Linwood Gale Dunn Net Worth

Linwood Gale Dunn Net Worth is
$800,000

Linwood Gale Dunn Bio/Wiki, Net Worth, Married 2018

Linwood G. Dunn, A.S.C. (December 27, 1904, Brooklyn, New York – May 20, 1998, Los Angeles) was a pioneer of visual special effects in motion pictures and inventor of related technology. Dunn worked on many films and TV series including the original 1933 King Kong (1933), Citizen Kane (1941), and Star Trek (1966–69).

Date Of BirthDecember 27, 1904
Died1998-05-20
Place Of BirthNew York City, New York, USA
ProfessionVisual Effects, Special Effects, Camera Department
Star SignCapricorn
#Fact
1Had been a member of the American Society of Cinematographers (ASC) since 1950. Served as President from 1977 to 1988.
2Avid inventor, was working to develop 3D system for American television, up until his death.
3Society of Motion Picture and Television Engineers, (SMPTE). Active member.
4The Academy of Motion Pictures Arts and Sciences has named a theater after him. The Linwood Dunn Theatre is part of the Pickford Center located at 1313 North Vine Street in Hollywood.
5In the early 1970s, he consented to a live television interview in a city where he was about to give one of his lectures. It became apparent that the interviewer thought that "special effects" meant "sound effects."
6He shot the famous RKO Radio Pictures logo.
7In the final weeks of his life, he was at work on a digital system for exhibition.
8In 1985, he sold his company, Film Effects of Hollywood, and "retired." He continued to give lectures and serve as a consultant on domestic and international productions.
9When RKO ended production, he expanded his own company, Film Effects of Hollywood, by leasing RKO's special effects department. This enabled him to provided even greater special effects services to other producers.
10In the first year of World War II, as the leading expert on optical printing, Eastman Kodak approached him about the need for optical printers in the photographic units of the armed forces. Together with his associate Cecil Love, he designed an optical printer that was built by the Acme Tool and Manufacturing Company of Burbank. This became the Acme-Dunn Optical Printer, the first commercially available optical printer.
11During the Great Depression, Pathe failed and went into receivership. Dunn supported himself by working as a musician and in the reduced position as a camera operator. He received a short-term assignment at the Photographic Effects Department at a new studio, RKO Radio. This job, which was intended to last for less than a week, became a career and he remained with the company until it ceased production in 1957. At RKO he became the head of the Optical Effects Department and later the entire Special Effects Department.
12In the 1970s he bacame a noted lecturer on his career. One of his gigs included a presentation at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
13As the head of RKO's Optical Effects Department, and then head of the entire Special Effects Department, he worked on virtually all RKO-produced films, usually without on-screen credit.
14He was assigned by RKO to teach a novice director named Orson Welles about the optical printer. The more that Welles learned about his capabilities with the device, the more changes he demanded for shots that had already been filmed for Citizen Kane (1941).
15He built one of the first optical printers using a Mitchell camera and a projector mounted on a heavy lathe bed.
16He developed and built one of the first zoom lenses.
17He became a First Cameraman (Director of Photography) on one of the last silent serials, Queen of the Northwoods (1929), co-directed by his uncle, Spencer Gordon Bennet.
18He was a member of the American Society of Cinematographers. For a quarter of a century he was on the society's board of directors. He also served stints as the treasurer and even their president.
19In 1946, while still at RKO, he established his own independent special effects company, Film Effects of Hollywood. The company specialized in optical effects and optical printing services. including adapting foreign film standards to U.S. standards and the handling of large format films.
20He was regarded as the master of the optical printer. He made refinements to the optical printer and developed techniques for its use in special visual effects.
21His uncle was noted serial director Spencer Gordon Bennet. He hired Dunn as an assistant cameraman on The Green Archer (1940). When Pathe moved its serial unit to Hollywood, both Bennet and Dunn made the move.
22His first job in the industry was a projectionist for the American Motion Picture Corporation in New York in 1923.
23He became a founding member of the International Photographer's Guild in 1928.
24He became a second cameraman on Hawk of the Hills (1927). It was his job to shoot the negatives used for the foreign versions. His duties expanded to aerial cameraman and various special effects camera techniques.

Visual Effects

TitleYearStatusCharacter
The Truth About Murder1946special optical effects - uncredited
Wanderer of the Wasteland1945special optical effects - uncredited
Girl Rush1944special photographic effects - uncredited
Cat People1942photographic effects - uncredited
Citizen Kane1941optical effects - uncredited
She1935optical effects - uncredited
Kentucky Kernels1934optical effects - uncredited
King Kong1933optical photographer - uncredited
The Most Dangerous Game1932optical effects - uncredited
The Devil's Rain1975special photographic effects
Is It Always Right to Be Right?1970Short special effects - as Lin Dunn
Darling Lili1970special photographic effects
Airport1970special photographic effects - uncredited
2001: A Space Odyssey1968background plates - uncredited
Hawaii1966special photographic effects
The Bible: In the Beginning...1966special optical effects: Film Effects of Hollywood - as Linwood Dunn
What Did You Do in the War, Daddy?1966photographic effects - as Linwood Dunn
The Great Race1965photographic effects - as Linwood Dunn
Circus World1964consultant: special photographic effects - uncredited
It's a Mad Mad Mad Mad World1963photographic effects
Shock Corridor1963special optical effects - as Lynn Dunn
West Side Story1961photographic effects - as Linwood Dunn
I Married a Woman1958special photographic effects - as Linwood Dunn
Forty Guns1957optical effects - as Linwood Dunn
China Gate1957special photographic effects - as Linwood Dunn
The Conqueror1956photographic effects - as Linwood Dunn
The Sea Around Us1953Documentary photographic effects - as Linwood Dunn
Androcles and the Lion1952special photographic effects - as Linwood Dunn
One Minute to Zero1952special photographic effects - as Linwood Dunn
The Thing from Another World1951special photographic effects - as Linwood Dunn
Mighty Joe Young1949optical photography - as Linwood Dunn
Out of the Past1947optical effects - uncredited
Till the End of Time1946optical effects - uncredited
Without Reservations1946transparency projection shots - uncredited
Heartbeat1946optical effects - uncredited
The Falcon's Alibi1946optical effects - uncredited
Badman's Territory1946optical effects - uncredited

Special Effects

TitleYearStatusCharacter
Star Trek1966TV Series special effects
Sister Kenny1946optical effects - uncredited
The Falcon in San Francisco1945special effects - uncredited
Two O'Clock Courage1945special effects - uncredited
The Enchanted Cottage1945special effects - uncredited
The Falcon in Hollywood1944special effects - uncredited
Melody Cruise1933special effects - as Lynn Dunn
The Monkey's Paw1933special effects

Camera Department

TitleYearStatusCharacter
West Side Story1961title photographer - uncredited
The Son of Kong1933camera operator - uncredited
Cimarron1931camera crew member: land rush scenes - uncredited
Danger Lights1930assistant camera - uncredited
The Case of Sergeant Grischa1930assistant camera - uncredited
Flight1929assistant camera - uncredited

Cinematographer

TitleYearStatusCharacter
Queen of the Northwoods1929
Snowed In1926
The Green Archer1925

Miscellaneous

TitleYearStatusCharacter
Visions of Light1992Documentary member: ASC Education Committee

Thanks

TitleYearStatusCharacter
Visions of Light1992Documentary special thanks: AFI
Spaced Invaders1990special thanks
Hollywood the Golden Years: The RKO Story1987TV Series documentary thanks - 1 episode

Self

TitleYearStatusCharacter
Lights, Camera, Action!: A Century of the Cinema1996TV Mini-Series documentaryHimself
King Kong 60th Anniversary Special: 'It Was Beauty Killed the Beast'1992Video documentary shortHimself (as Linwood Dunn)
The Complete Citizen Kane1991TV Movie documentaryHimself
Something a Little Less Serious: A Tribute to 'It's a Mad Mad Mad Mad World'1991TV Movie documentaryHimself (matte painter) (as Linwood Dunn)
Hollywood the Golden Years: The RKO Story1987TV Series documentaryHimself
The Moviemakers1985TV SeriesHimself
The 57th Annual Academy Awards1985TV Special documentaryHimself - Winner: Gordon E. Sawyer Award
Film Reality and Film Fantasy1975TV Movie documentaryHimself

Archive Footage

TitleYearStatusCharacter
The 71st Annual Academy Awards1999TV SpecialHimself - Memorial Tribute

Won Awards

YearAwardCeremonyNominationMovie
1998Honorary MembershipVisual Effects Society Awards
1990President's AwardAmerican Society of Cinematographers, USA
1985Gordon E. Sawyer AwardAcademy Awards, USA
1981Academy Award of MeritAcademy Awards, USA
1979Medal of CommendationAcademy Awards, USA
1945Technical Achievement AwardAcademy Awards, USA

Nominated Awards

YearAwardCeremonyNominationMovie
1967OscarAcademy Awards, USABest Effects, Special Visual EffectsHawaii (1966)
1967Primetime EmmyPrimetime Emmy AwardsIndividual Achievements in Cinematography - Photographic Special EffectsStar Trek (1966)

Known for movies

Source
IMDB Wikipedia

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