Hayao Miyazaki Net Worth
Hayao Miyazaki Net Worth is
$50 Million
Hayao Miyazaki Bio/Wiki, Net Worth, Married 2018
Hayao Miyazaki is a Japanese film director, animator, manga artist, illustrator, producer, and screenwriter. Through a career that has spanned six decades, Miyazaki has attained international acclaim as a maker of anime feature films and, along with Isao Takahata, co-founded... | Full Name | Hayao Miyazaki |
| Net Worth | $50 Million |
| Date Of Birth | January 5, 1941 |
| Place Of Birth | Bunkyō, Tokyo, Japan |
| Height | 5 ft 4 in (1.64 m) |
| Profession | Film Director, Screenwriter, Film Producer, Animator, Writer, Animation Director, Mangaka, Illustrator, Author, Storyboard Artist |
| Education | Gakushuin University, Toyotama High School |
| Nationality | Japan |
| Spouse | Akemi Ôta (m. 1965) |
| Children | Gorō Miyazaki, Keisuke Miyazaki |
| Parents | Dola Miyazaki, Katsuji Miyazaki |
| Siblings | Yutaka Miyazaki, Arita Miyazaki, Shirou Miyazaki |
| Nicknames | 宮崎駿 , Tsutomu Teruki , Miyazaki Hayao , the Japanese Walt Disney |
| Awards | Academy Award for Best Animated Feature Film |
| Nominations | Golden Lion, Grand Jury Prize, César Award for Best Foreign Film, BAFTA Award for Best Foreign Language Film, Best Screenplay Award, Asian Film Award for Best Director, Hugo Award for Best Dramatic Presentation, Long Form, British Independent Film Award for Best International Independent Film, Silv... |
| Movies | Spirited Away, My Neighbor Totoro, Princess Mononoke, Howl's Moving Castle, Castle in the Sky, Nausicaä of the Valley of the Wind, Ponyo, Kiki's Delivery Service, Porco Rosso, The Wind Rises, The Castle of Cagliostro, Whisper of the Heart, Arrietty, From Up on Poppy Hill, Pom Poko, Tales from Earth... |
| Star Sign | Capricorn |
| # | Trademark |
|---|---|
| 1 | Strong female characters |
| 2 | [gorging on food] Sometimes shows a character or a group of characters gorging on a meal. |
| 3 | Often features a pig or an animal related to a pig in his films |
| 4 | Many of his films criticize the use of violence as a means to an end while promoting peaceful reconciliation with one's enemies. |
| 5 | Female protagonists often become part of residences which are monumentally dirty in some respect and need their skills to clean it. (Howl's moving castle by Sophie in Hauru no ugoku shiro; The large bath in Yubaba's bathhouse by Chihiro/Sen in Sen to Chihiro no kamikakushi; The pirate's kitchen by Sheeta in Tenkû no shiro Rapyuta.) |
| 6 | Films often feature incredibly complex machines maintained by strange male characters. (The pirate's airship by the old man in Tenkû no shiro Rapyuta; The bathhouse boiler room by Kamaji in Sen to Chihiro no kamikakushi; Howl's moving castle by Calcifer in Hauru no ugoku shiro.) |
| 7 | Often sets his films in Japanese-influenced versions of European cities |
| 8 | [Aliases] Main characters often have an alias, like "Princess Mononoke"or "Porco Rosso" and are seldomly referred to their real names. |
| 9 | [Labour] Films involve scenes with labour or hommages to working class people and children or women helping out (esp. in "Spirited Away" and"Mononoke"). |
| 10 | Usually includes scenes or stills during the closing titles that let the viewer see what happened to the characters after the events described in the movie. |
| 11 | Films often have two main characters (male and female) one of which is magical or has an unusual past. |
| 12 | Films often involve human protaganists entering a strange land that are forbidden or otherwise inaccessible (ie: the floating islands of Castle in the Sky, the forests in Princess Mononoke, the spirit land in Spirited Away). |
| 13 | Frequently makes references to nature, ecology and pollution in his films (Ponyo, My Neighbor Totoro, Nausicaä, Princess Mononoke, and Spirited Away). |
| 14 | Frequently uses music by Jô Hisaishi |
| 15 | Frequently includes scenes or sequences in which characters fly |
| 16 | His films usually focus on young protagonists or have children that play key roles in the plot. |
| # | Quote |
|---|---|
| 1 | You see, what drives animation is the will of the characters. |
| 2 | To choose one thing means to give up on another. That's inevitable. |
| 3 | The world isn't simple enough to explain in words. |
| 4 | I have learned to accept the fact that I can be useful only in an area in my immediate proximity--say within a 30-meter radius, or 100 meters at most, in a manner of speaking. I've got to accept my own limitations. In the past, I used to feel obliged to do something for the world or humanity. But I have changed a lot over the years. There was a time when I dabbled in the socialist movement, but I must say I was quite naive. When I saw Mao Tse-tung's picture for the first time, I found his face revolting. But everyone told me that he was a "great, warmhearted man," so I tried to think it was just a bad picture. I should have trusted my own gut feeling. That certainly wasn't the only time when I made a bad decision. I still am a man of many mistakes. |
| 5 | Last year and this year, several friends and colleagues of mine died in their 40s and 50s. Death comes to the young and old alike in no set order. It compels you to imagine that the Grim Reaper is ever lurking behind you. I myself become terrified of death when I am in a negative state of mind. But the thought of death ceases to bother me once I become productive. |
| 6 | [When commenting on an animators work in Princess Mononoke] I think those who are into hobbies besides animation are no good after all. It's OK to have some preferences or favorite things of course, but basically only those who could be totally in absorption of what animation demands are qualified as animators. It's good to have extra knowledge about what seems interesting but if it gets as big as to forget about the job, it'd show on the paper I recognize. The animators are to dissolve frustrations only by animating the characters, or so I believe. |
| 7 | My process is thinking... thinking... and thinking. If you have a better way, please let me know. |
| 8 | [When asked if Studio Ghibli and Pixar have a rivalry] The illustrators at Pixar are all people I hold dear, we are not in competition. Our relationship is one that is based on friendship. |
| 9 | [pitching the proposal for Princess Mononoke (1997)] There cannot be a happy ending to the fight between the raging gods and humans. However, even in the middle of hatred and killings, there are things worth living for. A wonderful meeting, or a beautiful thing can exist. We depict hatred, but it is to depict that there are more important things. We depict a curse, to depict the joy of liberation. What we should depict is, how the boy understands the girl, and the process in which the girl opens her heart to the boy. At the end, the girl will say to the boy, "I love you, Ashitaka. But I cannot forgive humans." Smiling, the boy should say, "That is fine. Live with me." |
| 10 | Do everything by hand, even when using the computer. |
| 11 | [on the future of hand-drawn animation] I'm actually not that worried. I wouldn't give up on it completely. Once in a while there are strange, rich people who like to invest in odd things. You're going to have people in the corners of garages making cartoons to please themselves. And I'm more interested in those people than I am in big business. |
| 12 | I think 2-D animation disappeared from Disney because they made so many uninteresting films. They became very conservative in the way they created them. It's too bad. I thought 2-D and 3-D could coexist happily. |
| 13 | When I think about the way the computer has taken over and eliminated a certain experience of life, that makes me sad. When we were animating fire some staff said they had never seen wood burning. I said, "Go watch!" It has disappeared from their daily lives. Japanese baths used to be made by burning firewood. Now you press a button. I don't think you can become an animator if you don't have any experience. |
| 14 | I can't believe companies distribute my movies in America. They're baffling in Japan! I'm well aware there are spots . . . where I'm going to lose the audience . . . Well, it's magic. I don't provide unnecessary explanations. If you want that, you're not going to like my movie. That's just the way it is. |
| 15 | [response to the otaku view of cute female lead characters as a form of wish fulfillment] It's difficult. They immediately become the subjects of rorikon gokko [play toy for Lolita Complex guys]. In a sense, if we want to depict someone who is affirmative to us, we have no choice but to make them as lovely as possible. But now, there are too many people who shamelessly depict such heroines as if they just want such girls as pets, and things are escalating more and more. |
| 16 | Well, yes. I believe that children's souls are the inheritors of historical memory from previous generations. It's just that as they grow older and experience the everyday world that memory sinks lower and lower. I feel I need to make a film that reaches down to that level. If I could do that I would die happy. |
| 17 | Personally I am very pessimistic. But when, for instance, one of my staff has a baby you can't help but bless them for a good future. Because I can't tell that child, "Oh, you shouldn't have come into this life." And yet I know the world is heading in a bad direction. So with those conflicting thoughts in mind, I think about what kind of films I should be making. |
| 18 | Actually I think CGI has the potential to equal or even surpass what the human hand can do. But it is far too late for me to try it. |
| 19 | When you watch the subtitled version you are probably missing just as many things. There is a layer and a nuance you're not going to get. Film crosses so many borders these days. Of course it is going to be distorted. |
| 20 | If [hand-drawn animation] is a dying craft, we can't do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era. |
| 21 | [discussing CGI animation] I've told the people on my CGI staff not to be accurate, not to be true. We're making a mystery here, so make it mysterious. |
| 22 | [asked about his work's role in modern pop-culture] The truth is I have watched almost none of it. The only images I watch regularly come from the weather report. |
| 23 | When I talk about traditions, I'm not talking about temples, which we got from China anyway. There is an indigenous Japan, and elements of that are what I'm trying to capture in my work. |
| 24 | The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics is hopeless. |
| 25 | I'm not going to make movies that tell children, "You should despair and run away". |
| # | Fact |
|---|---|
| 1 | According to animator, Yasuo Ôtsuka, who mentored both Miyazaki and Isao Takahata, Miyazaki got his sense of social responsibility from Takahata and with out him Miyazaki would probably just be interested in comic book material. |
| 2 | He frequents collaborates with writer-director Isao Takahata. |
| 3 | He co-founded Japanese anime company Studio Ghibli. |
| 4 | Is considered to be one of the greatest animators of all time, held in the same rank as Walt Disney and Ralph Bakshi. |
| 5 | Worked from 11am to 9pm every day and only took Sundays off, not Saturdays or holidays. |
| 6 | Kept a photo journal documenting how the 2008 financial crisis affected his town. |
| 7 | Got the name for Studio Ghibli from an airplane, the Italian Caproni Ca.309, whose nickname was Ghibli. |
| 8 | He notes the works of fantasy writers Ursula K. Le Guin, Lewis Carroll, Edward Blishen, Diana Wynne Jones, Roald Dahl and Antoine de Saint-Exupéry, French artist Jean Giraud, the animated films "Hakuja den" (1958)_ and _"Snezhnaya koroleva" (1957)_, and cartoonists Osamu Tezuka and Yuriy Norshteyn as an influence on his work. |
| 9 | Russian animator Yuriy Norshteyn is Miyazaki's friend and praised by him as "a great artist." Norshteyn's "Yozhik v tumane" (1975)_ is one of Miyazaki's favourite animated films. |
| 10 | Miyazaki has had a somewhat uneasy relationship with Osamu Tezuka. Miyazaki honors Tezuka as among the creative artists who inspired him to become an animator, but stated that he felt humiliated when one day someone compared his style to Tezuka's; he felt he had to develop his own style apart from Tezuka's. He had also become increasingly critical of Tezuka's role in the development of anime in Japan and he criticized other animators for the reverential treatment, to the point of worship, given towards Tezuka. |
| 11 | His favourite novels are Ursula K. Le Guin's "Earthsea" series, and he keeps her books at his bedside. |
| 12 | Miyazaki and French writer and illustrator Jean Giraud (a.k.a. Moebius) have influenced each other and had become friends as a result of their mutual admiration. Moebius named his daughter Nausicaa after Miyazaki's heroine. |
| 13 | Miyazaki illustrated the Japanese covers of Antoine de Saint-Exupéry's novels "Night Flight" and "Wind, Sand and Stars" when they were published and released in Japan; he also wrote an afterword for "Wind, Sand and Stars". |
| 14 | Miyazaki claims that he does not believe young manga artists should imitate the work of their predecessors. In his opinion, influence is supposed to drive the medium forward; and although Miyazaki markets his own name brand well, he is nevertheless also critical of the godlike status bestowed on himself. He sees such praise as stifling instead of encouraging the exploration of creativity and the development of a personal style in younger artists. |
| 15 | Preparing Studio Ghibli for two new feature film productions. [December 2008] |
| 16 | He and animator Isao Takahata had wanted to do an animated version of Astrid Lindgren's Pippi Longstocking. This dated back to 1971, when Miyazaki and Takahata prepared to do an animated film called "Pippi Longstocking, the Strongest Girl in the World" ("Nagakutsushita no Pippi, Sekai-ichi Tsuyoi no Onna no Ko"). They traveled to Sweden and not only did extensive research (he scouted the area of Visby in Gottland, where Pippi Longstocking (1969) was filmed), but met Lindgren in person to discuss the project with her. After their meeting with Lindgren, their permission to complete the project was denied and the project was canceled. Among what remains of the project are beautiful watercolored storyboards by Miyazaki himself. Since then, Miyazaki based many of his young heroines on Pippi Longstocking, especially Mimiko in Panda! Go Panda! (1972). |
| 17 | Two of his title characters have been voiced by Batman actors in the English language adaptations of his films. Michael Keaton, who played Batman/Bruce Wayne in Tim Burton's first two films based on the DC character, provided the voice of Porco Rosso in Porco Rosso (1992) (1992) while Christian Bale, who played Batman in the Christopher Nolan Batman films, provided the voice of Howl in Howl's Moving Castle (2004) (2004). |
| 18 | Refused to attend 2002 Academy Awards out of protest over the American invasion of Iraq. |
| 19 | For a long time many of his films were not available in America following the original poor English language version of Nausicaä of the Valley of the Wind (1984), which cut roughly 20 to 30 minutes of time, changed character names and diluted the film's themes. Miyazaki was so upset over this poor handling that he refused to give the distribution rights to anyone who did not agree to follow a more strict translation of the Japanese dialogue and not remove any scenes. Walt Disney Studios eventually agreed to these terms and have been steadily releasing his films ever since, including a new English language version of Nausicaä that restores the lost footage and plays at its proper length. Miyazaki has stated he is very pleased and impressed with Disney's handling and dubbing of his films. |
| 20 | In 1985, along with friend and fellow animator Isao Takahata, founded Studio Ghibli. |
| 21 | A fan of Lauren Bacall, who later did the English voice of the Witch of the Waste in Howl's Moving Castle (2004). |
| 22 | Invited to join AMPAS in 2006. |
| 23 | The majority of the characters he creates are based on real people in his life. |
| 24 | Father of Gorô Miyazaki. |
| 25 | Is good friends with famed Pixar director John Lasseter. |
| 26 | Allows no more than 10% of footage in his films to be computer generated. |
| 27 | Is a fan of Bugs Bunny, particularly of the Bugs Bunny shorts directed by Chuck Jones. |
| 28 | Graduated from Gakushuin University with a degree in political science & economics (1963). |
| 29 | Is an Anglophile. |
| 30 | He sometimes bases characters in his movies on people he knows in real life. For example, in Spirited Away (2001), Chihiro is based on a daughter of one of his friends. |
| 31 | Frequently makes references to nature, ecology, and pollution by humankind in his films, such as My Neighbor Totoro (1988), Nausicaä of the Valley of the Wind (1984), Princess Mononoke (1997), and Spirited Away (2001). |
| 32 | He is sometimes called the "Walt Disney of Japan", but he hates that title. |
Animation Department
| Title | Year | Status | Character |
|---|---|---|---|
| Pan-dane to Tamago-hime | 2010 | Short storyboard | |
| Akage no An: Gurîn Gêburuzu e no michi | 2010 | layout artist | |
| House-hunting | 2006 | Short storyboard | |
| Space Adventure Cobra | 1982 | key animator | |
| The New Adventures of Gigantor | 1980 | TV Series key animator - 1 episode | |
| Rupan sansei: Kariosutoro no shiro | 1979 | character designer | |
| Anne of Green Gables | TV Series layout artist - 15 episodes, 1979 scene planner - 15 episodes, 1979 | ||
| Mirai shônen Konan | TV Series layout artist - 26 episodes, 1978 mechanical designer - 26 episodes, 1978 | ||
| Araiguma Rasukaru | 1977 | TV Series key animator - 1977 | |
| 3000 Leagues in Search of Mother | 1976 | TV Series animator / layout artist | |
| Furandâsu no inu | 1975 | TV Series animator - 1975 | |
| Heidi: A Girl of the Alps | TV Series layout artist - 52 episodes, 1974 scene designer - 52 episodes, 1974 | ||
| Isamu the Wilderness Boy | 1973 | TV Series animator | |
| Panda kopanda amefuri sâkasu no maki | 1973 | Short key animator / layout artist | |
| Panda! Go Panda! | 1972 | Short key animator / layout artist | |
| Sarutobi ecchan | 1971 | TV Series animator - 1 episode | |
| Ari-Baba to yonjuppiki no tozoku | 1971 | key animator | |
| Dobutsu takarajima | 1971 | key animator | |
| Himitsu no Akko-chan | 1969-1970 | TV Series key animator - 2 episodes | |
| Sora tobu yûreisen | 1969 | animator | |
| Nagagutsu o haita neko | 1969 | key animator | |
| Taiyô no ôji Horusu no daibôken | 1968 | key animator | |
| Mahô tsukai Sarî | 1968 | TV Series key animator - 2 episodes | |
| Hustle Punch | 1965 | TV Series key animator | |
| Gulliver's Travels Beyond the Moon | 1965 | inbetween artist | |
| Fujimaru of the Wind | 1964 | TV Series inbetween artist - 1964 / key animator - 1964 | |
| Wanwan Chûshingura | 1963 | inbetween artist | |
| Okami shônen Ken | 1963 | TV Series inbetween artist - 1963 |
Director
| Title | Year | Status | Character |
|---|---|---|---|
| Kaze tachinu | 2013 | ||
| Pan-dane to Tamago-hime | 2010 | Short | |
| Ponyo | 2008 | ||
| House-hunting | 2006 | Short | |
| Monmon the Water Spider | 2006 | Short | |
| The Day I Bought a Star | 2006 | Short | |
| Howl's Moving Castle | 2004 | ||
| Koro's Big Day Out | 2002 | Short | |
| Mei to Koneko basu | 2002 | Short | |
| Imaginary Flying Machines | 2002 | Short | |
| The Whale Hunt | 2001 | Short | |
| Spirited Away | 2001 | ||
| Princess Mononoke | 1997 | ||
| On Your Mark | 1995 | Short | |
| Porco Rosso | 1992 | ||
| Kiki's Delivery Service | 1989 | ||
| My Neighbor Totoro | 1988 | ||
| Castle in the Sky | 1986 | ||
| Sherlock Hound | TV Series 20 episodes, 1984 - 1985 series director - 6 episodes, 1984 - 1985 | ||
| Mirai shônen Konan Tokubetsu-hen: Kyodaiki Giganto no Fukkatsu | 1984 | ||
| Nausicaä of the Valley of the Wind | 1984 | ||
| Lupin the 3rd | 1980 | TV Series 2 episodes | |
| Rupan sansei: Kariosutoro no shiro | 1979 | ||
| Mirai shônen Konan | 1978 | TV Series 26 episodes | |
| Rupan sansei | 1971-1972 | TV Series 15 episodes | |
| Yuki no taiyô | 1972 | Short |
Writer
| Title | Year | Status | Character |
|---|---|---|---|
| Kaze tachinu | 2013 | comic / screenplay | |
| From Up on Poppy Hill | 2011 | screenplay | |
| Takara-sagashi | 2011 | Short planning | |
| Pan-dane to Tamago-hime | 2010 | Short written by | |
| The Secret World of Arrietty | 2010 | screenplay | |
| Chûzumô | 2010 | Short | |
| Ponyo | 2008 | written by | |
| Ninja Love | 2007 | Video short characters - uncredited | |
| Gedo senki | 2006 | concept | |
| House-hunting | 2006 | Short written by | |
| Monmon the Water Spider | 2006 | Short written by | |
| The Day I Bought a Star | 2006 | Short screenplay | |
| Howl's Moving Castle | 2004 | screenplay | |
| Mania: Secret of the Green Tentacle | 2003 | Video short characters - uncredited | |
| Anime Fiction 2 | 2003 | Video characters - uncredited | |
| Koro's Big Day Out | 2002 | Short | |
| Mei to Koneko basu | 2002 | Short | |
| Imaginary Flying Machines | 2002 | Short | |
| The Whale Hunt | 2001 | Short | |
| Spirited Away | 2001 | written by | |
| Mirai shônen Konan 2 - Taiga daibôken | 1999 | TV Series concept | |
| Princess Mononoke | 1997 | written by | |
| Rupan sansei: Chateau de Cagliostro Saikai | 1997 | Video Game adaptation & story | |
| Mimi wo sumaseba | 1995 | screenplay | |
| On Your Mark | 1995 | Short | |
| Pom Poko | 1994 | idea | |
| Porco Rosso | 1992 | written by | |
| Nadia: The Secret of Blue Water | 1990-1991 | TV Series story - 39 episodes | |
| Kiki's Delivery Service | 1989 | screenplay | |
| My Neighbor Totoro | 1988 | written by | |
| Castle in the Sky | 1986 | written by | |
| Sherlock Hound | 1984 | TV Series 1 episode | |
| Nausicaä of the Valley of the Wind | 1984 | comic / screenplay | |
| Lupin the 3rd | TV Series written by - 1 episode, 1980 script - 1 episode, 1980 | ||
| Rupan sansei: Kariosutoro no shiro | 1979 | screenplay | |
| Panda kopanda amefuri sâkasu no maki | 1973 | Short original concept / screenplay | |
| Panda! Go Panda! | 1972 | Short original concept / screenplay |
Art Department
| Title | Year | Status | Character |
|---|---|---|---|
| Lupin the 3rd | 1980 | TV Series storyboard artist - 2 episodes | |
| Rupan sansei: Kariosutoro no shiro | 1979 | storyboard artist | |
| Anne of Green Gables | 1979 | TV Series scene designer - 15 episodes | |
| Mirai shônen Konan | 1978 | TV Series storyboard artist | |
| 3000 Leagues in Search of Mother | 1976 | TV Series scene designer | |
| Heidi: A Girl of the Alps | 1974 | TV Series scene designer | |
| Panda kopanda amefuri sâkasu no maki | 1973 | Short art designer | |
| Panda! Go Panda! | 1972 | Short art designer | |
| Akadô Suzunosuke | 1972 | TV Series storyboard artist | |
| Taiyô no ôji Horusu no daibôken | 1968 | scene designer | |
| House-hunting | 2006 | Short storyboard artist | |
| Mimi wo sumaseba | 1995 | storyboard artist | |
| My Neighbor Totoro | 1988 | storyboard artist | |
| Sherlock Hound | 1984-1985 | TV Series storyboard artist - 5 episodes |
Producer
| Title | Year | Status | Character |
|---|---|---|---|
| The Secret World of Arrietty | 2010 | executive producer | |
| Ponyo | 2008 | executive producer | |
| House-hunting | 2006 | Short producer | |
| Monmon the Water Spider | 2006 | Short producer | |
| Howl's Moving Castle | 2004 | executive producer | |
| Neko no ongaeshi | 2002 | executive producer | |
| Mimi wo sumaseba | 1995 | supervising producer | |
| Pom Poko | 1994 | executive producer | |
| Only Yesterday | 1991 | production producer | |
| Kiki's Delivery Service | 1989 | producer | |
| The Story of Yanagawa's Canals | 1987 | Documentary producer |
Miscellaneous
| Title | Year | Status | Character |
|---|---|---|---|
| From Up on Poppy Hill | 2011 | planning | |
| The Secret World of Arrietty | 2010 | planner | |
| Kusoh no kikai-tachi no naka no hakai no hatsumei | 2002 | Short planner | |
| Neko no ongaeshi | 2002 | project concept | |
| Mirai shônen Konan Tokubetsu-hen: Kyodaiki Giganto no Fukkatsu | 1984 | director: archive footage | |
| Panda! Go Panda! | 1972 | Short screen design | |
| Ari-Baba to yonjuppiki no tozoku | 1971 | organizer | |
| Dobutsu takarajima | 1971 | story consultant |
Editor
| Title | Year | Status | Character |
|---|---|---|---|
| Ponyo | 2008 | ||
| Princess Mononoke | 1997 | ||
| Porco Rosso | 1992 | ||
| Castle in the Sky | 1986 |
Soundtrack
| Title | Year | Status | Character |
|---|---|---|---|
| From Up on Poppy Hill | 2011 | lyrics: "Kon'iro no Uneri ga" | |
| Ponyo | 2008 | lyrics: "Gake no ue no Ponyo", "Umi no okâsan" | |
| Princess Mononoke | 1997 | lyrics: "Mononoke-Hime/Princess Mononoke Theme Song", "Princess Mononoke Theme Song Mononoke-Hime", "The Tatara Women Work Song Tatara Fumu Onnatachi" | |
| My Neighbor Totoro | 1988 | lyrics: "Tonari no Totoro" |
Actor
| Title | Year | Status | Character |
|---|---|---|---|
| Kyoshinhei Tôkyô ni arawaru | 2012 | Short | Giant robot (voice) |
| Mei to Koneko basu | 2002 | Short | Neko Bâchan / Totoro (voice) |
| Imaginary Flying Machines | 2002 | Short | Narrator (voice) |
Thanks
| Title | Year | Status | Character |
|---|---|---|---|
| Avengers: Age of Ultron | 2015 | thanks: Laputa robot courtesy of Studio Ghibli | |
| La Luna | 2011 | Short special thanks | |
| Toy Story 3 | 2010 | special thanks | |
| StarCraft | 1998 | Video Game thanks - as Miyazaki Hayao |
Self
| Title | Year | Status | Character |
|---|---|---|---|
| NHK supesharu | 2016 | TV Series documentary | Himself |
| Jônetsu tairiku | 2014 | TV Series documentary | Himself |
| The 86th Annual Academy Awards | 2014 | TV Special | Himself - Nominee: Best Animated Film (credit only) |
| Professional: Shigoto no ryûgi | 2007-2013 | TV Series documentary | Himself |
| Yume to kyôki no ôkoku | 2013 | Documentary | Himself |
| Tatsujin tachi: Switch Interview | 2013 | TV Series | Himself |
| Futari: kokuriko zaka -chichi to ko no 300 nichi senso- | 2011 | TV Movie documentary | Himself |
| Kurosawa's Way | 2011 | Documentary | Himself |
| TalkAsia | 2011 | TV Series | Himself |
| Miwa, à la recherche du lézard noir | 2010 | Documentary | Himself |
| Ponyo: A Conversation with Miyazaki and John Lasseter | 2010 | Video documentary short | Himself |
| News Zero | 2009 | TV Series | Himself |
| Cinema 3 | 2009 | TV Series | Himself |
| 100 Nen Interview | 2008 | TV Series | Himself |
| The South Bank Show | 2006 | TV Series documentary | Himself |
| Le voyage de Chihiro: La philosophie du studio Ghibli | 2005 | Video documentary short | Himself |
| Ghibli et le mystère Miyazaki | 2005 | TV Movie documentary | Himself / Interviewee |
| Princess Mononoke: Making of a Masterpiece | 2004 | Video documentary | Himself |
| The Art of 'Spirited Away' | 2003 | Video documentary short | Himself |
| Japanorama | 2002 | TV Series documentary | Himself |
| Top Runner | 1997 | TV Series | Himself |
| Manga! | 1994 | TV Movie documentary | Himself |
| Eiga ni koishite aishite ikite Akira Kurosawa & Hayao Miyazaki | 1993 | TV Movie | Himself |
| Tenkû no shiro Rapyuta: Promotion | 1986 | Documentary short | Himself |
Archive Footage
| Title | Year | Status | Character |
|---|---|---|---|
| The 87th Annual Academy Awards | 2015 | TV Special | Himself - Honorary Award |
| Troldspejlet | 2009 | TV Series | Himself |
Won Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2015 | Honorary Award | Academy Awards, USA | ||
| 2014 | Annie | Annie Awards | Outstanding Achievement in Writing in an Animated Feature Production | Kaze tachinu (2013) |
| 2014 | Award of the Japanese Academy | Awards of the Japanese Academy | Best Animation Film | Kaze tachinu (2013) |
| 2014 | Truly Moving Picture Award | Heartland Film | Kaze tachinu (2013) | |
| 2014 | Animation of the Year | Tokyo Anime Award | Film Category | Kaze tachinu (2013) |
| 2014 | Best Screenplay/Original Story | Tokyo Anime Award | Film Category | Kaze tachinu (2013) |
| 2013 | EDA Award | Alliance of Women Film Journalists | Best Animated Feature Film | Kaze tachinu (2013) |
| 2013 | Audience Award | Mill Valley Film Festival | Animation | Kaze tachinu (2013) |
| 2010 | OFTA Film Hall of Fame | Online Film & Television Association | Creative | |
| 2009 | Animation of the Year | Tokyo Anime Award | Gake no ue no Ponyo (2008) | |
| 2009 | Best Director | Tokyo Anime Award | Gake no ue no Ponyo (2008) | |
| 2009 | Notable Entry | Tokyo Anime Award | Domestic Feature Film Category | Gake no ue no Ponyo (2008) |
| 2009 | Best Original Story | Tokyo Anime Award | Gake no ue no Ponyo (2008) | |
| 2008 | Future Film Festival Digital Award - Special Mention | Venice Film Festival | Gake no ue no Ponyo (2008) | |
| 2008 | Mimmo Rotella Foundation Award | Venice Film Festival | Gake no ue no Ponyo (2008) | |
| 2007 | Nebula Award | Science Fiction and Fantasy Writers of America | Best Script | Hauru no ugoku shiro (2004) |
| 2005 | Hollywood Film Award | Hollywood Film Awards | Animation of the Year | Hauru no ugoku shiro (2004) |
| 2005 | Readers' Choice Award | Mainichi Film Concours | Best Film | Hauru no ugoku shiro (2004) |
| 2005 | Animation of the Year | Tokyo Anime Award | Hauru no ugoku shiro (2004) | |
| 2005 | Best Director | Tokyo Anime Award | Hauru no ugoku shiro (2004) | |
| 2005 | Career Golden Lion | Venice Film Festival | ||
| 2004 | Special Prize of the Jury | Sitges - Catalonian International Film Festival | For the whole of his career. | |
| 2004 | Audience Award | Sitges - Catalonian International Film Festival | Best Feature Film | Hauru no ugoku shiro (2004) |
| 2004 | Lifetime Achievement Award | Zagreb World Festival of Animated Films | ||
| 2003 | Oscar | Academy Awards, USA | Best Animated Feature | Sen to Chihiro no kamikakushi (2001) |
| 2003 | Silver Scream Award | Amsterdam Fantastic Film Festival | Sen to Chihiro no kamikakushi (2001) | |
| 2003 | Annie | Annie Awards | Outstanding Directing in an Animated Feature Production | Sen to Chihiro no kamikakushi (2001) |
| 2003 | Annie | Annie Awards | Outstanding Writing in an Animated Feature Production | Sen to Chihiro no kamikakushi (2001) |
| 2003 | Audience Award | Cambridge Film Festival | Best Film | Sen to Chihiro no kamikakushi (2001) |
| 2003 | Christopher Award | Christopher Awards | Film | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Lifetime Achievement Award | Awards of the Japanese Academy | ||
| 2002 | Golden Berlin Bear | Berlin International Film Festival | Sen to Chihiro no kamikakushi (2001) | |
| 2002 | Blue Ribbon Award | Blue Ribbon Awards | Best Film | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Cinekid Film Award | Cinekid | Sen to Chihiro no kamikakushi (2001) | |
| 2002 | Best Film | Durban International Film Festival | Sen to Chihiro no kamikakushi (2001) | |
| 2002 | Audience Award | Jeonju Film Festival | Sen to Chihiro no kamikakushi (2001) | |
| 2002 | Readers' Choice Award | Kinema Junpo Awards | Best Film | Sen to Chihiro no kamikakushi (2001) |
| 2002 | LAFCA Award | Los Angeles Film Critics Association Awards | Best Animation | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Mainichi Film Concours | Mainichi Film Concours | Best Film | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Mainichi Film Concours | Mainichi Film Concours | Best Animated Film | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Mainichi Film Concours | Mainichi Film Concours | Best Director | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Ofuji Noburo Award | Mainichi Film Concours | Kujira tori (2001) | |
| 2002 | Readers' Choice Award | Mainichi Film Concours | Best Film | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Audience Award | San Francisco International Film Festival | Best Narrative Feature | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Special Mention | Sitges - Catalonian International Film Festival | Sen to Chihiro no kamikakushi (2001) | |
| 2002 | Animation of the Year | Tokyo Anime Award | Grand Prix | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Best Director | Tokyo Anime Award | Film Category | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Best Screenplay | Tokyo Anime Award | Film Category | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Best Character Design | Tokyo Anime Award | Film Category | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Notable Entry | Tokyo Anime Award | Domestic Feature Film Category | Sen to Chihiro no kamikakushi (2001) |
| 2002 | UFCA Award | Utah Film Critics Association Awards | Best Director | Sen to Chihiro no kamikakushi (2001) |
| 2002 | UFCA Award | Utah Film Critics Association Awards | Best Screenplay | Sen to Chihiro no kamikakushi (2001) |
| 1998 | Winsor McCay Award | Annie Awards | ||
| 1998 | Special Award | Blue Ribbon Awards | Mononoke-hime (1997) | |
| 1998 | Readers' Choice Award | Kinema Junpo Awards | Best Film | Mononoke-hime (1997) |
| 1998 | Mainichi Film Concours | Mainichi Film Concours | Best Film | Mononoke-hime (1997) |
| 1998 | Mainichi Film Concours | Mainichi Film Concours | Best Animated Film | Mononoke-hime (1997) |
| 1998 | Readers' Choice Award | Mainichi Film Concours | Best Film | Mononoke-hime (1997) |
| 1997 | Special Award | Hochi Film Awards | Mononoke-hime (1997) | |
| 1997 | Nikkan Sports Film Award | Nikkan Sports Film Awards | Best Director | Mononoke-hime (1997) |
| 1993 | Mainichi Film Concours | Mainichi Film Concours | Best Animated Film | Kurenai no buta (1992) |
| 1990 | Readers' Choice Award | Kinema Junpo Awards | Best Japanese Film Director | Majo no takkyûbin (1989) |
| 1990 | Mainichi Film Concours | Mainichi Film Concours | Best Animated Film | Majo no takkyûbin (1989) |
| 1989 | Special Award | Blue Ribbon Awards | Tonari no Totoro (1988) | |
| 1989 | Kinema Junpo Award | Kinema Junpo Awards | Best Film | Tonari no Totoro (1988) |
| 1989 | Readers' Choice Award | Kinema Junpo Awards | Best Japanese Film | Tonari no Totoro (1988) |
| 1989 | Mainichi Film Concours | Mainichi Film Concours | Best Film | Tonari no Totoro (1988) |
| 1989 | Ofuji Noburo Award | Mainichi Film Concours | Tonari no Totoro (1988) | |
| 1987 | Ofuji Noburo Award | Mainichi Film Concours | Tenkû no shiro Rapyuta (1986) | |
| 1985 | Best Short Film | Fantafestival | Kaze no tani no Naushika (1984) | |
| 1985 | Readers' Choice Award | Kinema Junpo Awards | Best Film | Kaze no tani no Naushika (1984) |
| 1985 | Ofuji Noburo Award | Mainichi Film Concours | Kaze no tani no Naushika (1984) | |
| 1980 | Mainichi Film Concours | Mainichi Film Concours | Ofuji Noburo Award | Rupan sansei: Kariosutoro no shiro (1979) |
Nominated Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2016 | Cinema Bloggers Award | Cinema Bloggers Awards, Portugal | Best Director - National Competition | Kaze tachinu (2013) |
| 2015 | IOMA | Italian Online Movie Awards (IOMA) | Best Adapted Screenplay (Miglior sceneggiatura non originale) | Kaze tachinu (2013) |
| 2015 | IOMA | Italian Online Movie Awards (IOMA) | Best Animated Feature Film (Miglior film d'animazione) | Kaze tachinu (2013) |
| 2014 | Oscar | Academy Awards, USA | Best Animated Feature Film of the Year | Kaze tachinu (2013) |
| 2014 | Gold Derby Award | Gold Derby Awards | Foreign Language Film | Kaze tachinu (2013) |
| 2014 | Gold Derby Award | Gold Derby Awards | Animated Feature | Kaze tachinu (2013) |
| 2014 | Kinema Junpo Award | Kinema Junpo Awards | Best Film | Kaze tachinu (2013) |
| 2013 | Annie | Annie Awards | Writing in an Animated Feature Production | Kokuriko-zaka kara (2011) |
| 2013 | Blue Ribbon Award | Blue Ribbon Awards | Best Director | Kaze tachinu (2013) |
| 2013 | Grand Marnier Fellowship Award | New York Film Festival | Best Film | Kaze tachinu (2013) |
| 2013 | OFCS Award | Online Film Critics Society Awards | Best Director | Kaze tachinu (2013) |
| 2013 | OFCS Award | Online Film Critics Society Awards | Best Adapted Screenplay | Kaze tachinu (2013) |
| 2013 | Golden Lion | Venice Film Festival | Kaze tachinu (2013) | |
| 2010 | Annie | Annie Awards | Directing in a Feature Production | Gake no ue no Ponyo (2008) |
| 2010 | Gold Derby Award | Gold Derby Awards | Creative Person of the Decade | |
| 2009 | Asian Film Award | Asian Film Awards | Best Director | Gake no ue no Ponyo (2008) |
| 2009 | SLFCA Award | St. Louis Film Critics Association, US | Best Animated Feature Film | Gake no ue no Ponyo (2008) |
| 2008 | Golden Lion | Venice Film Festival | Gake no ue no Ponyo (2008) | |
| 2006 | Oscar | Academy Awards, USA | Best Animated Feature Film of the Year | Hauru no ugoku shiro (2004) |
| 2006 | Annie | Annie Awards | Best Directing in an Animated Feature Production | Hauru no ugoku shiro (2004) |
| 2006 | Annie | Annie Awards | Best Writing in an Animated Feature Production | Hauru no ugoku shiro (2004) |
| 2006 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Hauru no ugoku shiro (2004) |
| 2004 | BAFTA Film Award | BAFTA Awards | Best Film not in the English Language | Sen to Chihiro no kamikakushi (2001) |
| 2004 | Silver Condor | Argentinean Film Critics Association Awards | Best Foreign Film (Mejor Película Extranjera) | Sen to Chihiro no kamikakushi (2001) |
| 2004 | Nebula Award | Science Fiction and Fantasy Writers of America | Best Script | Sen to Chihiro no kamikakushi (2001) |
| 2004 | Best Film | Sitges - Catalonian International Film Festival | Hauru no ugoku shiro (2004) | |
| 2004 | Golden Lion | Venice Film Festival | Hauru no ugoku shiro (2004) | |
| 2003 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Writing | Sen to Chihiro no kamikakushi (2001) |
| 2003 | César | César Awards, France | Best Foreign Film (Meilleur film étranger) | Sen to Chihiro no kamikakushi (2001) |
| 2003 | Hugo | Hugo Awards | Best Dramatic Presentation - Long Form | Sen to Chihiro no kamikakushi (2001) |
| 2002 | Screen International Award | European Film Awards | Sen to Chihiro no kamikakushi (2001) | |
| 2002 | Best Film | Sitges - Catalonian International Film Festival | Sen to Chihiro no kamikakushi (2001) | |
| 2001 | Nebula Award | Science Fiction and Fantasy Writers of America | Best Script | Mononoke-hime (1997) |
| 2000 | Annie | Annie Awards | Outstanding Individual Achievement for Directing in an Animated Feature Production | Mononoke-hime (1997) |
| 2000 | Sierra Award | Las Vegas Film Critics Society Awards | Best Animated Film | Mononoke-hime (1997) |
2nd Place Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2013 | LAFCA Award | Los Angeles Film Critics Association Awards | Best Animation | Kaze tachinu (2013) |
| 2013 | SLFCA Award | St. Louis Film Critics Association, US | Best Animated Feature Film | Kaze tachinu (2013) |
Known for movies
Spirited Away (2001)
as Director
Princess Mononoke (1997)
as Director
Howl's Moving Castle (2004)
as Director
Nausicaä of the Valley of the Wind (1984)
as Director