Marlene Dietrich Net Worth

Marlene Dietrich Net Worth is
$10 Million

Marlene Dietrich Bio/Wiki, Net Worth, Married 2018

Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1924, she married and...

Full Name	Marlene Dietrich
Net Worth	$10 Million
Date Of Birth	December 27, 1901, Schöneberg, Germany
Died	May 6, 1992, Paris, France
Place Of Birth	Schöneberg, Berlin, Germany
Height	5' 4½" (1.64 m)
Profession	Soundtrack, Actress, Music Department
Education	Viktoria-Suisen-Schule, Auguste-Viktoria Girls School
Spouse	Rudolf Sieber
Children	Maria Riva
Parents	Wilhelmina Elisabeth Josephine Dietrich, Louis Erich Otto Dietrich
Siblings	Elisabeth Dietrich
Awards	Special Tony Award, David di Donatello Special Award, German Film Award - Honorary Award
Nominations	Academy Award for Best Actress, Golden Globe Award for Best Actress – Motion Picture – Drama
Movies	The Blue Angel, Shanghai Express, Destry Rides Again, The Scarlet Empress, Witness for the Prosecution, Blonde Venus, The Devil Is a Woman, A Foreign Affair, Morocco, Dishonored, Touch of Evil, Judgment at Nuremberg, Rancho Notorious, Stage Fright, Knight Without Armour, Seven Sinners, The Garden of...
Star Sign	Capricorn

#	Trademark
1	Her signature scent was Bandit by Robert Piguet
2	Aura of glamour and luxury
3	Her legs
4	Wearing tuxedoes, men's hats, and men's tailored suits
5	Low and sensual voice

Title	Salary
Schöner Gigolo, armer Gigolo (1978)	$250,000
I Wish You Love (1973)	$200,000
Touch of Evil (1958)	$7,500
Stage Fright (1950)	£70,000
Golden Earrings (1947)	$100,000
Pittsburgh (1942)	$100,000
The Lady Is Willing (1942)	$100,000
Seven Sinners (1940)	$150,000
Destry Rides Again (1939)	$75,000
Knight Without Armour (1937)	$450,000
The Garden of Allah (1936)	$200,000
Blonde Venus (1932)	$125,000
Dishonored (1931)	$125,000

#	Quote
1	[1969] Success in America means a lot to a man and it means a lot to his wife and family. There is a general belief that success is synonymous with happiness. Well, it doesn't, as you know, they don't go together at all. The American is striving for success and works much too hard in order to get, whatever, a little more money or a raise or something. He loses out on all the pleasures of life because of that. In Europe they have a car, they have it 15 years and they polish it and they wash it and they love it but here people don't love their cars because they know next year they are going to get another one. And then everything is on credit. They don't own it and then you buy many more things than you need because it's on credit and it doesn't bring them happiness. It just doesn't. Possessions do not make you happy.
2	[1960s, when asked about the secret of her success] Secret? No secret at all. I work hard, that is all. People say that I have some sort of "quality" - well, maybe I have. How am I to know that? All I know is that I walk onto a stage, stand still, and sing. I think it is Dietrich the woman they like - rather than Dietrich the singer. They pay to see me for what I am.
3	[1969] I think if you have any sort of intelligence you can't succumb to adoration because people adore so many things. They also adore things that you think quite worthless so you can't take it too seriously.
4	[on her appeal among audiences] It is not nostalgia. Three-quarters of my audience are young people who cannot possibly be nostalgic simply because the mood I create is of a period most of them have not lived in. Besides, the songs that seem to go down best are the newer ones - that is, when I can find new songs good enough to sing.
5	You can be good in a play that is bad and the whole thing flops. It is just not worth the effort or the heartbreak. I am not a brave or courageous woman. I prefer to do what I know is safe.
6	[1969] America has a youth complex. In particular with me, they adore to make me older and I don't see why they should do that because it's bad enough as it is, but maybe it looks better in print if I'm a hundred and two and I still walk on the stage and I'm not on crutches. It becomes rather thick but youth cult is quite bad. You don't have that in Europe at all because I think it is because America still thinks that it's a young nation. I don't think it is. It should stop that. I think they have been young long enough. They should grow up.
7	[1969] This secret of all performing is that you have to be able to concentrate at such an extent that everybody who is listening to you has no other thoughts. It's particularly difficult with songs because I sing in many different languages and all the people don't understand what I'm saying. You still have to keep them in trance and I'm really happy that I'm able to do that.
8	I do not change my face for my public. I have not tried to create an image or a myth about myself; I am as quiet and placid off-stage as I am when the bright lights are on me. No temperaments, no periods of dark, gloomy despair and pessimism. I am easy-going and the only thing I cannot stand is stupidity - in any form.
9	[1960s, when asked what she would do if she inherited a couple of million pounds the following day] What would I do? I'd retire. On the spot. No more work. I have an awful lot of private life to catch up on, which, at this rate, I don't think will be possible. When you're in the public eye as conspicuously as I am, it is conceivable to maintain a private life - but the trouble is you can only devote half your time to it. My private life, which no one knows anything about, nor ever will, needs more than just half my time if it is to be a success.
10	[1969, on attitude] I do think it's rather stupid to be nonchalant. I think one should be full of enthusiasm for everything that happens if one considers it to be worthy of enthusiasm.
11	[1963, when asked why, at age 61, she continued to act] For the money. What else for?
12	[1960s, when asked if the tag "sex goddess" annoyed her] You mean like Marilyn Monroe? I'm no sex goddess and I never have been. Not in the '30s - and not now. And I don't get annoyed, no, simply because one comes to expect people to confuse glamour with sex, which is a different thing altogether. This is the price one pays for being famous.
13	I am a unique performer and my audience realize this. I mean, who else is there doing what I am doing today?
14	Stupid people annoy me. There are fans of mine who worship and idolize me, and who are in awe of me. They are stupid people. Who am I to be held in awe? What have I accomplished? If one is to be in awe of anyone, let it be a doctor or a brilliant scientist. Not a performer. I could never be friends with anyone who is stupid enough to worship me.
15	[1969] I've always liked Texas because I met all the Texans in the war, 36th division. We always adored them because they were so terribly conceited being Texans. When they took a little village and set up school, they told everybody that Texas was the capital of the United States.
16	[on English audiences] They are marvelous and warm. People say the English are so unemotional, but this is untrue. At least I never find them so. To me, they are the most emotional, and also the most un-phoney people I know. And as I am that way too we get along just fine together. I think also the English like me because they know that I do not take myself seriously, and that the whole thing is a joke, and that I am laughing at myself all the time. And when I laugh, they laugh. This is fun. We understand each other so well.
17	[1969] I have never used my body. I have played roles where the legs were used and the body was used but in life, I have never done that.
18	[on her life as a star] Do you think this is glamorous? That this is a great life, and that I do it for my health? Well, it isn't. It's hard work. And who would work if they didn't have to? I work because I pay away in taxes to the American Government 88 cents out of each dollar I earn. Everybody in America works today. You have to. Oh - know, I could live tucked away out of sight in some Swiss chalet - but why should I? I am an American citizen, and proud to be so. I enjoy living in that country and one pays for one's pleasures. So I work. And as long as people want me, and I have them eating out of my hands, I shall continue to do so.
19	[1969, when asked if she thought the nature of love had changed over the years] I think the real love has not changed at all. If people call all sorts of relationships love, they know themselves it isn't so but they say it in order to make it valuable. In order to make it allowed. You know, when a girl says, but I love him, in order to say that's why I live with him. That's not necessarily so because the real love has not changed and the one great love that will never change is mother love.
20	[1969, when asked how she relaxes] I don't think I do. You see in our language, in German or in French, there is no such word as relax. This is an American invention. We don't have a feeling like the American has, now it's 07:00 or something and I have to have a drink and relax. It's not a necessity in Europe. He drinks because he likes to drink.
21	Magazines - the biggest myth creators of all! You must never, ever read American magazines. And if you're sitting in a waiting room and can't help it - don't believe a word of any of them.
22	[1969] Surely I'm anti-war. I don't think there's anybody that is for war - I mean women. Maybe generals are for war. Professional soldiers might be, I don't know. But I have never found a woman who is for war and naturally I'm against war. I think if you're being attacked you have to have answer back, you must defend yourself... I'm against war that goes and fights in some unknown land. I'm against that very much.
23	[during the war] [Adolf Hitler] is an idiot.
24	[after returning to West Germany in 1960] The Germans and I no longer speak the same language.
25	Ernest Hemingway is the most positive life force I have ever encountered. I hate anything negative, and I hate waste. In Hemingway, nothing is wasted.
26	[on her preference for trousers] They are so comfortable. It takes too much time to be a well-dressed woman. I have watched others. Bags, shoes, hats. They must think of them all the time. I cannot waste that time.
27	[on Orson Welles] When I talk with him, I feel like a tree that has been watered.
28	[on audiences at her nightclub performances] They spoil you. They love you. Of course, I do a different kind of show in Las Vegas. They want more emphasis on sex. In London and the rest of Europe I can sing French and German songs, as well as English. There's more scope for me. But I enjoy nightclub work, wherever it is.
29	[when Paramount bought the rights to the book, 'Mommie Dearest'] I am shocked that Paramount bought that filthy book and made the frightful bitch who wrote it rich, and that rhymes. I did not know Joan Crawford but nobody deserves that kind of slaughter. Too bad she did not leave her where she found her, so she could now spit her poison in the slums of some big city. I hate her with a passion and I know the public will.
30	[on reading] I love quotations because it is a joy to find thoughts one might have, beautifully expressed with much authority by someone recognizedly wiser than oneself.
31	]on Rock Hudson] He was one of the gentlest, kindest men in Hollywood--and all those journalists should burn in Hell for the bile they printed about him when he died.
32	If there is a supreme being, he's crazy.
33	In America, sex is an obsession, in other parts of the world it's a fact.
34	Once a woman has forgiven a man, she must not reheat his sins for breakfast.
35	The diaphragm is the greatest invention since Pan-Cake makeup.
36	[on Orson Welles] You should cross yourself when you say his name.
37	[In 1972, about Liza Minnelli] I'm annoyed when people keep comparing her to her mother [Judy Garland]. She's nothing to do with her mother. She's a completely different woman. The film Cabaret (1972) is a great hit for her and that's all one wants.
38	[on Cary Grant] The champion.
39	The legs aren't so beautiful. I just know what to do with them.
40	[on Hildegard Knef] She's Mother Courage.
41	[on Anna Magnani] A force of nature.
42	Latins are tenderly enthusiastic. In Brazil, they throw flowers at you. In Argentina they throw themselves.
43	Gary Cooper was neither intelligent nor cultured. Just like the other actors, he was chosen for his physique, which, after all, was more important than an active brain.
44	I was an actress. I made films. Finish.
45	I never ever took my career seriously.
46	There is a lack of dignity to film stardom.
47	The relationship between the make-up man and the film actor is that of accomplices in crime.
48	I have a child and I have made a few people happy. That is all.
49	Most women set out to change a man, and when they have changed him they do not like him.
50	[on Loretta Young] Every time she "sins", she builds a church. That's why there are so many Catholic churches in Hollywood.
51	Sex is much better with a woman, but then one can't live with a woman!
52	I'm not an actress -- I'm a personality.
53	Careful grooming may take twenty years off a woman's age, but you can't fool a flight of stairs.
54	When you're dead, you're dead. That's it.
55	I am at heart, a gentleman
56	Think twice before burdening a friend with a secret.
57	The weak are more likely to make the strong weak than the strong are likely to make the weak strong.
58	To be completely a woman you need a master, and in him a compass for your life. You need a man you can look up to and respect. If you dethrone him it's no wonder that you are discontented, and discontented women are not loved for long.
59	A country without bordellos is like a house without bathrooms.
60	In Europe, it doesn't matter if you're a man or a woman - we make love with anyone we find attractive.
61	[in 1964] I had no desire to be a film actress, to always play somebody else, to be beautiful with somebody constantly straightening out your every eyelash. It was always a big bother to me.
62	I never enjoyed working in a film.
63	I am not a myth.
64	[on The Blue Angel (1930), German-language version of The Blue Angel (1930)] I thought everything we were doing was awful. They kept a camera pointed here [at my groin]. I was so young and dumb.

#	Fact
1	The original "One Touch of Venus" Broadway musical production opened at the Imperial Theatre on October 7, 1943, closed on February 10, 1945 after 567 performances. "One Touch of Venus" with music by Kurt Weill, lyrics by Ogden Nash, directed by Ilia Kazan, featured choreography by Agnes de Mille, starred Mary Martin, Kenny Baker and Paula Laurence. The role of Venus was to have starred Marlene Dietrich. Reportedly Dietrich backed out of the title role during rehearsals, calling it "too sexy and profane," which gave Mary Martin the opportunity to establish herself as a Broadway star. The show satirizes contemporary American suburban values, artistic fads and romantic and sexual mores. Weill had been in America for eight years by the time he wrote this musical, and his music, though retaining his early haunting power, had evolved into a very different Broadway style. The book musical by S.J. Perelman and Ogden Nash was based on the novella "The Tinted Venus" by Thomas Amstey Guthrie, and very loosely spoofing the Pygmalion myth.
2	Noël Coward (1899-1973) and Marlene Dietrich (1904-1992), the German-born American film and cabaret star, had become, and remained, close friends since their first conversation - by transatlantic telephone - in 1935.
3	Became pregnant in 1938 as a result of an affair with James Stewart during the filming of Destry Rides Again (1939) but she underwent an abortion. Stewart did not even know she was pregnant.
4	She turned down the role of Charlie in Station West (1948). The part went to Jane Greer.
5	Berlin has a street, Marlene Dietrich Platz.
6	Campaigned for the role of Mama Hanson in I Remember Mama (1948) but Irene Dunne, who went on to receive a Best Actress Oscar nomination for her performance, was cast instead.
7	Was considered for the role of Margo Channing in All About Eve (1950) after Claudette Colbert was forced to pull out of the project due to back injury. However the part was given to Bette Davis, who went on to receive a Best Actress Oscar nomination for her performance.
8	Lived out her life in apartment #12E at 993 Park Avenue in Manhattan where Jamie Lee Curtis had earlier stayed with then fiance J. Michael Riva (Dietrich's grandson) during the Trading Places (1983) shoot.
9	Grandmother of production designer J. Michael Riva.
10	Interviewed in "Talking to the Piano Player: Silent Film Stars, Writers and Directors Remember" by Stuart Oderman (BearManor Media).
11	In Italian films, she was dubbed by either Lidia Simoneschi, Tina Lattanzi or Andreina Pagnani.
12	According to daughter Maria Riva, Dietrich had a long-standing dislike of actress Loretta Young.
13	She spent her last decade in her apartment on the avenue Montaigne in Paris, during which time she was not seen in public but was a prolific letter-writer and phone-caller. In 1984, Academy Award winning actor Maximilian Schell persuaded her to be interviewed for a documentary, but she did not appear on screen.
14	Is one of the many movie stars mentioned in Madonna's song "Vogue"
15	First German actress to be Oscar-nominated.
16	Was named #9 Actress on The AFI 50 Greatest Screen Legends
17	Won a Special Tony Award in 1968.
18	She was voted the 43rd Greatest Movie Star of all time by Entertainment Weekly.
19	Proficient on the musical saw.
20	The only show-business friend she ever had was Mae West. However, they never saw one another outside the Paramount lot.
21	She thought of feet to be the ugliest part of the human body, and therefore always tried to hide them in one way or another
22	Appears on the sleeve of The Beatles "Sgt Pepper's Lonely Hearts Club Band album.
23	Ten years after her death, Berlin - the city of Dietrich's birth which she shunned for most of her life - declared her an honorary citizen. On April 18, 2002, the city's legislature bestowed honor on her as "an ambassador for a democratic, freedom-loving and humane Germany." The declaration hoped this "would symbolize the city of Berlin's reconciliation with her."
24	Became an American citizen on March 6, 1937.
25	Fell and broke her left leg at her last ever last stage appearance in Sydney, Australia, September 1975.
26	Marlene suffered from bacilophobia, the fear of germs.
27	She prided herself on the fact that she had slept with three men of the Kennedy clan - Joseph P. Kennedy, Joseph P. Kennedy Jr. and John F. Kennedy.
28	She demanded that Max Factor sprinkle half an ounce of real gold dust into her wigs to add glitter to her tresses during filming.
29	In a posthumous gift of forgiveness, she left her vast collection of memorabilia to the city of Berlin.
30	Her make-up man said she kissed so hard that she needed a new coat of lipstick after every kiss.
31	Never worked without a mirror on the set so she could constantly check her makeup and hair.
32	She sucked lemon wedges between takes to keep her mouth muscles tight.
33	Her father, a Berlin police lieutenant, died after he fell off a horse when she was ten years old.
34	Marlene's father was Lt. Louis Erich Otto Dietrich, who died when she was very young. Her mother remarried to Colonel Eduard von Losch, who was killed in WWI.
35	Gave birth to her only child at age 22, a daughter Maria Elisabeth Sieber (aka Maria Riva) on December 13, 1924. Child's father was her husband, Rudolf Sieber.
36	Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#60). [1995]
37	Interred at Friedhof III, Berlin-Friedenau, Germany.
38	Her estate, consisting of about 300.000 pieces, was bid for 8 million German marks by the city of Berlin, Germany.
39	Born at 9:15pm-CET
40	Was made a Chevaliere of the Legion by France.
41	Received the U.S. War Department's 'Medal of Freedom', in 1947, for entertaining American troops in WWII and her strong stand against Naziism.

All pictures

Soundtrack

Title	Year	Status
Personal Shopper	2016	performer: "Das Hobellied"
My First Apartamento: JD Samson	2016	Documentary short performer: "Symphonie d'Amour"
Whoever Was Using This Bed	2016	Short performer: "You Do Something To Me"
Enas Allos Kosmos	2015	performer: "You Do Something To Me"
Chico: Artista Brasileiro	2015	Documentary performer: "Falling in Love Again"
A Perfect Day	2015	performer: "Where Have All the Flowers Gone", "ONE FOR THE ROAD"
Gotham	2014-2015	TV Series performer - 2 episodes
Danny Says	2015	Documentary performer: "Boys in the Backroom"
Stars of the Silver Screen	2013	TV Series performer - 1 episode
Skwerl	2011	Video short performer: "Cherche la Rose"
Codebreaker	2011	TV Movie documentary performer: "Lili Marlene"
Memòries de la tele	2009	TV Series performer - 1 episode
Giovinezza	2009	Short performer: "Lili Marlene"
Hollywood Singing and Dancing: A Musical History - The 1920s: The Dawn of the Hollywood Musical	2008	Video documentary performer: "You're the Cream in My Coffee", "Ich bin von Kopf bis Fuß auf Liebe eingestellt" - uncredited
The War	2007	TV Mini-Series documentary performer - 1 episode
Dancing Dog	2004	Short performer: "You Do Something to Me"
Get Up, Stand Up	2003	TV Series documentary performer - 1 episode
How to Draw a Bunny	2002	Documentary performer: "Awake In A Dream"
Marlene Dietrich: Her Own Song	2001	Documentary performer: "Lili Marlene", "Wenn die Beste Freundin", "Ich bin von Kopf bis Fuß auf Liebe eingestellt", "You're the Cream in My Coffee", "Ich bin die fesche Lola", "Quand l'amour meurt", "Awake In a Dream", "Another Spring, Another Love", "The Boys in the Back Room", "The Man's in the Navy", "Look Me Over Closely", "You Little So-And-So", "Illusions", "White Grass", "I May Never Go Home Anymore", "Sag Mir Wo Die Blumen Sind", "Where Have All the Flowers Gone", "Du, Du Liegst Mir Im H
Transfixed	2001	performer: "Ich bin von Kopf bis Fuß auf Liebe eingestellt", "Jonny"
The Anniversary Party	2001	performer: "I May Never Go Home Anymore"
Nuremberg	2000	TV Mini-Series performer: "I Never Slept a Wink Last Night"
Paragraph 175	2000	Documentary performer: "Falling in Love Again"
Fight Club	1999	performer: "No Love, No Nothin'"
Breaking Up	1997	performer: "COME RAIN OR COME SHINE"
Heaven's Burning	1997	performer: "ANOTHER SPRING, ANOTHER LOVE"
Une femme d'honneur	1996	TV Series performer - 1 episode
The Delicate Art of the Rifle	1996	performer: "Where Have All The Flowers Gone", "Blowing In The Wind"
El detective y la muerte	1994	performer: "I've Been in Love Before" - as Marlène Dietrich
Scenes from a Mall	1991	performer: "You Do Something to Me"
Berliner Tag	1989	performer: "LILI MARLEN"
Judgment in Berlin	1988	performer: "Ich bin von Kopf bis Fuß auf Liebe eingestellt"
Kintopp Kintopp	1981	TV Series performer - 1 episode
Just a Gigolo	1978	performer: "Just A Gigolo"
La jeune fille assassinée	1974	performer: "Ich bin von Kopf bis Fuß auf Liebe eingestellt", "Ich bin die fesche Lola"
The Mother and the Whore	1973	performer: "Falling in Love Again"
Myra Breckinridge	1970	performer: "The Man's in the Navy" - uncredited
Magic of Marlene	1968	TV Movie performer: "I Can't Give You Anything But Love, Baby", "You're The Cream In My Coffee", "My Blue Heaven", "See What The Boys In The Back Room Will Have", "The Laziest Gal In Town", "When The World Was Young", "Jonny", "Go 'Way From My Window", "White Grass", "Boomerang Baby", "La Vie en Rose", "Naughty Lola", "Frag Nicht Warum Ich Gehe", "Lili Marlene", "Where Have All The Flowers Gone?", "Falling In Love Again"
The Love Goddesses	1965	Documentary performer: "Ich bin von Kopf bis Fuß auf Liebe eingestellt", "Quand l'amour meurt" - uncredited
Katharina Knie - Ein Seiltänzerstück	1964	TV Movie performer: "Auf der Mundharmonika"
Hollywood: The Great Stars	1963	TV Movie documentary performer: "Falling in Love Again" aka "Ich bin von Kopf bis Fuß auf Liebe eingestellt" - uncredited
Judgment at Nuremberg	1961	performer: "Lili Marleen" - uncredited
Witness for the Prosecution	1957	performer: "I May Never Go Home Anymore"
The Montecarlo Story	1956	performer: "Les Jeux Sont Faits", "Indiana" uncredited
I Am a Camera	1955	performer: "Ich hab' noch einen Koffer in Berlin"
Der Fürst von Pappenheim	1952	performer: "wer wird denn weinen,wenn mann auseinander geht"
Rancho Notorious	1952	performer: "Get Away Young Man"
Stage Fright	1950	performer: "The Laziest Gal in Town" 1950 uncredited, "La Vie en Rose", "Love Is Lyrical Whisper Sweet Little Nothing to Me" 1950 uncredited
A Foreign Affair	1948	performer: "Black Market", "Illusions", "The Ruins of Berlin" - uncredited
The Secret Heart	1946	performer: "I Can't Give You Anything But Love"
Kismet	1944	performer: "Tell Me, Tell Me, Evening Star" 1944 - uncredited
The Lady Is Willing	1942	performer: "I Find Love"
Manpower	1941	performer: "He Lied and I Listened" 1941
The Flame of New Orleans	1941	performer: "Sweet Is the Blush of May"
Seven Sinners	1940	performer: "I've Been in Love Before" 1940, "The Man's in the Navy" 1940, "I Can't Give You Anything But Love" 1928 uncredited
Destry Rides Again	1939	performer: "See What the Boys in the Back Room Will Have" 1939, "You've Got That Look" 1939, "Little Joe, the Wrangler" 1939 - uncredited
Angel	1937	performer: "Angel" 1937
Desire	1936	performer: "Awake in a Dream"
The Devil Is a Woman	1935	performer: "Three Sweethearts Have I"
Regine	1935	performer: "You Have Taken My Soul"
Ihr größter Erfolg	1934	performer: "Hobellied"
March of the Movies	1933	performer: "Falling in Love Again"
The Song of Songs	1933	performer: "Heideroslein", "Jonny" - uncredited
Blonde Venus	1932	performer: "Hot Voodoo", "You Little So-and-So", "I Couldn't Be Annoyed"
Stürme der Leidenschaft	1932	performer: "Ich weiß nicht, zu wem ich gehöhre"
Dishonored	1931	"Donauwellen Danube Waves" / performer: "Sonata No.14 in C Sharp Minor, Op.27 No.2 'Moonlight'"
Der Mann, der seinen Mörder sucht	1931	performer: "Wenn ich mir was wünschen dürfte..."
Morocco	1930	performer: "Quand l'amour meurt" 1904, "What Am I Bid for My Apple?" 1930 - uncredited
The Blue Angel	1930	performer: "Ich bin von Kopf bis Fuß auf Liebe eingestellt", "Ich bin die fesche Lola", "Nimm Dich in Acht vor blonden Frau'n", "Kinder, heut' abend, da such' ich mir was aus" - uncredited
Why Cry at Parting?	1929	performer: "Wer wird denn weinen wenn man auseinander geht"

Actress

Title	Year	Status	Character
Just a Gigolo	1978		Baroness von Semering
Judgment at Nuremberg	1961		Mrs. Bertholt
Touch of Evil	1958		Tana
Witness for the Prosecution	1957		Christine
The Montecarlo Story	1956		Maria de Crevecoeur
Around the World in 80 Days	1956		Barbary Coast Saloon Owner
Rancho Notorious	1952		Altar Keane
No Highway in the Sky	1951		Monica Teasdale
Stage Fright	1950		Charlotte Inwood
Jigsaw	1949		Nightclub Patron (cameo appearance) (uncredited)
A Foreign Affair	1948		Erika Von Schluetow
Golden Earrings	1947		Lydia
The Room Upstairs	1946		Blanche Ferrand - une grainetière intrigante
Kismet	1944		Jamilla
Follow the Boys	1944		Marlene Dietrich
Pittsburgh	1942		Josie Winters
The Spoilers	1942		Cherry Malotte
The Lady Is Willing	1942		Elizabeth 'Liza' Madden
Manpower	1941		Fay Duval
The Flame of New Orleans	1941		Claire Ledeux
Seven Sinners	1940		Bijou
Destry Rides Again	1939		Frenchy
Angel	1937		Maria 'Angel' Barker, aka Mrs. Brown
Knight Without Armor	1937		Alexandra
I Loved a Soldier	1936		Anna Sedlak
The Garden of Allah	1936		Domini Enfilden
Desire	1936		Madeleine de Beaupre
The Devil Is a Woman	1935		Concha Perez
The Scarlet Empress	1934		Princess Sophia Frederica Catherine II
The Song of Songs	1933		Lily Czepanek
Blonde Venus	1932		Helen Faraday, aka Helen Jones
Shanghai Express	1932		Shanghai Lily
Dishonored	1931		Marie Kolverer / X27
The Blue Angel	1930		Lola Lola
Morocco	1930		Mademoiselle Amy Jolly
The Blue Angel	1930		Lola Lola
Dangers of the Engagement	1930		Evelyne
The Ship of Lost Men	1929		Ethel Marley
Three Loves	1929		Stascha
I Kiss Your Hand Madame	1929		Laurence Gerard / Lucille (U.S. prints)
Art of Love	1928		Chichotte de Gastoné
Café Elektric	1927		Erni Göttlinger - ein flatterhaftes Mädchen
Sein größter Bluff	1927		Yvette
Kopf hoch, Charly!	1927		Edmée Marchand
Der Juxbaron	1927		Sophie, ihre Tochter
A Modern Du Barry	1927		Kokotte
Madame Doesn't Want Children	1926		Dancer (uncredited)
Manon Lescaut	1926		Micheline
Dance Fever	1925		Dance extra
Der Sprung ins Leben	1924		Mädchen am Strand
Der Mönch von Santarem	1924
Love Tragedy	1923		Lucy
Man by the Roadside	1923		Krämerstochter
So sind die Männer	1923		Kathrin
Im Schatten des Glücks	1919	unconfirmed

Music Department

Title	Year	Status	Character
Aquile senza corona	2011	opening theme singer

Thanks

Title	Year	Status	Character
S1m0ne	2002	Simone wishes to thank the following for their contribution to the making of Simone

Self

Title	Year	Status	Character
Marlene	1984	Documentary	Herself (voice)
An Evening with Marlene Dietrich	1973	Documentary	Herself
Magic of Marlene	1968	TV Movie	Herself
The 22nd Annual Tony Awards	1968	TV Special	Herself - Special Tony Award Recipient
BBC Show of the Week	1966	TV Series	Herself
Paris When It Sizzles	1964		Herself, entering store (uncredited)
The Royal Variety Performance 1963	1963	TV Movie	Herself
Deutsche Schlagerfestival 1963	1963	TV Movie	Singer
Gala de l'union	1963	TV Series	Herself
Black Fox: The True Story of Adolf Hitler	1962	Documentary	Narrator (voice)
Memo for Joe	1944	Short documentary	Herself
Show-Business at War	1943	Documentary short	Herself
Breakdowns of 1942	1942	Short	Herself (uncredited)
Screen Snapshots Series 16, No. 7	1937	Documentary short	Herself
The Fashion Side of Hollywood	1935	Documentary short	Herself
Hollywood on Parade No. A-13	1933	Short	Herself
Die glückliche Mutter	1928	Documentary short	Herself

Archive Footage

Title	Year	Status	Character
That's Action	1977	Documentary	Herself
All You Need Is Love	1977	TV Series documentary	Herself
Brother Can You Spare a Dime	1975	Documentary
Triumph Over Violence	1965	Documentary	Herself
The Love Goddesses	1965	Documentary	Herself
The Judy Garland Show	1964	TV Series	Herself
Hollywood and the Stars	1964	TV Series	Herself
Hollywood: The Great Stars	1963	TV Movie documentary	Herself (uncredited)
The DuPont Show of the Week	1961	TV Series	Herself
Das kommt nicht wieder	1958	Documentary	Herself
It Only Happened Once	1958		Herself, Marlene Dietrich
Screen Snapshots: Hollywood's Greatest Comedians	1953	Documentary short	Herself
March of the Movies	1933		Herself (film clip from 'Der Blaue Engel")
Un Français nommé Gabin	2017	TV Movie documentary	Herself
Behind the Magic: Snow White and the Seven Dwarfs	2015	TV Movie documentary	Herself
Duels	2015	TV Series documentary
Von Caligari zu Hitler: Das deutsche Kino im Zeitalter der Massen	2014	Documentary	Herself
Somewhere Over the Rainbow	2014	TV Movie documentary	Lola Lola (uncredited)
From Gold to Containers, from Salt to Empires	2014	Video	Herself
Stars of the Silver Screen	2013	TV Series	Herself
Duelle	2013	TV Series documentary	Herself
Arena	2012	TV Series documentary
Not Fade Away	2012		Tana in Touch of Evil (uncredited)
Vito	2011	Documentary
Memòries de la tele	2010	TV Series	Herself
L'Occupation sans relâche - Les artistes pendant la guerre	2010	TV Movie documentary	Herself
Cameraman: The Life and Work of Jack Cardiff	2010	Documentary	Countess Alexandra Vladinoff
Apocalypse: La 2ème guerre mondiale	2009	TV Mini-Series documentary	Herself
American Masters	2009	TV Series documentary	Shanghai Lily
Cinema's Exiles: From Hitler to Hollywood	2009	TV Movie documentary	Herself
Strictly Courtroom	2008	TV Movie documentary	Christine Helm (uncredited)
Why Be Good? Sexuality & Censorship in Early Cinema	2007	Documentary	Herself
Amérique, notre histoire	2006	TV Movie documentary	Himself
Unsere Besten	2003-2006	TV Series	Various roles / Herself
The Best of the Royal Variety	2006	TV Series	Herself
Private Screenings	2006	TV Series	Helen Faraday / Helen Jones - 'Blonde Venus'
Billy Wilder Speaks	2006	TV Movie documentary	Herself
Ciclo Agatha Christie	2006	TV Series documentary	Herself
American Experience	2004-2005	TV Series documentary	Herself
Filmlegenden. Deutsch	2005	TV Movie documentary	Herself
Legendary Sin Cities	2005	TV Mini-Series documentary	Herself - Actress
The Ritchie Boys	2004	Documentary	Herself
Checking Out: Grand Hotel	2004	Video documentary short	Herself - At the premiere
Get Up, Stand Up	2003	TV Series documentary	Herself
Complicated Women	2003	TV Movie documentary	Herself (uncredited)
Falling in Love Again	2003	Short	Vocalist
Prisoner of Paradise	2002	Documentary
The Nightclub Years	2001	TV Special documentary	Herself
Marlene Dietrich: Her Own Song	2001	Documentary	Herself
Die Manns - Ein Jahrhundertroman	2001	TV Mini-Series	Herself
Biography	1998-2001	TV Series documentary	Herself
Hitlers Frauen	2001	TV Series documentary	Herself
Das Jahrhundert des Kabaretts	2001	TV Mini-Series documentary	Herself
Marlene Dietrich and Joseph von Sternberg	2000	TV Short documentary	Herself
Paragraph 175	2000	Documentary	Herself (uncredited)
Das Dritte Reich - In Farbe	1998	TV Movie documentary	Herself
Sharon Stone - Una mujer de 100 caras	1998	TV Movie documentary	Herself (uncredited)
Warner Bros. 75th Anniversary: No Guts, No Glory	1998	TV Movie documentary uncredited
Legenden	1998	TV Series documentary	Herself
The Real Las Vegas	1996	TV Series documentary	Herself
Marlene Dietrich: Shadow and Light	1996	TV Movie documentary	Herself
Great Performances	1996	TV Series	Herself
Inside the Dream Factory	1995	TV Movie documentary	Herself
Get Shorty	1995		Tanya (uncredited)
The Celluloid Closet	1995	Documentary	Nightclub Performer in Tuxedo (uncredited)
The First 100 Years: A Celebration of American Movies	1995	TV Movie documentary	Herself
Cinema Europe: The Other Hollywood	1995	TV Mini-Series documentary	Herself in screen test / Lola Lola
The Casting Couch	1995	Video documentary
That's Entertainment! III	1994	Documentary	Performer in Clip from 'Kismet' (uncredited)
Cinegrafias	1994	Documentary short	Herself
Die Macht der Bilder: Leni Riefenstahl	1993	Documentary	Herself
Dos reinas	1993	Documentary short	Herself
Only in Hollywood	1991	TV Series documentary	Herself
Nylon blues	1991	Documentary
The Dietrich Songs	1990	Documentary	Herself
Hollywood Mavericks	1990	Documentary	Lydia
Durch dich wird diese Welt erst schön, ein Streifzug durch die Geschichte des deutschen Schlagers	1989	TV Series documentary	Herself
Entertaining the Troops	1988	Documentary	Herself
Going Hollywood: The '30s	1984	Documentary	Herself
Étoiles et toiles	1983	TV Series documentary
Sixty Years of Seduction	1981	TV Movie documentary	Herself
Kintopp Kintopp	1981	TV Series	Lola Lola
Il était une fois: Le gala de l'union des artistes	1980	TV Movie documentary	Herself
Bob Hope's Overseas Christmas Tours: Around the World with the Troops - 1941-1972	1980	TV Movie documentary	Herself

Won Awards

Year	Award	Ceremony	Nomination	Movie
1980	Honorary Award	German Film Awards		For her continued outstanding individual contributions to the german film over the years.
1962	Special David	David di Donatello Awards		Judgment at Nuremberg (1961)
1960	Star on the Walk of Fame	Walk of Fame	Motion Picture	On 8 February 1960. At 6400 Hollywood Blvd.

Nominated Awards

Year	Award	Ceremony	Nomination	Movie
1958	Golden Globe	Golden Globes, USA	Best Motion Picture Actress - Drama	Witness for the Prosecution (1957)
1931	Oscar	Academy Awards, USA	Best Actress in a Leading Role	Morocco (1930)

2^nd Place Awards

Year	Award	Ceremony	Nomination	Movie
1958	Golden Laurel	Laurel Awards	Top Female Dramatic Performance	Witness for the Prosecution (1957)

Known for movies

Source

Marlene Dietrich Net Worth

Marlene Dietrich Net Worth is
$10 Million