuPont Show of the Month (1957) and Startime: The Turn of the Screw (1959), respectively. |
21 | As a director on the You Are There (1953) TV series, he was supervised by fellow director Sidney Lumet. |
22 | Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985." Pages 365-372. New York: The H.W. Wilson Company, 1988. |
23 | Inducted into the Television Hall of Fame in 2002. |
24 | Was approached by Albert R. Broccoli to screen-test for the role of James Bond in Dr. No (1962) (Frankenheimer began his career as an actor). |
25 | Served in the U. S. Air Force. |
26 | Was fluent in French. |
27 | Children: daughters Elise and Kristi Frankenheimer. Kristi, a location manager of 20+ years, worked with her father on several projects, including his last, Path to War (2002), for HBO. |
28 | When Sen. Robert F. Kennedy was shot at the Ambassador Hotel in Los Angeles on June 5, 1968, it was his good friend Frankenheimer who had personally driven him there that day. |
Director
Title | Year | Status | Character |
---|---|---|---|
Path to War | 2002 | TV Movie | |
7up Commercial James Bond Theme | 2001 | Short | |
Ambush | 2001 | Short | |
Reindeer Games | 2000 | ||
Ronin | 1998 | ||
George Wallace | 1997 | TV Movie | |
The Island of Dr. Moreau | 1996 | ||
Andersonville | 1996 | TV Movie | |
The Burning Season: The Chico Mendes Story | 1994 | TV Movie | |
Against the Wall | 1994 | TV Movie | |
Tales from the Crypt | 1992 | TV Series 1 episode | |
Year of the Gun | 1991 | ||
The Fourth War | 1990 | ||
Dead Bang | 1989 | ||
Riviera | 1987 | TV Movie as Alan Smithee | |
52 Pick-Up | 1986 | ||
The Holcroft Covenant | 1985 | ||
The Rainmaker | 1982 | TV Movie | |
The Challenge | 1982 | ||
Prophecy | 1979 | ||
Black Sunday | 1977 | ||
French Connection II | 1975 | ||
99 and 44/100% Dead | 1974 | ||
The Iceman Cometh | 1973 | ||
Story of a Love Story | 1973 | ||
The Horsemen | 1971 | ||
I Walk the Line | 1970 | ||
The Gypsy Moths | 1969 | ||
The Extraordinary Seaman | 1969 | ||
The Fixer | 1968 | ||
Grand Prix | 1966 | ||
Seconds | 1966 | ||
The Train | 1964 | ||
Seven Days in May | 1964 | ||
The Manchurian Candidate | 1962 | ||
Birdman of Alcatraz | 1962 | ||
All Fall Down | 1962 | ||
The Young Savages | 1961 | ||
Playhouse 90 | 1956-1960 | TV Series 27 episodes | |
Sunday Showcase | 1959-1960 | TV Series 2 episodes | |
Buick-Electra Playhouse | 1960 | TV Series 2 episodes | |
The Snows of Kilimanjaro | 1960 | TV Movie | |
The Fifth Column | 1960 | TV Movie | |
Startime | 1959 | TV Series 1 episode | |
The DuPont Show of the Month | 1959 | TV Series 1 episode | |
Studio One in Hollywood | 1958 | TV Series 1 episode | |
The Young Stranger | 1957 | ||
The Ninth Day | 1956 | TV Movie | |
Climax! | 1955-1956 | TV Series 26 episodes | |
Danger | 1954-1955 | TV Series 6 episodes | |
You Are There | 1954 | TV Series 1 episode |
Miscellaneous
Title | Year | Status | Character |
---|---|---|---|
Rod Brown of the Rocket Rangers | 1953-1954 | TV Series floor manager - 58 episodes |
Producer
Title | Year | Status | Character |
---|---|---|---|
Path to War | 2002 | TV Movie executive producer | |
George Wallace | 1997 | TV Movie producer | |
Andersonville | 1996 | TV Movie executive producer | |
The Burning Season: The Chico Mendes Story | 1994 | TV Movie producer | |
The Horsemen | 1971 | producer - uncredited | |
Grand Prix | 1966 | executive producer - uncredited | |
Seconds | 1966 | co-executive producer - uncredited | |
Seven Days in May | 1964 | co-executive producer - uncredited | |
The Manchurian Candidate | 1962 | producer | |
Sunday Showcase | 1959-1960 | TV Series producer - 2 episodes | |
Startime | 1959 | TV Series producer - 1 episode |
Assistant Director
Title | Year | Status | Character |
---|---|---|---|
Person to Person | 1953 | TV Series documentary assistant director - 1953 | |
You Are There | 1953 | TV Series assistant director - 1 episode | |
The Garry Moore Show | 1950 | TV Series assistant director - 1953-1954 | |
Lamp Unto My Feet | 1948 | TV Series assistant director |
Actor
Title | Year | Status | Character |
---|---|---|---|
The General's Daughter | 1999 | Gen. Sonnenberg | |
The Holcroft Covenant | 1985 | Bernie Sussman (voice, uncredited) | |
Black Sunday | 1977 | TV Director (uncredited) |
Writer
Title | Year | Status | Character |
---|---|---|---|
The Butterfly Effect 2 | 2006 | inspired by | |
Grand Prix | 1966 | uncredited | |
The Manchurian Candidate | 1962 | uncredited |
Thanks
Title | Year | Status | Character |
---|---|---|---|
The Life and Times of Kirk Douglas | 2000 | Video documentary short special thanks | |
The Escape | 2016/VI | Short in memory of | |
Edición Especial Coleccionista | 2011 | TV Series in memory of - 1 episode | |
The Butterfly Effect 2 | 2006 | in memory of | |
Exorcist: The Beginning | 2004 | in memory of | |
Cultivision (Collapsing Stars) | 2002 | thanks | |
Reel Radicals: The Sixties Revolution in Film | 2002 | TV Movie documentary special thanks | |
The Contender: The Making of a Political Thriller | 2001 | Video documentary short special thanks |
Self
Title | Year | Status | Character |
---|---|---|---|
Hollywood Greats | 2002 | TV Series documentary | Himself |
Reel Radicals: The Sixties Revolution in Film | 2002 | TV Movie documentary | Himself (uncredited) |
The Contender: The Making of a Political Thriller | 2001 | Video documentary short | Himself |
Jazz Seen: The Life and Times of William Claxton | 2001 | Documentary | Himself |
AFI's 100 Years... 100 Thrills: America's Most Heart-Pounding Movies | 2001 | TV Special documentary | Himself |
HBO First Look | 2000 | TV Series documentary | Himself |
The Life and Times of Kirk Douglas | 2000 | Video documentary short | Himself - Director |
Charlie Rose | 2000 | TV Series | Himself - Guest |
Ronin: Filming in the Fast Lane | 1998 | Video documentary short | Himself |
The 50th Annual Primetime Emmy Awards | 1998 | TV Special | Himself - Winner: Outstanding Directing for a Miniseries or a Movie and Nominated: Outstanding Miniseries |
Biography | 1998 | TV Series documentary | Himself |
The Directors | 1997 | TV Series documentary | Himself |
The 48th Annual Primetime Emmy Awards | 1996 | TV Special | Himself - Winner: Outstanding Directing for a Miniseries or a Special & Nominated: Outstanding Miniseries |
American Masters | 1995 | TV Series documentary | Himself - Director |
The 52nd Annual Golden Globe Awards | 1995 | TV Special | Himself - Winner: Best Mini-Series or Motion Picture Made for TV |
Yul Brynner: The Man Who Was King | 1995 | TV Movie documentary | Himself |
The 46th Annual Primetime Emmy Awards | 1994 | TV Special | Himself - Winner: Outstanding Directing for a Miniseries or a Special |
Reflections on 'Citizen Kane' | 1991 | TV Short documentary | Himself |
The Manchurian Candidate Interviews | 1988 | Video documentary short | Himself |
WOAK Live | 1988 | TV Series | Himself |
Omnibus | 1986 | TV Series documentary | Himself |
The American Sportsman | 1977 | TV Series | Himself |
Frankenheimer | 1971 | TV Short documentary | Himself |
The David Frost Show | 1971 | TV Series | Himself |
Samedi soir | 1971 | TV Series | Himself |
The Sky Divers | 1969 | Documentary short | Himself |
Lionpower from MGM | 1967 | Short | Himself (uncredited) |
Grand Prix: Challenge of the Champions | 1966 | Documentary short | Himself (uncredited) |
Archive Footage
Title | Year | Status | Character |
---|---|---|---|
Electric Boogaloo: The Wild, Untold Story of Cannon Films | 2014 | Documentary | Himself |
Kirk Douglas: Before I Forget | 2009 | Documentary | Himself (uncredited) |
Frankenheimer in Focus | 2009 | Video documentary | Himself |
Pushing the Limit: The Making of 'Grand Prix' | 2006 | Video documentary short | Himself |
The 75th Annual Academy Awards | 2003 | TV Special | Himself (Memorial Tribute) |
Won Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
2002 | PGA Hall of Fame - Motion Pictures | PGA Awards | The Manchurian Candidate (1962) | |
2001 | Hollywood Film Award | Hollywood Film Awards | Outstanding Achievement in Directing | |
1999 | Billy Wilder Award | National Board of Review, USA | ||
1998 | Primetime Emmy | Primetime Emmy Awards | Outstanding Directing for a Miniseries or a Movie | George Wallace (1997) |
1998 | Lifetime Achievement Award | Casting Society of America, USA | ||
1998 | President Award | Ft. Lauderdale International Film Festival | Robert Wise Director of Distinction | |
1998 | Lifetime Achievement Award | San Diego World Film Festival | ||
1997 | Lifetime Achievement Award | Academy of Science Fiction, Fantasy & Horror Films, USA | ||
1997 | CableACE | CableACE Awards | Miniseries | George Wallace (1997) |
1997 | CableACE | CableACE Awards | Directing a Movie or Miniseries | George Wallace (1997) |
1996 | Primetime Emmy | Primetime Emmy Awards | Outstanding Directing for a Miniseries or a Special | Andersonville (1996) |
1995 | Primetime Emmy | Primetime Emmy Awards | Outstanding Individual Achievement in Directing for a Miniseries or a Special | The Burning Season (1994) |
1995 | CableACE | CableACE Awards | Directing a Movie or Miniseries | The Burning Season (1994) |
1994 | Primetime Emmy | Primetime Emmy Awards | Outstanding Individual Achievement in Directing for a Miniseries or a Special | Against the Wall (1994) |
1994 | Special Jury Award | Mystfest | For his whole works. | |
1965 | Bodil | Bodil Awards | Best Non-European Film (Bedste ikke-europæiske film) | Seven Days in May (1964) |
1964 | Boxoffice Blue Ribbon Award | Boxoffice Magazine Awards | Best Picture of the Month for the Whole Family (March) | Seven Days in May (1964) |
1962 | San Giorgio Prize | Venice Film Festival | Birdman of Alcatraz (1962) |
Nominated Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
2003 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Movies for Television | Path to War (2002) |
2003 | PGA Award | PGA Awards | Outstanding Producer of Long-Form Television | Path to War (2002) |
2002 | Primetime Emmy | Primetime Emmy Awards | Outstanding Directing for a Miniseries, Movie or a Dramatic Special | Path to War (2002) |
2002 | Primetime Emmy | Primetime Emmy Awards | Outstanding Made for Television Movie | Path to War (2002) |
2002 | OFTA Television Award | Online Film & Television Association | Best Direction of a Motion Picture or Miniseries | Path to War (2002) |
2001 | Video Premiere Award | DVD Exclusive Awards | Best Internet Video Premiere | Ambush (2001) |
1998 | Primetime Emmy | Primetime Emmy Awards | Outstanding Miniseries | George Wallace (1997) |
1998 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Dramatic Specials | George Wallace (1997) |
1998 | OFTA Television Award | Online Film & Television Association | Best Direction of a Motion Picture or Miniseries | George Wallace (1997) |
1997 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Dramatic Specials | Andersonville (1996) |
1997 | Razzie Award | Razzie Awards | Worst Director | The Island of Dr. Moreau (1996) |
1996 | Primetime Emmy | Primetime Emmy Awards | Outstanding Miniseries | Andersonville (1996) |
1995 | Primetime Emmy | Primetime Emmy Awards | Outstanding Made for Television Movie | The Burning Season (1994) |
1995 | CableACE | CableACE Awards | Directing a Movie or Miniseries | Against the Wall (1994) |
1995 | CableACE | CableACE Awards | Movie or Miniseries | The Burning Season (1994) |
1995 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Dramatic Specials | Against the Wall (1994) |
1994 | Best Film | Mystfest | Against the Wall (1994) | |
1991 | Critics Award | Deauville Film Festival | Year of the Gun (1991) | |
1985 | Best Film | Mystfest | The Holcroft Covenant (1985) | |
1983 | ACE | CableACE Awards | Directing a Theatrical-Non-Musical Program | The Rainmaker (1982) |
1971 | Golden Laurel | Laurel Awards | Best Director | 4th place. |
1970 | Golden Laurel | Laurel Awards | Director | 4th place. |
1968 | Golden Laurel | Laurel Awards | Director | 7th place. |
1967 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | Grand Prix (1966) |
1967 | Golden Laurel | Laurel Awards | Director | 6th place. |
1966 | Palme d'Or | Cannes Film Festival | Seconds (1966) | |
1966 | Golden Laurel | Laurel Awards | Director | 10th place. |
1965 | Golden Globe | Golden Globes, USA | Best Director | Seven Days in May (1964) |
1963 | Golden Globe | Golden Globes, USA | Best Director | The Manchurian Candidate (1962) |
1963 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | Birdman of Alcatraz (1962) |
1963 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | The Manchurian Candidate (1962) |
1963 | Golden Laurel | Laurel Awards | Top Director | 6th place. |
1962 | Palme d'Or | Cannes Film Festival | All Fall Down (1962) | |
1962 | Golden Lion | Venice Film Festival | Birdman of Alcatraz (1962) | |
1960 | Primetime Emmy | Primetime Emmy Awards | Outstanding Directorial Achievement in Drama | Startime (1959) |
1960 | Hugo | Hugo Awards | Best Dramatic Presentation | Startime (1959) |
1959 | Primetime Emmy | Primetime Emmy Awards | Best Direction of a Single Dramatic Program - One Hour or Longer | Playhouse 90 (1956) |
1958 | Primetime Emmy | Primetime Emmy Awards | Best Direction - One Hour or More | Playhouse 90 (1956) |
1957 | Primetime Emmy | Primetime Emmy Awards | Best Direction - One Hour or More | Playhouse 90 (1956) |
1956 | Primetime Emmy | Primetime Emmy Awards | Best Director - Live Series | Climax! (1954) |