Title | Year | Status | Character |
---|
In the Meantime, Darling | 1944 | special photographic effects | |
The Big Noise | 1944 | special photographic effects | |
Sweet and Low-Down | 1944 | special photographic effects | |
Wing and a Prayer | 1944 | special photographic effects | |
Take It or Leave It | 1944 | special photographic effects | |
Wilson | 1944 | special photographic effects | |
Home in Indiana | 1944 | special photographic effects | |
Ladies of Washington | 1944 | special photographic effects | |
The Eve of St. Mark | 1944 | special photographic effects | |
Pin Up Girl | 1944 | special photographic effects | |
Buffalo Bill | 1944 | special photographic effects | |
Tampico | 1944 | special photographic effects | |
Four Jills in a Jeep | 1944 | special photographic effects | |
The Purple Heart | 1944 | special photographic effects | |
The Sullivans | 1944 | special photographic effects | |
The Lodger | 1944 | special photographic effects | |
Lifeboat | 1944 | special photographic effects | |
Jane Eyre | 1943 | special photographic effects | |
The Gang's All Here | 1943 | special photographic effects | |
The Song of Bernadette | 1943 | special photographic effects | |
The Dancing Masters | 1943 | special photographic effects | |
Happy Land | 1943 | special photographic effects | |
Guadalcanal Diary | 1943 | special photographic effects | |
Wintertime | 1943 | special photographic effects | |
Holy Matrimony | 1943 | special photographic effects | |
Heaven Can Wait | 1943 | special photographic effects | |
Stormy Weather | 1943 | special photographic effects | |
Bomber's Moon | 1943 | special photographic effects | |
Coney Island | 1943 | special photographic effects | |
Jitterbugs | 1943 | special photographic effects | |
Crash Dive | 1943 | special photographic effects | |
Hello Frisco, Hello | 1943 | special photographic effects | |
Claudia | 1943 | special photographic effects | |
The Black Swan | 1942 | special photographic effects - uncredited | |
The Undying Monster | 1942 | special photographic effects - uncredited | |
How Green Was My Valley | 1941 | special photographic effects - uncredited | |
Around the World in Eighty Days | 1956 | visual effects supervisor: Sersen tank - uncredited | |
20,000 Leagues Under the Sea | 1954 | visual effects supervisor: second unit - uncredited | |
King Richard and the Crusaders | 1954 | special photographic effects | |
The Farmer Takes a Wife | 1953 | special photographic effects - uncredited | |
Down Among the Sheltering Palms | 1953 | special photographic effects | |
Lydia Bailey | 1952 | special photographic effects | |
The Pride of St. Louis | 1952 | special photographic effects | |
With a Song in My Heart | 1952 | special photographic effects | |
5 Fingers | 1952 | special photographic effects - uncredited | |
Viva Zapata! | 1952 | special photographic effects | |
Red Skies of Montana | 1952 | special photographic effects | |
Elopement | 1951 | special photographic effects | |
Fixed Bayonets! | 1951 | special photographic effects - uncredited | |
Golden Girl | 1951 | special photographic effects | |
The Model and the Marriage Broker | 1951 | special photographic effects | |
Let's Make It Legal | 1951 | special photographic effects | |
Anne of the Indies | 1951 | special photographic effects | |
The Desert Fox: The Story of Rommel | 1951 | special photographic effects | |
Love Nest | 1951 | special photographic effects | |
The Day the Earth Stood Still | 1951 | special photographic effects | |
People Will Talk | 1951 | special photographic effects | |
The Guy Who Came Back | 1951 | special photographic effects | |
Meet Me After the Show | 1951 | special photographic effects | |
David and Bathsheba | 1951 | special photographic effects | |
The Secret of Convict Lake | 1951 | special photographic effects | |
Mr. Belvedere Rings the Bell | 1951 | special photographic effects | |
Take Care of My Little Girl | 1951 | special photographic effects | |
As Young as You Feel | 1951 | special photographic effects | |
The Frogmen | 1951 | special photographic effects | |
On the Riviera | 1951 | special photographic effects | |
The House on Telegraph Hill | 1951 | special photographic effects | |
Half Angel | 1951 | special photographic effects | |
Follow the Sun | 1951 | special photographic effects | |
I Can Get It for You Wholesale | 1951 | special photographic effects | |
Rawhide | 1951 | special photographic effects | |
Bird of Paradise | 1951 | special photographic effects | |
Fourteen Hours | 1951 | special photographic effects | |
You're in the Navy Now | 1951 | special photographic effects | |
I'd Climb the Highest Mountain | 1951 | special photographic effects | |
Call Me Mister | 1951 | special photographic effects | |
The 13th Letter | 1951 | special photographic effects | |
Halls of Montezuma | 1951 | special photographic effects | |
American Guerrilla in the Philippines | 1950 | special photographic effects | |
All About Eve | 1950 | special photographic effects | |
Two Flags West | 1950 | special photographic effects | |
I'll Get By | 1950 | special photographic effects | |
Mister 880 | 1950 | special photographic effects | |
No Way Out | 1950 | special photographic effects | |
Broken Arrow | 1950 | special photographic effects | |
Panic in the Streets | 1950 | special photographic effects | |
Where the Sidewalk Ends | 1950 | special photographic effects | |
The Gunfighter | 1950 | special photographic effects | |
Love That Brute | 1950 | special photographic effects | |
The Big Lift | 1950 | special photographic effects | |
A Ticket to Tomahawk | 1950 | special photographic effects | |
Cheaper by the Dozen | 1950 | special photographic effects | |
Wabash Avenue | 1950 | special photographic effects | |
Under My Skin | 1950 | special photographic effects | |
Mother Didn't Tell Me | 1950 | special photographic effects | |
Three Came Home | 1950 | special photographic effects | |
When Willie Comes Marching Home | 1950 | special photographic effects | |
Whirlpool | 1950 | special photographic effects | |
Twelve O'Clock High | 1949 | special photographic effects | |
Dancing in the Dark | 1949 | special photographic effects | |
Oh, You Beautiful Doll | 1949 | special photographic effects | |
Prince of Foxes | 1949 | special photographic effects | |
Everybody Does It | 1949 | special photographic effects | |
Father Was a Fullback | 1949 | special photographic effects | |
Pinky | 1949 | special photographic effects | |
Thieves' Highway | 1949 | special photographic effects | |
Slattery's Hurricane | 1949 | special photographic effects | |
I Was a Male War Bride | 1949 | special photographic effects | |
Sand | 1949 | special photographic effects | |
Come to the Stable | 1949 | special photographic effects | |
House of Strangers | 1949 | special photographic effects | |
You're My Everything | 1949 | special photographic effects | |
It Happens Every Spring | 1949 | special photographic effects | |
The Beautiful Blonde from Bashful Bend | 1949 | special photographic effects | |
Mother Is a Freshman | 1949 | special photographic effects | |
Down to the Sea in Ships | 1949 | special photographic effects | |
A Letter to Three Wives | 1949 | special photographic effects | |
Chicken Every Sunday | 1949 | special photographic effects | |
Yellow Sky | 1948 | special photographic effects | |
That Wonderful Urge | 1948 | special photographic effects | |
Unfaithfully Yours | 1948 | special photographic effects | |
The Snake Pit | 1948 | special photographic effects | |
Apartment for Peggy | 1948 | special photographic effects | |
Cry of the City | 1948 | special photographic effects | |
Road House | 1948 | special photographic effects | |
The Luck of the Irish | 1948 | special photographic effects | |
That Lady in Ermine | 1948 | special photographic effects | |
The Street with No Name | 1948 | special photographic effects | |
The Iron Curtain | 1948 | special photographic effects | |
Fury at Furnace Creek | 1948 | special photographic effects | |
Scudda Hoo! Scudda Hay! | 1948 | special photographic effects | |
Sitting Pretty | 1948 | special photographic effects | |
Call Northside 777 | 1948 | special photographic effects | |
You Were Meant for Me | 1948 | special photographic effects | |
Captain from Castile | 1947 | special photographic effects | |
Daisy Kenyon | 1947 | special photographic effects | |
Gentleman's Agreement | 1947 | special photographic effects | |
Forever Amber | 1947 | special photographic effects | |
Nightmare Alley | 1947 | special photographic effects | |
Kiss of Death | 1947 | special photographic effects | |
I Wonder Who's Kissing Her Now | 1947 | special photographic effects | |
The Ghost and Mrs. Muir | 1947 | special photographic effects | |
Miracle on 34th Street | 1947 | special photographic effects | |
Moss Rose | 1947 | special photographic effects | |
The Homestretch | 1947 | special photographic effects | |
Carnival in Costa Rica | 1947 | special photographic effects | |
The Late George Apley | 1947 | special photographic effects | |
The Brasher Doubloon | 1947 | special photographic effects | |
Boomerang! | 1947 | special photographic effects | |
The Shocking Miss Pilgrim | 1947 | special photographic effects | |
Wake Up and Dream | 1946 | special photographic effects | |
The Razor's Edge | 1946 | special photographic effects | |
Margie | 1946 | special photographic effects | |
My Darling Clementine | 1946 | special photographic effects | |
Home, Sweet Homicide | 1946 | special photographic effects | |
Three Little Girls in Blue | 1946 | special photographic effects | |
If I'm Lucky | 1946 | special photographic effects | |
Centennial Summer | 1946 | special photographic effects | |
It Shouldn't Happen to a Dog | 1946 | special photographic effects | |
Smoky | 1946 | special photographic effects | |
Anna and the King of Siam | 1946 | special photographic effects | |
Somewhere in the Night | 1946 | special photographic effects | |
Cluny Brown | 1946 | special photographic effects | |
Do You Love Me | 1946 | special photographic effects | |
The Dark Corner | 1946 | special photographic effects | |
Dragonwyck | 1946 | special photographic effects | |
Sentimental Journey | 1946 | special photographic effects | |
Behind Green Lights | 1946 | special photographic effects | |
Colonel Effingham's Raid | 1946 | special photographic effects | |
Shock | 1946 | special photographic effects | |
13 Rue Madeleine | 1946 | special photographic effects | |
Doll Face | 1945 | special photographic effects | |
Leave Her to Heaven | 1945 | special photographic effects | |
The Spider | 1945 | special photographic effects | |
Fallen Angel | 1945 | special photographic effects | |
The Dolly Sisters | 1945 | special photographic effects | |
The House on 92nd Street | 1945 | special photographic effects | |
State Fair | 1945 | special photographic effects | |
Within These Walls | 1945 | special photographic effects | |
A Bell for Adano | 1945 | special photographic effects | |
Captain Eddie | 1945 | special photographic effects | |
Junior Miss | 1945 | special photographic effects | |
Nob Hill | 1945 | special photographic effects | |
Don Juan Quilligan | 1945 | special photographic effects | |
The Caribbean Mystery | 1945 | special photographic effects | |
Molly and Me | 1945 | special photographic effects - uncredited | |
Where Do We Go from Here? | 1945 | special photographic effects | |
The Bullfighters | 1945 | special photographic effects | |
Diamond Horseshoe | 1945 | special photographic effects | |
A Royal Scandal | 1945 | special photographic effects | |
Thunderhead - Son of Flicka | 1945 | special photographic effects | |
A Tree Grows in Brooklyn | 1945 | special photographic effects | |
Hangover Square | 1945 | special photographic effects | |
The Keys of the Kingdom | 1944 | special photographic effects | |
Sunday Dinner for a Soldier | 1944 | special photographic effects | |
Something for the Boys | 1944 | special photographic effects | |
Laura | 1944 | special photographic effects | |
Greenwich Village | 1944 | special photographic effects | |