Quentin Tarantino Net Worth
Quentin Tarantino Net Worth is
$100 Million
Quentin Tarantino Bio/Wiki, Net Worth, Married 2018
Among the most famous names in the film business is Quentin Tarantino. Quentin Tarantino is considered to be among the finest screenwriters, film directors and cinematographers in the business. Quentin Tarantino is likewise an actor which adds additional sales to the total sum of Quentin Tarantino net worth.
Quentin Tarantino has received lots of awards for his work in the film company including Academy Awards, Golden Globe Awards and Bafta Awards. When he was still a kid, Quentin Tarantino felt a passion for filming. Moreover, the narrative line of the film is the foundation of some other film called “True Romance”.
All pictures added countless dollars to the total sum of Quentin Tarantino net worth. The key characteristics of his pictures are his propensity to include different components in them such as kung fu, grindhouse and spaghetti western pictures. Among the filmmakers with whom Quentin Tarantino normally works is Robert Rodriguez.
Quentin Tarantino was born in Tennessee to his mom who had been a nurse and his dad who was involved into film sector at the same time. He grew up just in the attention of his mom because his parents broke up before Quentin Tarantino was born.
When he attended high school, Quentin Tarantino shone in drama courses. But when he was 15 years old, he stopped school and chose to focus on film, so he registered into James Best Theater Company. Nevertheless, after few years he stopped attending it also because he got bored. Yet, he still remained in touch with his buddies from school.
Quentin Tarantino got used right into a video rental shop where he and his working co-workers discussed issues associated with film. Additionally, he used to pay attention to the pictures which individuals let the most and which helped him in his later occupation as a screenwriter which now adds countless dollars to the overall sum of Quentin Tarantino net worth.
Quentin Tarantino Net Worth $90 Million Dollars
| Full Name | Quentin Tarantino |
| Net Worth | $100 Million |
| Salary | $100 million |
| Date Of Birth | March 27, 1963 |
| Place Of Birth | Knoxville, Tennessee, United States |
| Height | 6 ft (1.85 m) |
| Profession | Screenwriter, Film director, Actor, Film Producer, Writer, Television Director, Voice Actor |
| Education | Alexander Fleming Middle School, Narbonne High School |
| Nationality | United States of America |
| Parents | Tony Tarantino, Connie Zastoupil |
| Siblings | Ron Zastoupil, Ronnajean Tarantino, Edward James Tarantino, Tanya Marie Tarantino |
| Nicknames | Kuenthin Taranthîno , Q , Quentin Jerome Tarantino , Quentin Tarrantino , QT , Tarantino Q |
| Awards | Academy Award for Best Original Screenplay |
| Nominations | Academy Award for Best Director, Golden Globe Award for Best Motion Picture – Drama, Golden Globe Award for Best Director - Motion Picture, BAFTA Award for Best Film, Critics' Choice Movie Award for Best Director, BAFTA Award for Best Direction, César Award for Best Foreign Film, Independent Spir... |
| Movies | The Hateful Eight, Pulp Fiction, Django Unchained, Inglourious Basterds, Reservoir Dogs, Jackie Brown, Death Proof, From Dusk till Dawn, Kill Bill: Volume 2, Grindhouse, Kill Bill Volume 1, True Romance, Four Rooms, Planet Terror, Natural Born Killers, Sin City, Kill Bill: Vol. 3, My Best Friend's B... |
| Star Sign | Aries |
| # | Trademark |
|---|---|
| 1 | Frantic scenes are often intercut with a character taking their time and behaving methodically |
| 2 | Almost always uses pre-recorded music for his films |
| 3 | It is common for the antagonist character in Quentin Tarantino films to have a low or non-existent on-screen body count, although many can be seen to torture others, kill off-screen or order others to kill. Mr. Blonde from Reservoir Dogs (1992), Marsellus Wallace from Pulp Fiction (1994), Bill from _Kill Bill Vol. 1 (2003)_ and _Kill Bill Vol. 2 (2004)_ and Calvin Candie from Django Unchained (2012) don't kill anyone on-screen, Hans Landa from Inglourious Basterds (2009) kills one person on-screen, Ordell from Jackie Brown (1997) kills two on-screen but Stuntman Mike from Death Proof (2007) kills several on-screen. |
| 4 | Soundtracks often feature dialogue from their respective films. |
| 5 | Never includes his name in a director's credit in the opening titles of his films. The credits always end with the name of his producer(s). |
| 6 | Often times, the violence in his films is over exagerrated and rooted in a darkly comic context. |
| 7 | Scenes are more often than not loaded with homages or visual references to other director's works |
| 8 | Colorful main antagonists with an elaborately thoughtout, vivid but extremely twisted (and often bigoted) world view and philosophy |
| 9 | Many of his protagonists are morally suspect, violent-tempered individuals who ultimately best their antagonists by outmatching them in sheer brutality |
| 10 | Usually when giving an interview, he will greet the audience with a peace sign |
| 11 | Often frames dialogue scenes around a character preparing food, usually intercut with close-ups of their hands and food items: Vernita Green making her daughter cereal in Kill Bill: Vol. 1 (2003), Bill making B.B. a sandwich in Kill Bill: Vol. 2 (2004), Hans Landa offering Shosanna Dreyfus a strudel in Inglourious Basterds (2009), King Schultz pouring beers in Django Unchained (2012). |
| 12 | Revenge is a common theme in his films |
| 13 | His films often feature at least one character who is deeply religious or spiritual and tries to reconcile that faith with their actions (Jules in Pulp Fiction (1994), Jacob in From Dusk Till Dawn (1996)). |
| 14 | His characters often discuss their favorite films or series while carrying out their activities |
| 15 | Cleft chin |
| 16 | Often shows a relationship between an older experienced character and a younger character in a manner similar to a parent or teacher |
| 17 | Characters often utilize sharp, bladed weapons. (Mr. Blonde uses a straight razor to cut off Marvin Nash's ear in _Reservoir Dogs (1993)_, Butch uses a samurai sword to kill Maynard in Pulp Fiction (1994), The Bride uses a samurai sword to kill several characters in _Kill Bill Vol. 1 (2003)_ and _Kill Bill Vol. 2 (2004)_, Lt. Aldo Raine uses a Bowie knife to cut a swastika in Col. Hans Landa's forehead in _Inglorious Basterds (2009)_, Vernita Greene fights The Bride with a butcher knife in _Kill Bill Vol. 1 (2003)_) |
| 18 | All of his films feature one or more scenes in a restaurant |
| 19 | Prefers to start most of his films with a scene before the main titles are shown |
| 20 | Shots with only a woman's bare feet (Uma Thurman is barefoot in the introduction of Mia in Pulp Fiction (1994) and while the Bride is sitting in the back of Buck's truck trying to move her big toe in _Kill Bill Vol. 1 (2003)_. In Death Proof (2007) Sydney Tamiia Poitier (Jungle Julia) is barefoot almost constantly and Rosario Dawson (Abernathy) has her feet hanging out the window of a car while she is asleep) or characters who discuss bare feet (Jules (Samuel L. Jackson) discusses the ethics of foot massages with Vincent (John Travolta) in Pulp Fiction (1994), In Death Proof (2007) Abernathy (Rosario Dawson) talks about Stuntman Mike ('Kurt Russell') bumping into her feet when he walks by. |
| 21 | Characters frequently use the phrase bingo |
| 22 | Often interjects titles to tell the audience of a new portion of the story. (Character names in Reservoir Dogs (1992), Chapter form in Inglourious Basterds (2009), Explanations of what audience will see such as in Pulp Fiction (1994)) |
| 23 | Frequently references his home state Tennessee in his films: In Pulp Fiction (1994), Butch plans to meet his connection in Knoxville, which is also where his grandfather bought the gold watch; the song "Tennessee Stud" by Johnny Cash appears in Jackie Brown (1997); Death Proof (2007) is set in Lebanon, Tennessee; Lt.. Aldo Raine in Inglourious Basterds (2009) hails from Maynardville, Tennessee. |
| 24 | Known for giving comebacks to "forgotten" actors and/or cult actors by giving them important roles in his movies: John Travolta (Pulp Fiction (1994)), David Carradine (Kill Bill: Vol. 2 (2004)), Lawrence Tierney (Reservoir Dogs (1992)), Pam Grier (Jackie Brown (1997)), Robert Forster (Jackie Brown (1997)), Shin'ichi Chiba (Kill Bill: Vol. 1 (2003))... even in smaller/cameo roles: Sid Haig (Jackie Brown (1997), Kill Bill: Vol. 2 (2004)), Edward Bunker (Reservoir Dogs (1992)), Rod Taylor in _Inglorious Basterds (2009)_) and Michael Parks (Kill Bill: Vol. 1 (2003), and_From Dusk Till Dawn (1996)_), most recently with Jennifer Jason Leigh in The Hateful Eight (2015) |
| 25 | Frequently uses Spanish classical guitar for the soundtracks |
| 26 | Interjects scenes with introduction of a character's background (Hugo Stieglitz is introduced in the middle of the Nazi torture scene in _Inglorious Basterds (2009)_, O-Ren is introduced with an interuption in the main story in _Kill Bill: Vol.1 (2003)_). |
| 27 | A character cooly talks through an intense situation, either delaying the occurrence of violence or avoiding it through resolution. |
| 28 | Minor character dialogue is off-screen in his films |
| 29 | Often frames characters with doorways and shows them opening and closing doors. |
| 30 | Frequently sets his films in Los Angeles, California |
| 31 | Often creates fictional brands of objects due to his dislike of product placement. The Red Apple cigarettes and Big Kahuna burger established in Pulp Fiction (1994) are often referenced in his other films. |
| 32 | Frequently has a female character who wears a black and white pant suit (Uma Thurman in Pulp Fiction (1994), Pam Grier in Jackie Brown (1997), Daryl Hannah in Kill Bill: Vol. 2 (2004)). |
| 33 | Extreme violence, much of which is suggested off-screen |
| 34 | Frequently uses mêlée weapons, such as the "samurai sword" (Katana) that Butch uses in Pulp Fiction (1994) and The Bride uses in the Kill Bill films, also the stake attached to a jackhammer used by George Clooney in From Dusk Till Dawn (1996). |
| 35 | [Director's Cameo] Often plays a small role in all his films (ex.) (Mr. Brown in Reservoir Dogs (1992), Jimmie Dimmick in Pulp Fiction (1994), the answering machine voice in Jackie Brown (1997), The Rapist in Grindhouse (2007) and Warren in Death Proof (2007)). |
| 36 | [Aliases] He uses aliases in nearly all of his movies: Honey Bunny and Pumpkin from Pulp Fiction (1994), Mr White, Blonde, Orange etc. from Reservoir Dogs (1992). Bill's team in Kill Bill: Vol. 1 (2003) (Black Mamba, Copperhead, Cottonmouth, and California Mountain Snake), The Basterds and other major characters in Inglourious Basterds (2009) |
| 37 | Long close-up of a person's face while someone else speaks off-screen (close-up of The Bride while Bill talks, of Butch while Marsellus talks). |
| 38 | Widely imitated quick cuts of character's hands performing actions in extreme closeup, a technique reminiscent of Brian De Palma. |
| 39 | Often casts comedians in small roles: Steven Wright as the disc jockey in Reservoir Dogs (1992), Kathy Griffin as an accident witness and Julia Sweeney as the junkyard guy's daughter in Pulp Fiction (1994), Chris Tucker as Beaumont in Jackie Brown (1997), Mike Myers as General Ed Fenech in Inglourious Basterds (2009), and Jonah Hill in Django Unchained (2012). |
| 40 | His films will often include one long, unbroken take where a character is followed around somewhere. |
| 41 | Often uses an unconventional storytelling device in his films, such as retrospect (Reservoir Dogs (1992)), non-linear (Pulp Fiction (1994)), or "chapter" format (_Kill Bill: Vol.1 (2003)_). |
| 42 | [The Mexican Standoff] All his movies (including True Romance (1993), which he only wrote and did not direct) feature a scene in which three or more characters are pointing guns at each other at the same time. |
| 43 | He always has a Dutch element in his films: The opening tune, "Little Green Bag", in Reservoir Dogs (1992) was performed by George Baker Selection and written by Jan Gerbrand Visser and Benjamino Bouwens who are all Dutch. The character Freddy Newandyke, played by Tim Roth is a direct translation to a typical Dutch last name, Nieuwendijk. The code name of Tim Roth is Mr. Orange, the royal color of Holland and the last name of the royal family. The Amsterdam conversation in Pulp Fiction (1994), Vincent Vega smokes from a Dutch tobacco shag (Drum), the mentioning of Rutger Hauer in Jackie Brown (1997), the bride's name is Beatrix, the name of the Royal Dutch Queen. |
| 44 | His films usually have a shot from inside a car trunk |
| 45 | Frequently works with Harvey Keitel, Tim Roth, Michael Madsen, Uma Thurman, Michael Bowen, Samuel L. Jackson and Christoph Waltz. |
| 46 | Makes references to cult movies and television |
| 47 | Briefcases and suitcases play an important role in Pulp Fiction (1994), Reservoir Dogs (1992), Jackie Brown (1997), True Romance (1993) and Kill Bill: Vol. 2 (2004). |
| 48 | Lead characters usually drive General Motors vehicles, particularly Chevrolet and Cadillac, such as Jules' 1974 Nova and Vincent's 1960s Malibu. |
| # | Quote |
|---|---|
| 1 | To me, one of the things about Rio Bravo (1959) that's so wonderful... well, there's all kinds of things that are really great about it. It's one of the greatest westerns, it's one of the greatest Howard Hawks films, it's one of the greatest John Wayne movies. But it also fits into another genre because I'm all about putting movies into sub-genres, and it's also one of the great "hang-out" movies. There are certain movies where you are hanging out with the characters so much that that it's like they actually become your friends, and it's a really rare quality to have in a film. Movies like that are usually quite long, and it's great to see them again and again. It's like you're just hanging out with John T. Chance, Dude, Stumpy and Feathers. |
| 2 | I'm not going to tell you how I believe, but yes, I do believe in God. |
| 3 | [on Kodak's new Super 8 camera and film in general] On film, there's a special magic on a set when you say 'action' and to the point that the take runs until you say 'cut,' that's a sacred time. I've always believed in the magic of movies and to me the magic is connected to film. When you're filming something on film you aren't recording movement, you're taking a series of still pictures and when shown at 24 frames per second through a lightbulb, THAT creates the illusion of movement. That illusion is connected to the magic of making movies. The fact that Kodak is giving a new generation of filmmakers the opportunity to shoot on Super 8 is truly an incredible gift. [2016] |
| 4 | [in answer to film critic why his films were always extremely violent] Because it's so much fun, Jan! |
| 5 | [on Johnny Depp - The Playlist, December 30, 2012] We would love to work together. We've talked about it for years. Not that we get together and talk about it for years, but from time to time. We're obviously fans of each other. It just needs to be the right character. I just need to write the right character that I think Johnny would be the right guy to do it with. And if he agrees, then we'll do it. And then it'll be magical. I haven't written the perfect character for Johnny Depp as of yet. Maybe someday I will, maybe someday I won't. We'll see. |
| 6 | [November 23, 2015] I'd really love to work with Kate Winslet, I think she's amazing and does a great job. |
| 7 | My dialogue are not for everyone. Doesn't matter the quality of the actor, not everyone has timing or humor for the lines I wrote. |
| 8 | I think Kate Winslet is one of the best actresses that ever lived, so I would be honored to work with her. |
| 9 | To me, Godard did to movies what Bob Dylan did to music - they both revolutionized their forms. |
| 10 | [on La piel que habito (2011)] That was [Pedro Almodóvar] doing a horror film, and it was fucking amazing. I totally got the impression that - and I'm fairly sure I'm right about this - Pedro was watching The Human Centipede (First Sequence) (2009) and thinking, "You know, I know how to do this. I could do something really special with this." And that was La piel que habito (2011) |
| 11 | When people in America talk about the great writer-director auteurs, they don't talk about Pedro Almodóvar enough. For 30 years, he has dwarfed almost all of his American peers. He went through a slightly weak period around the time of Kika (1993) and All About My Mother (1999). I didn't get Broken Embraces (2009), but it was still okay. But the things he's been doing the last seven years, he's been on a magnificent roll. He's a fantastic director. His scripts are wonderful, and he's just money in the bank. And he's so specific, but as opposed to a lot of these specific art-film directors that you're going to get tired of, like Kar-Wai Wong, you never get tired of Almodóvar. Because as much as he has these recognizable elements, it never just seems like the same movie over and over again. |
| 12 | I don't want to talk about the implications of violence. The reason I don't want to talk about it is because I've said everything I have to say about it. If anyone cares what I have to say about it they can Google me and they can look for twenty years what I have to say. I haven't changed my opinion one iota. |
| 13 | [on film violence vs real-life violence] All the movies I'm basing my movies on I saw as a kid and yes, kids go to a movie theater, they can tell the difference. Maybe you couldn't when you were a kid but I could. |
| 14 | [in response to criticisms that Kill Bill: Vol. 1 (2003) is overly brutal] Innocent people die along the way because, unfortunately that's the story of revenge. Revenge is messy. It never works out the way you want it to. |
| 15 | As far as I'm concerned, digital projection is the end of cinema. The fact that most films aren't presented in 35 mm means that the world is lost. Digital projection is just television in cinema. I'm very hopeful that future generations will be much smarter than this generation and realize what they lost. |
| 16 | [on fan expectations] That's not a pressure I ever feel. That should always be there. I want people to expect a lot from me, I want people waiting with great anticipation for my next movie. Growing up I felt that way. The week before Scarface (1983) came out was Scarface week... That kind of excitement is what helps keep a filmmaker alive and vital. |
| 17 | I've always actually thought of Pulp Fiction (1994) as a Rock 'n' Roll Spaghetti Western. |
| 18 | If I'm on an airplane, a Kate Hudson movie is what I'm looking for. I'll sit there and I'll cry... I think it's the altitude or something like that. |
| 19 | I've always considered myself a filmmaker who writes stuff for himself to do. |
| 20 | I'm very happy with the way I write. I think I do it good. But I've never really considered myself a writer. |
| 21 | [on what his most personal film is] Probably "Kill Bill". |
| 22 | [acceptance speech winning the Oscar for Best Screenplay for Pulp Fiction (1994)] Uh thanks! Uh, this has been a very strange year. I can definitely say that. Uh, you know what? I was trying to think...I think this is the only award I'm going to win here tonight, so I was trying to think, maybe I should say a whole lot of stuff, right here right now, just get it out of my system, you know, all year long, everything roiling up, and everything, just blow it all, just tonight, just say everything! But I'm not. Thanks. |
| 23 | [on Pulp Fiction (1994)] Three stories about one story. |
| 24 | [on Reservoir Dogs (1992)] This movie was never meant to be everything for everybody. And I don't mean that as a slam. I'm just saying I made this movie for myself and everybody else is invited. |
| 25 | If you just love movies enough, you can make a good one. |
| 26 | (on once working at an adult movie theater) To me, the greatest job a person could ever have is being an usher at a movie theater. You get to go to a movie theater all day long, and then you get to see all the movies for free. Irony of ironies, I end up getting a job at a movie theater where I could care less about the movies and was totally bored by them. |
| 27 | [on the inspiration for Pulp Fiction (1994)] And so I thought the idea that would, in the case of Pulp Fiction, would be kind of cool, was to take three separate stories, and make them the oldest stories in the book, whether it be, um...Vincent's character, the hoodlum, has to go out with the boss's lady, but don't touch her! And there's the whole history of people who *have* touched her, and what happens. Well we've seen that before, a zillion times...and the case of the Bruce Willis story, that the boxer's supposed to throw the fight, and he doesn't, and now the mob's after him...we've seen that story a million times as well. And one of the things I thought about, like, the third story, was basically kind of the beginning of, at that time, almost every Joel Silver movie, which would start off with like a couple hit men showing up, boom boom, alright, 'you wanna witness something witness this!' (makes gun shooting noise, laughs). And then they shoot the guy and it cuts to Arnold Schwarzenegger walking through the forest and eventually he's gonna meet those guys. And so I thought, what happens if we hung out with them? All night long? Or...all day long? After they've killed the guy, what happens with the rest of their day? And so it was like taking these, these chestnuts and putting them together and then, actually having the characters kind of intertwine and it all kind of takes place in one...city, and it's an environment that they all live in, and characters kind of know each other, but you don't know that for a while. And we're just kind of hanging out with them for those two days. |
| 28 | If I wasn't a filmmaker, I'd be a film critic. It's the only thing I'd be qualified to do. |
| 29 | If I was doing Kill Bill all over again - I'd be tempted to do it in 3D, at least Volume I. |
| 30 | [on the British film industry] When I first came here in 1992 with Reservoir Dogs (1992) the film industry was very dire. The movies were Enchanted April (1991) and crap like that. But that has changed, and this year has highlighted how it's changed. You guys actually have a genuine, honest-to-goodness, bona fide film industry again, and that is fantastic. |
| 31 | If there is something magic about the collaborations I have with actors it's because I put the character first. |
| 32 | Here's my problem with this whole influence thing. Instead of critics reviewing my movies, now what they're really doing is trying to match wits with me. Every time they review my movies, it's like they want to play chess with the mastermind and show off every reference they can find, even when half of it is all of their own making. It feels like the critics are IMDB-ing everything I do. It just rubs me the wrong way because they end up using it as a stick to beat me down with. |
| 33 | [on the time spent watching old World War II movies that gave him the confidence to embark on Inglourious Basterds (2009)] - It wasn't that I needed permission. But what really struck me was that these were films made by directors who'd had to flee their country because of Hitler, and yet the movies they made weren't all terror or horror. In fact, while they definitely showed the Nazis and their cruelty, they were adventure films, whether you're talking about "Hangmen Also Die" or "Reunion in France" or "To Be or Not to Be" or "O.S.S.", an Alan Ladd film that's like a prequel to "The Good Shepherd". They were fun and thrilling and exciting and, most amazingly, they had a lot of comedy in them, which really made an impact on me. I mean, for every movie with a sadistic Nazi, there's one with a Nazi who's more of a buffoon or a figure of ridicule. |
| 34 | [on Inglourious Basterds (2009) being not just a revenge fantasy about World War II, but a torture and terrorism fantasy] - Definitely. You took it right out of my mouth. Yes. I mean, basically what they're doing - you described it really, really well. To put in even shorter nutshell, they're actually doing literally the Apache resistance, but against the Nazis, against the Germans. And that was one of the things - one of the reasons I wanted to do something like that, other than for all the other reasons you said before about - it's a revenge fantasy and this and that. We've never seen it before. I was trying to do like a spaghetti western but using World War II iconography. So in my re-imagining of this whole thing, I kind of placed the Jews as the Indians in this scenario. And that is part of the whole thing. You know, when they say they ambush a German patrol of six guys and then they scalp them, maybe even take their shoes off, so when they are found there is even less dignity in the death - all these little things that they do. |
| 35 | [on Inglourious Basterds (2009) being the modern strategic history of al-Qaeda] - Yes. ... Now, I've seen people who have seen the movie like three or four times and it never quite sinks into them. But that was never something that I necessarily set out to do. I wasn't trying to make a terrorist Iraq commentary with the film. It was just what made sense for the characters to do at that time. Yes they're strapping bombs on themselves. ... And they're walking into a theater crowded with evil civilians and they are prepared to blow it up. ... Even the character, Landa, the Jew hunter, the Nazi character in the film - he even makes a reference to it. He goes your mission - some would call it a terrorist plot - is kaput. ... It was funny. Again, I wasn't trying to necessarily make a political point in there. It literally was just the next step in the story as far as I was concerned. However, once I did it, the irony was not lost on me at all. But you know, that was one of the things that I actually thought that - it was one of the things that when I was all done. Because I think there are a lot of things like that - not about that issue, but there's a lot of things in this movie that are not used to seeing in other World War II movies. I thought that was one of the aspects that would actually make the movie not just seem like a World War II movie that it's like here and you're looking at it in the eyes of the past. I wanted the film sort of the way "Bonnie and Clyde" worked when it came out. It was an old genre took place in the '30s, but it was actually telling you something about the time today. And that was what I was trying to do with this in this genre. |
| 36 | [on Inglourious Basterds (2009) being a catharsis and multi-layered] - I mean, it would be easy to just set up a situation where we just go oh, kill the Nazis, rah, rah. But I don't play it that easy. Like for instance, on the interrogation scene that you just saw, under any criteria of bravery in warfare, that German passes the test under any criteria. And, yes it would have been easy to make him a cringing coward and it would have been more rah, rah, rah in the audience. It would be like watching "Rocky". But you know, that's too easy for what I'm trying to do. |
| 37 | [on Avatar (2009)] I'm not James Cameron and I could never think like that - I don't think he could think like me either - but if I could go into a time machine and think like that and be able to do what he could do, that would be great. |
| 38 | When I first discovered Howard Hawks, I spent a year and a half reading the TV Guide and they played about 80 percent of his entire oeuvre on Los Angeles television. Brian De Palma, Martin Scorsese, Sergio Leone and Hawks were a huge influence on me. |
| 39 | There's my realer-than-real movies like Reservoir Dogs (1992). And then there's my movie-movies. And Kill Bill: Vol. 1 (2003) is definitely one of those. It's the movies that Jules and Vince (from Pulp Fiction (1994)) would go and see...I always thought of Kill Bill: Vol. 1 (2003) as my Apocalypse Now (1979) and that House of Blue Leaves is my 'Ride of the Valkyries' helicopter sequences. |
| 40 | CGI has fully ruined car crashes. Because how can you be impressed with them now? When you watch them in the '70s, it was real cars, real metal, real blasts. They're really doing it and risking their lives. But I knew CGI was gonna start taking over. |
| 41 | I think the opening chapter of Inglourious Basterds (2009) is one of the best things I've ever written - before that sequence my best piece of writing would be the Sicilian sequence in the True Romance (1993) script; that was the best thing I'd ever done in a beginning to end piece. And I think I finally matched it, or topped it with that sequence so I knew I couldn't just let it go. I would have been haunted by it and I wouldn't be able to move on to anything else until I had it out of the way. |
| 42 | [on "Late Night with Conan O'Brien" (1993)_, when asked how he comes up with such good dialog] Well, not to be facetious or anything, but... I'm a good writer! |
| 43 | [on why his characters in Inglourious Basterds (2009) use Native American fighting tactics] I'm actually equating the Jews in this situation, in World War II, with the Indians. It's not nothing that they're doing Apache resistance. It's not about dying. It's about killing. They ambush their guys. They trick the enemy. It's not a straight-up fight. And then they go and they just completely desecrate the bodies to win a psychological war. |
| 44 | When you gotta go out and make a movie to pay for the kid's private school and for the three ex-wives, don't talk to me about your artistry. It's their job. It's not my job. It's my calling. |
| 45 | Some people will like Inglourious Basterds (2009). Some people won't. But it was made with all the passion I've made everything with - except maybe my first film, which was probably made with more passion than I'll ever have again. |
| 46 | I've had people write that I've seen too many movies. In what other art form would being an expert be considered a negative? If I were a poet, would I be criticized for knowing too much about Sappho? Or Aristotle? |
| 47 | [on the Cannes Film Festival] I just like Cannes. It's like the whole planet is checking your movie out - boom! - at one time, and - bam! - it either works or it doesn't. And especially when I'm there - it's the closest thing to Muhammad Ali having a championship fight. It's just - bam! You're throwing it down. |
| 48 | [on how The Dirty Dozen (1967) could never be made today] Ernest Borgnine. Charles Bronson. Those guys were real men. They were a different breed. Many of them had been to war. Today's young actors are soft. |
| 49 | [on the death of David Carradine] He was a dream to direct, a fantastic actor, a great character actor and really one of Hollywood's great mad geniuses. |
| 50 | When I give props to these movies, you have to understand - it's not like they were all good. There's an expression: You have to drink a lot of milk before you can appreciate cream. Well, with exploitation movies, you have to drink a lot of milk-gone-bad before you can even appreciate milk! That's what part of the love of these movies is - going through the rummage bin and finding the jewels. |
| 51 | I don't believe in putting in music as a band aid to get you over some rough parts or bad film making. If it's there it's got to add to it or take it to another level. |
| 52 | There's only one list that's more illustrious than the list of directors who won the Palme d'Or. It's the list of directors who didn't. |
| 53 | The exploitation films were made in such an artless way with these big wide shots of Sunset Boulevard or of Arcadia or downtown L.A. or wherever. In mainstream films, especially in the 1980s, the Los Angeles you saw wasn't the real one; it was a character with this back-lot sort of atmosphere. They tried to luxuriate it. In exploitation films, you see what the place really looked like, you see the bars and mom-and-pop restaurants. |
| 54 | I'm never going to be shy about anything, what I write about is what I know; it's more about my version of the truth as I know it. That's part of my talent, really - putting the way people really speak into the things I write. My only obligation is to my characters. And they came from where I have been. |
| 55 | [on making another "Kill Bill" movie] Oh yeah, initially I was thinking this would be my "Dollars Trilogy". I was going to do a new one every ten years. But I need at least fifteen years before I do this again. I've already got the whole mythology: Sofie Fatale will get all of Bill's money. She'll raise Nikki, who'll take on The Bride. Nikki deserves her revenge every bit as much as The Bride deserved hers. I might even shoot a couple of scenes for it now so I can get the actresses while they're this age. |
| 56 | I've come to a point where I like Pauline Kael's reviews of Godard more than Godard's films. |
| 57 | I will never do 'Pulp Fiction 2', but having said that, I could very well do other movies with these characters. |
| 58 | I hope to give you at least 15 more years of movies. I'm not going to be this old guy that keeps cranking them out. My plan is to have a theater by that time in some small town and I will be the manager - this crazy old movie guy. (March 2005) |
| 59 | If you want to make a movie, make it. Don't wait for a grant, don't wait for the perfect circumstances, just make it. - Giving advice to young aspiring filmmakers at the 1994 Independent Spirit Awards. |
| 60 | On Thriller: A Cruel Picture (1973) and its influences on Kill Bill: Vol. 1 (2003): And that is, of all the revenge movies I've ever seen, that is definitely the roughest. The roughest revenge movie ever made! There's never been anything as tough as that movie. |
| 61 | On directing the ER (1994) episode "Motherhood": When I was directing ER, I didn't want to stand out. Everyone else is wearing all that crap. I wanted to fit in. I didn't want to be the odd man out. I wanted to be inside, not on the outside. When I was directing the ER thing, the emergency room guys wore the green scrubs. I wore those for a few days. Then, I wore the blue scrubs, which were the surgeons', for a few days. When I wore the nurse's pink scrubs, though, that's when I became a hero on the set. The nurses didn't think I was going to throw in with them. I ended the episode, the last two days, wearing the nurses' scrubs. When I walked on the set all the nurses applauded me. They were like "Oh my God, he's so cool!". |
| 62 | On violence in Kill Bill: Vol. 1 (2003): When I was on The View (1997), Barbara Walters was asking me about the blood and stuff, and I said, "Well, you know, that's a staple of Japanese cinema." And then she came back, "But this is America." And I go, "I don't make movies for America. I make movies for planet Earth.". |
| 63 | I have an idea for a Godzilla movie that I've always wanted to do. The whole idea of Godzilla's role in Tokyo, where he's always battling these other monsters, saving humanity time and again - wouldn't Godzilla become God? It would be called Living Under the Rule of Godzilla. This is what society is like when a big fucking green lizard rules your world. |
| 64 | On becoming famous: Going into a video store and going through the videos, looking at every title they have, trying to find some old Spaghetti Western, that's gone. |
| 65 | On how to take the violence in Kill Bill: Vol. 1 (2003) (The final duel with Lucy Liu): It's supposed to be kind of amusing and poetic at the same time. And also just a teeny-tiny bit solemn. When you see her head, it's funny. And then her line, "That really was a Hattori Hanzo sword," that's funny. But then, the next shot is not funny, when she tips over and Meiko Kaji is singing about revenge on the soundtrack. So it's all together. Funny. Solemn. Beautiful. Gross. All at the same time. |
| 66 | On collecting movies: If you're a film fan, collecting video is sort of like marijuana. Laser discs, they're definitely cocaine. Film prints are heroin, all right? You're shooting smack when you start collecting film prints. So I kinda got into it in a big way, and I've got a pretty nice collection I'm real proud of. |
| 67 | On media criticisms of violence in his movies: What if a kid goes to school after seeing Kill Bill and starts slicing up other kids? You know, I'll take that chance! Violent films don't turn children into violent people. They may turn them into violent filmmakers but that's another matter altogether. |
| 68 | On media criticisms of violence in his movies: Sure, Kill Bill's a violent movie. But it's a Tarantino movie. You don't go to see Metallica and ask the fuckers to turn the music down. |
| 69 | [on the comparison between Kill Bill: Vol. 1 (2003)'s group fight and Neo vs. 100 Agent Smiths in The Matrix Reloaded (2003)] First off, I've always thought of the black suits as mine, so I don't think of them as Agent Smiths, I think of them as Reservoir Dogs with less cool sunglasses. The similarities between the fight sequences never occurred to me until I had a director's screening and Luc Besson turned up with Keanu Reeves as his guest. I watched Keanu watching and suddenly I felt it. |
| 70 | Movies are my religion and God is my patron. I'm lucky enough to be in the position where I don't make movies to pay for my pool. When I make a movie, I want it to be everything to me; like I would die for it. |
| 71 | On using surfing music, when hating the surfing culture: It's like surf music, I've always like loved that but, for me, I don't know what surf music has to do with surf boards. To me, it just sounds like rock and roll, even Morricone music. It sounds like rock and roll Spaghetti Western music, so that's how I kind of laid it in. |
| 72 | When people ask me if I went to film school, I tell them "No, I went to films.". |
| 73 | If I've made it a little easier for artists to work in violence, great! I've accomplished something. |
| 74 | [on "rival" director Guy Ritchie marrying Madonna] I guess I'll have to marry Elvis Presley to get even. |
| 75 | [at the MTV Movie Awards 1994 as he won Best Picture for Pulp Fiction (1994)] Pop quiz, hotshot: you go to the awards ceremonies all year long; you keep losing to Forrest Gump (1994)! It's really annoying the hell out of you - what do you do? You go to the MTV Awards! |
| # | Fact |
|---|---|
| 1 | Announced his retirement after two more films.[November 2016]. |
| 2 | Lady Snowblood (1973) and Lady Snowblood 2: Love Song of Vengeance (1974) were big influences for his Kill Bill films. |
| 3 | President of the 'Official Competition' jury at the 67th Venice International Film Festival in 2010. |
| 4 | One of his biggest pet peeves while filming is actors and crew members napping on set. In his words "It always kinda bugged me so I came up with something where it wouldn't bug me." That something was a huge purple dildo named "Big Jerry". When ever an actor or crew member dozes off on set Quentin puts "Big Jerry" as close to the offenders face as he can without waking them and snaps photos that are hung on "The Wall of Shame" on set. Several photos of A-list actors and "Big Jerry" exist. All in good humor and fun according to the director. |
| 5 | Detests CGI (Computer-generated imagery) trickery, opting not to shoot a sequence at all unless it can be accomplished 'in-camera'. If a chase has to be filmed at 80mph, it must be captured as it happens and not faked with camera under-cranking. |
| 6 | Insists on being beside the camera at all times during a take. The notion of being in another room watching his actors perform on a video-assist monitor is both anathema and unacceptable to him. |
| 7 | One of his biggest influences in filmmaking is Kar-Wai Wong's film Chungking Express (1994). He helped get the film distribution in North America. |
| 8 | Counts director Terry Gilliam as a major mentor, even according him a "Special Thanks" credit in Reservoir Dogs (1992). |
| 9 | Is a fan of sexploitation filmmaker Russ Meyer. He has expressed interest in remaking his film Faster, Pussycat! Kill! Kill! (1965). |
| 10 | Forbids all cell phones on the set when shooting, insisting that all such devices be turned in at point of entry - no exceptions. |
| 11 | Is a huge fan of the cult classic drama film Showgirls (1995) by Paul Verhoeven. |
| 12 | One of his favorite horror films is the original Black Christmas (1974). His tradition is to watch the film in his home theater every Christmas season. |
| 13 | Among his favorite authors is a Russian poet Boris Pasternak, whose grave Tarantino had visited in June 2004, while visiting Moscow Film Festival. |
| 14 | He was awarded a Star on the Hollywood Walk of Fame at 6927 Hollywood Boulevard in Hollywood, California on December 21, 2015. |
| 15 | Owns the New Beverly Cinema in Los Angeles, the theater where he often saw double features as a kid. He helped the prior owner to keep it afloat and stay open with a $5000/mo subsidy. Subsequently, he bought the building in December 2007 to save the revival theater from being redeveloped into a Supercuts. In October 2014, he assumed full ownership and programs the theater's slate personally with kid's matinées, double features nightly, midnight showings on the weekends, vintage shorts/cartoons and a commitment to always show in 35mm celluloid film. |
| 16 | Has indicated a desire to adapt his screenplays Reservoir Dogs (1992) and The Hateful Eight (2015) for theatrical live performances. |
| 17 | Filmed his latest film The Hateful Eight (2015) using the Ultra Panavision 70 film process This rare film process has not been used for 50 years despite the technical advantages it offers over current technology. |
| 18 | Plans to retire after his 10th major film. He has stated he would like to write novels, books on film history, plays and work as a theater director. |
| 19 | Got his first job in the film industry at age 16, by lying about his age, as an usher at Pussycat Theater, a porn theater in Torrance, California. |
| 20 | Worked at Video Archives in Manhattan Beach, California from 1985-1990 with future filmmakers Roger Avary and Daniel Synder. He became well know to local residents for his extensive knowledge of world cinema and eclectic, customer tailored video recommendations. He wrote several screenplays during his time at Video Archives including Reservoir Dogs (1992) True Romance (1993) and Natural Born Killers (1994). He purchased the entire stores video inventory of 8000 titles when it closed that he prefers watching to using video streaming services, like Netflix. |
| 21 | First job was collecting quarters and restocking magazines from automated magazine boxes that dispensed pornographic titles. |
| 22 | As of September 2015, Tarantino's films have grossed $1,407,548,403 worldwide. |
| 23 | Has expressed his desire to work with Kate Winslet, Johnny Depp, Meryl Streep, Simon Pegg and Michael Caine. |
| 24 | Was working on a script titled The Vega Brothers, which would follow Vincent Vega from Pulp Fiction (1994) played by John Travolta, and Vic Vega from Reservoir Dogs (1992) played by Michael Madsen. However, when considering the current ages of the actors, he said "It's kind of unlikely now." Tarantino made Inglourious Basterds (2009) instead. |
| 25 | Cites Jean-Pierre Melville as the greatest director of gangster movies. |
| 26 | Cites Melville's Le Doulos (1963) as the best screenplay ever. |
| 27 | Krishnan Guru-Murthy introduced the subject of movie violence during an interview, in the wake of "Django Unchained", with Quentin Tarantino on Channel Four News. Quentin Tarantino responded memorably that he refused the question, that he had given his opinion exhaustively in other settings and that he was "shutting [Krishnan's] butt down" about the matter. |
| 28 | Stated on a radio interview that the one thing he cannot stand seeing in movies is real animal and insect death or torture, and that real acts of violence have no place in film, which is about realism through artifice. |
| 29 | The Big Kahuna burger is mentioned in at least three of Tarantino films. |
| 30 | True Romance (1993) character Clarence Worley personifies Quentin Tarantino's passions in life. |
| 31 | Is a huge fan of filmmaker Roger Christian and named Christian's film The Sender (1982) as his favorite movie of that respective year. He also attended the premiere of Battlefield Earth (2000) along with Christian, John Travolta and George Lucas and according to Christian, Quentin really liked it, claiming it to be the kind of movie he always wanted to make but never could since he knew it would kill his career given Hollywood's reputation. |
| 32 | Did not become interested in writing and directing until he was in his early twenties. |
| 33 | Has said that the three films that have most influenced him as a director are: The Good, the Bad and the Ugly (1966) (which he says "is obvious"), Mario Bava's Black Sabbath (1963) (because that taught him the importance of having a distinct directorial voice), and Abbott and Costello Meet Frankenstein (1948) (because that taught him about mixing genres). |
| 34 | His films mainly feature criminals and characters committing horrible crimes involving murder and drugs. The only crime Tarantino has committed was shoplifting from a bookstore when he was a teenager. |
| 35 | Thanked by the rock band Nirvana in the liner notes of their album "In Utero". |
| 36 | He screens Rio Bravo (1959) for potential girlfriends as a test of their compatibility. |
| 37 | He is mentioned in the cartoon "Courage the Cowardly Dog" as the zombie director Quintin Tarantella in several episodes, the first being "Everyone Wants to Direct". |
| 38 | His three favourite Alfred Hitchcock movies are; Sabotage (1936), Suspicion (1941) and Torn Curtain (1966). |
| 39 | Directed 6 actors in Oscar nominated performances: John Travolta, Samuel L. Jackson, Uma Thurman, Robert Forster, Christoph Waltz (twice), and Jennifer Jason Leigh. Waltz won for his performances in both Inglourious Basterds (2009) and Django Unchained (2012). |
| 40 | Lived with Jennifer Beals while getting his first films produced. |
| 41 | In the 2008 Empire magazine poll of the 500 Greatest Movies of All Time, Tarantino listed his favorite films as: 1. The Good, the Bad and the Ugly (1966), (Sergio Leone), 2. Rio Bravo (1959), (Howard Hawks), 3. Blow Out (1981), (Brian De Palma), 4. Taxi Driver (1976), (Martin Scorsese), 5. His Girl Friday (1940), Howard Hawks), 6. 5 Fingers of Death / King Boxer (1972), (Chang-hwa Jeong), 7. Pandora's Box (1929), ('Georg Wilhelm Pabst'), 8. Carrie (1976), (Brian De Palma), 9. Unfaithfully Yours (1948), (Preston Sturges), 10. Five Graves to Cairo (1943), (Billy Wilder), 11. Jaws (1975), (Steven Spielberg). Choices #2, 3 and 4 are marked as "interchangeable". |
| 42 | Close friends with Jennifer Beals and Sofia Coppola. |
| 43 | Born in Knoxville, Tennessee, and was raised in Los Angeles, California. |
| 44 | Was ex-girlfriend Mira Sorvino's date the night she won her best supporting actress Oscar. |
| 45 | Was offered a chance to direct Westworld (2016), which he turned down. |
| 46 | Wrote the forward for the book "Unfiltered: The Complete Ralph Bakshi". |
| 47 | As a child, one of his favorite movies was Abbott and Costello Meet Frankenstein (1948). He credits the film with helping him learn genre distinctions. |
| 48 | After his parents divorced, his mother married musician Curtis Zastoupil. |
| 49 | His mother was born in Tennessee on September 3, 1946. She is the adopted daughter of Ellis and Elizabeth (Betty) Shaffer. |
| 50 | His father was born in Queens, New York, and has a sister named Diane. Their parents are Dominic Tarantino and wife Elizabeth. |
| 51 | Has two sisters and one brother: Tanya Marie Tarantino (b. Pasadena, California, 4 October 1964), Ronnajean Tarantino (b. Phoenix, Arizona, 22 June 1969) and Edward James Tarantino (b. Simi Valley, California, 3 October 1974). |
| 52 | During his stay in the Philippines, Tarantino got trapped in traffic due to flooding as he was traveling to Malacanang Palace to meet President Gloria Macapagal-Arroyo and receive a lifetime achievement award. Refusing to give up, he and his partner Tikoy Aguiluz got off their limousine and took a pedicab each to reach the palace. After arriving, Tarantino stated "It was a lot of fun. It just took a long time but it was not bad at all.". |
| 53 | Has named My Bloody Valentine (1981) his all-time favorite slasher film. |
| 54 | Named his favorite films of 2005 as Sin City (2005), Domino (2005), Hustle & Flow (2005) and The Devil's Rejects (2005). |
| 55 | Has stated that he would like to make and star in a film telling the story of John Brown, the abolitionist. |
| 56 | Is spoofed in the short film Let's Get Real! (1999), which contains several satirical references to Pulp Fiction (1994). |
| 57 | Is godfather to two of Michael Madsen's sons Hudson and Calvin Michael. Michael and his wife DeAnna joked in OK! magazine about naming Quentin godfather to their newest son Luke Ray as well. |
| 58 | Was originally offered the chance to direct Speed (1994), which he turned down. |
| 59 | Was originally offered the chance to direct Men in Black (1997), which he turned down. |
| 60 | Each of his movies, with the exception of Death Proof (2007), features someone from the cast of Martin Scorsese's Mean Streets (1973). Harvey Keitel from Reservoir Dogs (1992) and Pulp Fiction (1994), Robert De Niro from Jackie Brown (1997), David Carradine from Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), and David Proval is in Four Rooms (1995). |
| 61 | His all-time favorite director is Howard Hawks. |
| 62 | Eli Roth wanted to have the world premiere of Hostel (2005) at the 2005 Iceland Film Festival. During the festival, Roth and Quentin Tarantino were made honorary vikings at Viking Village, in a ceremony arranged by Eythor Gudjonsson. Roth's Icelandic name is Eli Sheldonsson, and Tarantino's Icelandic name is Quentin Conniesson. |
| 63 | Was guest director for one scene for Robert Rodriguez' Sin City (2005). |
| 64 | Was the spokesman for SkyperfecTV, a Japanese based satellite TV network, a competitor to the now locally defunct DirecTV endorsed by Arnold Schwarzenegger. |
| 65 | Ranked #8 in Empire (UK) magazine's greatest directors ever 2005 poll. |
| 66 | Cites his influences as Martin Scorsese, Brian De Palma, Sergio Leone and Jean-Luc Godard. |
| 67 | Ranked #81 on Premiere magazine's 2004 annual Power 100 List. He was unranked in 2003. |
| 68 | Is a huge fan of the Half-Life computer game series, and has considered possibilities of directing a movie adaptation. |
| 69 | Often references numerous attributes of the works of Jean-Luc Godard, particularly in Pulp Fiction (1994). The disjointed structure of Pulp Fiction (1994) may itself be an homage to Godard's use of jump cuts in Breathless (1960), the film that launched the French New Wave of cinema. |
| 70 | Named his production company, A Band Apart, after the Jean-Luc Godard film Band of Outsiders (1964). |
| 71 | Frequently cites Rio Bravo (1959), The Good, the Bad and the Ugly (1966) and Battle Royale (2000) among his favorite films. |
| 72 | Has stated that he would like to direct a James Bond movie at some point in his career. |
| 73 | Was offered the role of the President of the United States of America in Battle Royale II (2003) but had to decline due to scheduling conflicts. |
| 74 | Six of his movies are mentioned in FHM's (DK) 100 Best Male Movies Ever (7 October 2004 issue): True Romance (1993) at #75, From Dusk Till Dawn (1996) at #73, Kill Bill: Vol. 2 (2004) at #26, Kill Bill: Vol. 1 (2003) at #25, Reservoir Dogs (1992) at #11, and Pulp Fiction (1994) at #1. |
| 75 | His mother reluctantly consented to allow him to drop out of Narbonne High School at age 16 on the condition he get a job." I wanted him to see that life without education would not be a picnic". She thought he would return more focused and go onto college. Tarantino with a reported 160 IQ wanted to study acting and felt he could learn more following his own path. |
| 76 | Hates product placement hence, the use of the fictional cigarette Red Apple and now-defunct cereal Fruit Brute in his films. |
| 77 | On The Tonight Show with Jay Leno (1992), he stated his all-time favorite James Bond film is From Russia with Love (1963). |
| 78 | A vocal proponent of celluloid-over-digital filmmaking, Tarantino got his first experience with the latter technology by directing a segment of the film Sin City (2005) with his friend Robert Rodriguez. Rodriguez, who lauds the technology at every opportunity, made this his mission to convert Tarantino as well. At the end of shooting, Tarantino is reported to have said simply, "Mission accomplished.". |
| 79 | His mother Connie McHugh was only age 16 when she gave birth to him. |
| 80 | Despite the constant comparison between them amongst fans, he considers fellow director Paul Thomas Anderson to be one of his best friends. In fact, Tarantino has praised Anderson's work, calling him a "filmmaking artist". |
| 81 | In the last Sight & Sound Greatest Films Poll (2002), he listed his Top Ten films as: The Good, the Bad and the Ugly (1966) (Leone), Rio Bravo (1959) (Hawks), Taxi Driver (1976) (Scorsese), His Girl Friday (1940) (Hawks), Rolling Thunder (1977) (Flynn), They All Laughed (1981) (Bogdanovich), The Great Escape (1963) (J. Sturges), Carrie (1976) (De Palma), Coffy (1973) (Hill), Dazed and Confused (1993) (Linklater), Five Fingers of Death (1972) (Chang) and Hi Diddle Diddle (1943) (Stone). |
| 82 | In 1994, before Pulp Fiction (1994), in an interview with Charlie Rose, he cited his three favorite films as Blow Out (1981) (directed by Brian De Palma), Rio Bravo (1959) (directed by Howard Hawks) and Taxi Driver (1976) (directed by Martin Scorsese). |
| 83 | Was at one point in his life considering to become a novelist. He said that he tried writing two chapters of a novel about his experiences working at the Video Archives in Manhattan Beach. As can be immediately seen, novelistic narrative techniques bear a strong influence on his distinct filmmaking style. |
| 84 | Named after the Burt Reynolds character Quint Asper from Gunsmoke (1955) |
| 85 | He has called Uma Thurman his muse. |
| 86 | Good friends with Robert Rodriguez and Kristin Chenoweth. |
| 87 | Considers Ride in the Whirlwind (1966) one of the finest Westerns ever made, even writing an extensive article about it for Sight & Sound magazine titled A Rare Sorrow. The article was featured in the Pulp Fiction (1994) Special Edition DVD as an extra and also appears in Paul A. Woods' Film Geek Files (pgs. 129-132). Interestingly, the director of Ride in the Whirlwind, Monte Hellman, was the executive producer of Reservoir Dogs (1992). |
| 88 | President of the 'Official Competition' jury at the 57th Cannes International Film Festival in 2004. |
| 89 | Two of Tarantino's favorite films are Manos: The Hands of Fate (1966) (which he owns a 35mm copy of) and Star Trek II: The Wrath of Khan (1982), which he references in Kill Bill: Vol. 1 (2003). |
| 90 | Is listed in the acknowledgments of actor Ethan Hawke's novel, "Ash Wednesday". |
| 91 | Although he uses both elements in his films, he strongly detests violence and drugs. |
| 92 | His parents are Tony Tarantino and Connie McHugh. His father is from New York, and Quentin's paternal grandparents, Dominic James Tarantino and Elizabeth Jean Salvaggio, had Italian ancestry. Quentin's mother was born in LaFollette, Tennessee, to Edwin William McHugh and Betty June Woody, was raised in Ohio, and has English and Irish ancestry. |
| 93 | Is a huge fan of The Three Stooges. |
| 94 | He delayed production of Kill Bill: Vol. 1 (2003) several months when Uma Thurman became pregnant. He refused to recast her, as he had written the role specifically for her, based on an idea the two conceived on the set of Pulp Fiction (1994). |
| 95 | He was an unlisted screenwriter for Tony Scott's Crimson Tide (1995). He was brought in to punch up the script's dialogue, reportedly adding the Silver Surfer scene, submarine movie scene, racist horse monologue among other polishes. |
| 96 | In all of his original screenplays, the name of a police detective named Scagnetti is referred to at least once. Most of the times, the particular scene was cut out of the final versions. |
| 97 | Collects old board games having to do with television series like I Dream of Jeannie (1965), The Dukes of Hazzard (1979), The A-Team (1983), etc. |
| 98 | Tarantino claims that James Best taught him how to act. |
| 99 | First noted screenplay was titled "Captain Peachfuzz and the Anchovy Bandit", which was written in 1985. |
| 100 | Claims that Tarantino acted in the film Dawn of the Dead (1978) or the film King Lear (1987) are incorrect. Quentin falsely listed these credits years ago on his acting resume to compensate for his lack of experience and these incorrect credits have subsequently been attributed to him in such places as Leonard Maltin's Movie and Video Guide and the Cinemania CD ROM. |
| 101 | Was planning to direct an episode of The X-Files (1993) but refused to join the Director's Guild of America. The Guild refused his request for a waiver so that he could direct the series. [November 1996] |
| 102 | Together with Lawrence Bender founded record company called A Band Apart Records. It will focus on film soundtracks and its releases will be distributed through Maverick Records, owned by Madonna. [July 1997] |
| 103 | Was sued by Don Murphy for $5,000,000, accused of assault. Tarantino attacked Murphy in restaurant, slammed him against the wall and punched him. [November 1997] |
Writer
| Title | Year | Status | Character |
|---|---|---|---|
| Kill Bill: Vol. 3 | characters announced | ||
| From Dusk Till Dawn: The Series | TV Series based on the film screenplay by - 21 episodes, 2014 - 2016 screenplay "From Dusk till Dawn" - 9 episodes, 2014 | ||
| The Hateful Eight | 2015 | written by | |
| Scenes from Django Unchained - UK Winner | 2013 | Short based on the screenplay by | |
| Django Unchained | 2012 | written by | |
| Kill Bill: The Whole Bloody Affair | 2011 | ||
| Inglourious Basterds | 2009 | written by | |
| Death Proof | 2007 | written by | |
| Grindhouse | 2007 | written by - segment "Death Proof" | |
| Reservoir Dogs | 2006 | Video Game screenplay / story | |
| CSI: Crime Scene Investigation | 2005 | TV Series story by - 2 episodes | |
| Kill Bill: Vol. 2 | 2004 | character The Bride - as Q / written by | |
| Kill Bill: Vol. 1 | 2003 | character The Bride - as Q / written by | |
| Jackie Brown | 1997 | written for the screen by | |
| Curdled | 1996 | Gecko Brothers news report | |
| From Dusk Till Dawn | 1996 | screenplay | |
| Leonard Cohen: Dance Me to the End of Love | 1995 | Short | |
| Four Rooms | 1995 | written by - segment "The Man From Hollywood" | |
| Natural Born Killers | 1994 | story | |
| Pulp Fiction | 1994 | stories by / written by | |
| True Romance | 1993 | written by | |
| Reservoir Dogs | 1992 | background radio dialog / written by | |
| Reservoir Dogs: Sundance Institute 1991 June Film Lab | 1991 | Video short writer - uncredited | |
| My Best Friend's Birthday | 1987 | written by | |
| Love Birds in Bondage | 1983 | Short |
Actor
| Title | Year | Status | Character |
|---|---|---|---|
| The Hateful Eight | 2015 | Narrator (voice, uncredited) | |
| She's Funny That Way | 2014 | Quentin Tarantino | |
| Django Unchained | 2012 | The LeQuint Dickey Mining Co. Employee / Robert (Bag Head) | |
| Inglourious Basterds | 2009 | First Scalped Nazi / American Soldier in 'Pride of Nation' (uncredited) | |
| Diary of the Dead | 2007 | Newsreader (voice, uncredited) | |
| Sukiyaki Western Django | 2007 | Piringo | |
| Planet Terror | 2007 | Rapist #1 / Zombie Eating Road Kill | |
| Death Proof | 2007 | Warren | |
| Grindhouse | 2007 | Warren (segment "Death Proof") / Rapist #1 (segment "Planet Terror") | |
| Duck Dodgers | 2005 | TV Series | Master Moloch |
| The Muppets' Wizard of Oz | 2005 | TV Movie | Quentin Tarantino - Kermit's Director |
| Kill Bill: Vol. 2 | 2004 | Director's Voice (voice, uncredited) | |
| Alias | 2002-2004 | TV Series | McKenas Cole |
| Little Nicky | 2000 | Deacon | |
| Jackie Brown | 1997 | Answering Machine Voice (voice, uncredited) | |
| Steven Spielberg's Director's Chair | 1996 | Video Game | Jack Cavello (voice) |
| Curdled | 1996 | Richard Gecko (uncredited) | |
| Girl 6 | 1996 | Director #1 - NY | |
| From Dusk Till Dawn | 1996 | Richard Gecko | |
| Saturday Night Live | 1995 | TV Series | Camper / Chester Millbrush / Himself - Guest Host |
| Leonard Cohen: Dance Me to the End of Love | 1995 | Short | Groom |
| Four Rooms | 1995 | Chester (segment "The Man from Hollywood") | |
| Desperado | 1995 | Pick-up Guy | |
| Destiny Turns on the Radio | 1995 | Johnny Destiny | |
| All-American Girl | 1995 | TV Series | Desmond |
| Somebody to Love | 1994 | Bartender | |
| Sleep with Me | 1994 | Sid | |
| Pulp Fiction | 1994 | Jimmie | |
| The Coriolis Effect | 1994 | Short | Panhandle Slim (voice) |
| Eddie Presley | 1992 | Asylum Attendant | |
| Reservoir Dogs | 1992 | Mr. Brown | |
| Reservoir Dogs: Sundance Institute 1991 June Film Lab | 1991 | Video short | Mr. White (uncredited) |
| Vegetables | 1989 | Video | |
| The Golden Girls | 1988 | TV Series | Elvis Impersonator |
| My Best Friend's Birthday | 1987 | Clarence Pool | |
| Love Birds in Bondage | 1983 | Short | Boyfriend |
Producer
| Title | Year | Status | Character |
|---|---|---|---|
| #15SecondScare | 2015-2016 | TV Series short executive producer - 14 episodes | |
| Hell Ride | 2008 | executive producer | |
| Planet Terror | 2007 | producer | |
| Hostel: Part II | 2007 | executive producer | |
| Death Proof | 2007 | producer | |
| Grindhouse | 2007 | producer | |
| Freedom's Fury | 2006 | Documentary executive producer | |
| Daltry Calhoun | 2005 | executive producer | |
| Hostel | 2005 | executive producer | |
| My Name Is Modesty: A Modesty Blaise Adventure | 2004 | executive producer - uncredited | |
| From Dusk Till Dawn 3: The Hangman's Daughter | 1999 | Video executive producer | |
| From Dusk Till Dawn 2: Texas Blood Money | 1999 | Video executive producer | |
| God Said, 'Ha!' | 1998 | executive producer | |
| Curdled | 1996 | executive producer | |
| From Dusk Till Dawn | 1996 | executive producer | |
| Four Rooms | 1995 | executive producer | |
| Killing Zoe | 1993 | executive producer | |
| Siu nin Wong Fei Hung chi: Tit ma lau | 1993 | producer - 2001 release | |
| Past Midnight | 1991 | associate producer | |
| My Best Friend's Birthday | 1987 | producer |
Director
| Title | Year | Status | Character |
|---|---|---|---|
| The Hateful Eight | 2015 | ||
| Django Unchained | 2012 | ||
| Kill Bill: The Whole Bloody Affair | 2011 | ||
| Inglourious Basterds | 2009 | ||
| Death Proof | 2007 | ||
| Grindhouse | 2007 | segment "Death Proof" | |
| CSI: Crime Scene Investigation | 2005 | TV Series 2 episodes | |
| Sin City | 2005 | special guest director | |
| Jimmy Kimmel Live! | 2004 | TV Series 1 episode | |
| Kill Bill: Vol. 2 | 2004 | ||
| Kill Bill: Vol. 1 | 2003 | ||
| Jackie Brown | 1997 | ||
| Four Rooms | 1995 | segment "The Man from Hollywood" | |
| ER | 1995 | TV Series 1 episode | |
| Pulp Fiction | 1994 | ||
| Reservoir Dogs | 1992 | ||
| Reservoir Dogs: Sundance Institute 1991 June Film Lab | 1991 | Video short directed by | |
| My Best Friend's Birthday | 1987 | ||
| Love Birds in Bondage | 1983 | Short unfinished |
Miscellaneous
| Title | Year | Status | Character |
|---|---|---|---|
| The Man with the Iron Fists | 2012 | presenter | |
| Hell Ride | 2008 | presenter | |
| Hostel: Part II | 2007 | presenter | |
| Hostel | 2005 | presenter | |
| The Protector | 2005 | presenter | |
| My Name Is Modesty: A Modesty Blaise Adventure | 2004 | presenter | |
| Ying xiong | 2002 | presenter - US version | |
| From Dusk Till Dawn 3: The Hangman's Daughter | 1999 | Video presenter | |
| Jackie Brown | 1997 | conceiver: "Chicks Who Love Guns" / executive album producer - uncredited | |
| The Rock | 1996 | script doctor - uncredited | |
| Crimson Tide | 1995 | script doctor - uncredited | |
| Past Midnight | 1991 | developer - uncredited | |
| Maximum Potential | 1987 | Video production assistant |
Soundtrack
| Title | Year | Status | Character |
|---|---|---|---|
| Django Unchained | 2012 | "Trackers Chant" / lyrics: "Ode to Django" | |
| Kill Bill: Vol. 2 | 2004 | writer: "The Legend of Pai Mai" | |
| Saturday Night Live | 1995 | TV Series performer - 1 episode |
Cinematographer
| Title | Year | Status | Character |
|---|---|---|---|
| Death Proof | 2007 | director of photography | |
| Grindhouse | 2007 | segment "Death Proof" | |
| Reservoir Dogs: Sundance Institute 1991 June Film Lab | 1991 | Video short uncredited |
Editor
| Title | Year | Status | Character |
|---|---|---|---|
| Reservoir Dogs: Sundance Institute 1991 June Film Lab | 1991 | Video short uncredited | |
| My Best Friend's Birthday | 1987 |
Music Department
| Title | Year | Status | Character |
|---|---|---|---|
| Kill Bill: Vol. 2 | 2004 | executive soundtrack producer | |
| Kill Bill: Vol. 1 | 2003 | executive soundtrack producer |
Thanks
| Title | Year | Status | Character |
|---|---|---|---|
| Reiki | 2009 | special thanks: for the inspiration | |
| The X Factor | 2009 | TV Series thanks - 1 episode | |
| 48 Hours in Purgatory | 2009 | special thanks | |
| Siemiany | 2009 | Short thanks | |
| Deep River: The Island | 2009 | special thanks | |
| Azteca: La piedra del sol | 2009 | Documentary special thanks | |
| The Divine Doll | 2009 | Short special thanks | |
| Take | 2008/I | special thanks for inspiration | |
| The Outlaw Emmett Deemus and the Porno Queen | 2008 | Short special thanks | |
| Exact Bus Fare | 2008 | Short very special thanks | |
| The Waitlist | 2008 | Documentary short special thanks | |
| A Conversation with Enzo Castellari and Quentin Tarantino | 2008 | Video documentary short special thanks | |
| Red Princess Blues Animated: The Book of Violence | 2007 | Short special thanks | |
| Diary of the Dead | 2007 | very special thanks | |
| Boot Polish | 2007 | Short very special thanks | |
| Larry Coryell: A Retrospective (A Sequel to His Story) | 2007 | Video special thanks | |
| Alexis Arquette: She's My Brother | 2007 | Documentary special thanks | |
| Lucky Prime | 2007 | Short thanks | |
| Hot Fuzz | 2007 | with thanks to | |
| West | 2007 | special thanks - as Quentin Tarrantino | |
| El Mascarado Massacre | 2006 | very special thanks | |
| Back to the Well: 'Clerks II' | 2006 | Video documentary special thanks | |
| Budd Boetticher: A Man Can Do That | 2005 | TV Movie documentary special thanks | |
| Left for Dead | 2005/II | thanks | |
| Kill Dill | 2005 | Short thanks | |
| C'est comme ça | 2005 | Short special thanks | |
| Broken | 2005/I | Short special thanks | |
| 'Pulp Fiction' on a Dime: A 10th Anniversary Retrospect | 2004 | TV Short documentary special thanks | |
| Waisa Bhi Hota Hai Part II | 2003 | sincere thanks | |
| Grand Theft Parsons | 2003 | special thanks | |
| Once Upon a Time in Mexico | 2003 | special thanks | |
| Chelsea Walls | 2001 | special thanks | |
| The Cat's Meow | 2001 | special thanks | |
| Dogma | 1999 | humble thanks | |
| I Stand Alone | 1998 | special thanks | |
| Full Tilt Boogie | 1997 | Documentary acknowledgment: couldn't have made this film without | |
| White Man's Burden | 1995 | special thanks | |
| A Personal Journey with Martin Scorsese Through American Movies | 1995 | TV Movie documentary special thanks | |
| Restaurant Dogs | 1994 | Short special thanks | |
| Radical | 2017 | special thanks completed | |
| Coleman | very special thanks announced | ||
| Tender Killer | Short special thanks filming | ||
| Grindsploitation 2: The Lost Reels | 2016 | inspirational thanks | |
| Paranormal Shades | 2016 | special thanks | |
| Swiss Army Man | 2016 | special thanks | |
| Unbreakable Souls | 2015 | very special thanks | |
| Love, Guns & Christmas | 2015 | inspirational thanks | |
| Muck | 2015/I | thanks for everything you do | |
| Desire | 2015/I | Short special thanks | |
| We're Not Alone | 2015 | inspirational thanks | |
| 21 Years: Richard Linklater | 2014 | Documentary special thanks | |
| Out of Print | 2014/I | Documentary the director would like to thank | |
| Mantus | 2014 | very special thanks | |
| Malaria | 2013 | Short thanks | |
| I Am a Free Man, Not a Slave | 2013 | Short very special thanks | |
| Elle | 2013/I | Documentary special thanks | |
| The World's End | 2013 | special thanks | |
| American Federale | 2013 | Documentary special thanks | |
| Horror Talk Movie Reviews | 2013 | TV Series very special thanks - 1 episode | |
| Bad Romance | 2013/II | thanks: Ian del Carmen | |
| House Hunting | 2013 | special thanks | |
| Don Jon | 2013 | the producers would like to thank | |
| Silence Speaks | 2013 | special thanks | |
| Kiddy Kiddy Bang Bang | 2012 | Short very special thanks | |
| The Day I Kidnapped Tom Cruise | 2012 | Short very special thanks | |
| The Born Defecation | 2012 | Short special thanks | |
| Strutter | 2012 | special thanks | |
| Tráiganme la Cabeza de la Mujer Metralleta | 2012 | acknowledgment | |
| Him Indoors | 2012 | Short special thanks | |
| A Little Bit Zombie | 2012 | acknowledgment to the works of | |
| 13 Steps | 2011 | Short grateful acknowledgment | |
| Acid Head: The Buzzard Nuts County Slaughter | 2011 | special thanks | |
| Below the Line | 2011 | special thanks | |
| Black Sunshine: Conversations with T.F. Mou | 2011 | Documentary special thanks | |
| Climb It, Tarzan! | 2011 | special thanks | |
| Cargols! | 2011 | Short thanks | |
| Violet & Daisy | 2011 | special thanks | |
| Justifiable Circumstances | 2011 | Short special thanks | |
| Samurai Diablo | 2011 | Short dedicatee | |
| Priests with Guns | 2011 | Short very special thanks | |
| Dumb Fiction | 2011 | Short thanks | |
| Bruce's Garden | 2011 | Short special thanks | |
| The Legend Still Lives: 30 Years of Madman | 2010 | Video documentary very special thanks | |
| The United Monster Talent Agency | 2010 | Short thanks | |
| Scott Pilgrim vs. the World | 2010 | special thanks | |
| Detective Cook and Ashby | 2010 | Short very special thanks | |
| Dream House | 2009 | Video short special thanks | |
| Little Red Riding Hood | 2009/I | Video short special thanks |
Self
| Title | Year | Status | Character |
|---|---|---|---|
| What She Said: The Art of Pauline Kael | 2017 | Documentary post-production | Himself |
| Tourner pour vivre | 2016 | Documentary | |
| Bunte Now | 2016 | TV Series | Himself |
| Circus Halligalli | 2016 | TV Series | Himself |
| 73rd Golden Globe Awards | 2016 | TV Special | Himself - Nominee |
| Lip Sync Battle | 2016 | TV Series | Himself - Guest |
| WWE Smackdown! | 2016 | TV Series | Himself |
| Conan | 2016 | TV Series | Himself - Guest |
| Close Up with the Hollywood Reporter | 2016 | TV Series | Himself |
| Weekend Ticket | 2015 | TV Series short | Himself |
| The Big Fat Quiz of the Year | 2015 | TV Special | Himself |
| A Christmas Eve Conversation with Quentin Tarantino & Paul Thomas Anderson | 2015 | Video short | Himself |
| Rotten Tomatoes | 2015 | TV Series | Himself |
| Today | 2015 | TV Series | Himself - Guest |
| Late Night with Seth Meyers | 2015 | TV Series | Himself |
| The Late Show with Stephen Colbert | 2015 | TV Series | Himself |
| Jimmy Kimmel Live! | 2003-2015 | TV Series | Himself |
| DP/30: Conversations About Movies | 2015 | TV Series | Himself |
| MTV News | 2015 | TV Series | Himself |
| The Big Interview with Dan Rather | 2015 | TV Series | Himself |
| Real Time with Bill Maher | 2015 | TV Series | Himself - Guest |
| La légende de la palme d'or | 2015 | TV Movie documentary | Himself |
| John Travolta: Rückkehr nach Hollywood | 2015 | Documentary | Himself |
| The Late Late Show with Craig Ferguson | 2007-2014 | TV Series | Himself / Himself - Guest |
| The Director's Chair | 2014 | TV Series | Himself |
| One Day Since Yesterday: Peter Bogdanovich & the Lost American Film | 2014 | Documentary | Himself |
| Festival international de Cannes | 2009-2014 | TV Series | Himself |
| La nuit des Césars | 2011-2014 | TV Series documentary | Himself / Himself - César d'honneur |
| The Tonight Show with Jay Leno | 1992-2013 | TV Series | Himself / Himself - Guest |
| Dann Firestorm: I Am Film | 2013 | TV Mini-Series | Himself |
| E! Live from the Red Carpet | 2007-2013 | TV Series | Himself |
| The 85th Annual Academy Awards | 2013 | TV Special | Himself - Presenter: Governors Awards and Winner: Best Original Screenplay |
| Waratte iitomo! | 2013 | TV Series | Himself |
| Vivir de cine | 2013 | TV Series | Himself |
| 70th Golden Globe Awards | 2013 | TV Special | Himself - Winner: Best Screenplay & Nominee: Best Director |
| The Graham Norton Show | 2013 | TV Series | Himself - Guest |
| Film '72 | 2013 | TV Series | Himself - Interviewee |
| Le grand journal de Canal+ | 2007-2013 | TV Series documentary | Himself |
| Charlie Rose | 1994-2012 | TV Series | Himself - Guest / Himself / Himself - Director / ... |
| The Hour | 2012 | TV Series | Himself |
| TV One on One | 2012 | TV Series | Himself |
| The BAFTA Britannia Awards | 2012 | TV Special | Himself |
| Piers Morgan Tonight | 2012 | TV Series | Himself |
| Bar25 | 2012 | Documentary | Himself (uncredited) |
| MSN Exclusives | 2012 | TV Series | Himself (2013) |
| Method to the Madness of Jerry Lewis | 2011 | TV Movie documentary | Himself |
| Nightmare Factory | 2011 | TV Movie documentary | Himself |
| Scream Awards 2011 | 2011 | TV Special | Himself |
| The Role That Changed My Life | 2011 | TV Series documentary | Himself |
| The Greatest Movie Ever Sold | 2011 | Documentary | Himself |
| Corman's World: Exploits of a Hollywood Rebel | 2011 | Documentary | Himself |
| 16th Annual Critics' Choice Movie Awards | 2011 | TV Special documentary | Himself - Music + Film Award Recipient |
| Michel Ciment, le cinéma en partage | 2010 | Documentary | Himself |
| Gilles Jacob: CIitizen Cannes | 2010 | TV Movie documentary | Himself |
| Hollywood Don't Surf! | 2010 | Documentary | Himself |
| Tavis Smiley | 2009-2010 | TV Series | Himself |
| La noche de los Oscar | 2010 | TV Movie | Himself |
| The 82nd Annual Academy Awards | 2010 | TV Special | Himself - Nominee: Best Director & Best Original Screenplay & Presenter: Best Foreign Language Film |
| 41st NAACP Image Awards | 2010 | TV Special | Himself |
| Xposé | 2009-2010 | TV Series | Himself |
| The Orange British Academy Film Awards: Red Carpet | 2010 | TV Special | Himself |
| Live from Studio Five | 2010 | TV Series | Himself |
| Entertainment Tonight | 2009-2010 | TV Series | Himself |
| MTV Movie Night | 2010 | TV Series | Himself |
| The 52nd Annual Grammy Awards | 2010 | TV Special | Himself |
| The Tonight Show with Conan O'Brien | 2009-2010 | TV Series | Himself |
| The Jay Leno Show | 2009-2010 | TV Series | Himself |
| Golden Globes Red Carpet Live | 2010 | TV Special | Himself |
| The 67th Annual Golden Globe Awards | 2010 | TV Special | Himself - Nominee |
| 15th Annual Critics' Choice Movie Awards | 2010 | TV Special | Himself |
| Smap×Smap | 2009 | TV Series | Himself - Guest / Himself |
| Scream Awards 2009 | 2009 | TV Special | Himself |
| Parla con me | 2009 | TV Series | Himself |
| Cinema 3 | 1992-2009 | TV Series | Himself |
| Días de cine | 2009 | TV Series | Himself |
| Rove Live | 2003-2009 | TV Series | Himself |
| The Fabulous Picture Show | 2009 | TV Series | Himself - Guest |
| Breakfast | 2009 | TV Series | Himself - Director |
| Up Close with Carrie Keagan | 2007-2009 | TV Series | Himself |
| Late Show with David Letterman | 1994-2009 | TV Series | Himself |
| MTV Live | 2009 | TV Series | Himself |
| The 7PM Project | 2009 | TV Series | Himself |
| Friday Night with Jonathan Ross | 2003-2009 | TV Series | Himself |
| Aamu-TV | 2009 | TV Series | Himself |
| Gomorron | 2007-2009 | TV Series | Himself / Himself - Från Cannes |
| Spike's Guys Choice | 2009 | TV Special | Himself |
| Larry King Live | 2009 | TV Series | Himself |
| American Idol | 2003-2009 | TV Series | Himself / Himself - Guest Judge |
| Starz Inside: Fantastic Flesh | 2008 | TV Movie documentary | Himself |
| A Conversation with Enzo Castellari and Quentin Tarantino | 2008 | Video documentary short | Himself |
| Not Quite Hollywood: The Wild, Untold Story of Ozploitation! | 2008 | Documentary | Himself |
| Dead On: The Life and Cinema of George A. Romero | 2008 | Documentary | Himself |
| AFI Life Achievement Award: A Tribute to Warren Beatty | 2008 | TV Special | Himself |
| AFI's 10 Top 10: America's 10 Greatest Films in 10 Classic Genres | 2008 | TV Movie | Himself |
| 66th Grand Prix of Monaco | 2008 | TV Movie documentary | Himself - Sideline interview |
| 2008 Asian Excellence Awards | 2008 | TV Movie documentary | Himself - Presenter |
| Movies Rock | 2007 | TV Movie | Himself - Presenter |
| The Big Fat Anniversary Quiz | 2007 | TV Special | Himself (uncredited) |
| NRJ 12: Scream Awards | 2007 | TV Special | Himself |
| The Hot Rods of Death Proof | 2007 | Video documentary short | Himself - Director |
| Scream Awards 2007 | 2007 | TV Special | Himself |
| Ant & Dec's Saturday Night Takeaway | 2007 | TV Series | Himself - Guest Announcer |
| Eigo de shabera-night | 2007 | TV Series | Himself |
| Pierre Rissient: Man of Cinema | 2007 | Documentary | Himself |
| MOBO Awards 2007 | 2007 | TV Special | Himself |
| ITV - Formula One | 2007 | TV Series | Himself |
| The Morning Show with Mike & Juliet | 2007 | TV Series | Himself |
| L'hebdo cinéma | 2007 | TV Series documentary | Himself |
| 2007 AZN Asian Excellence Awards | 2007 | TV Special | Himself |
| Granada Reports | 2007 | TV Series | Himself |
| Last Call with Carson Daly | 2004-2007 | TV Series | Himself |
| Late Night with Conan O'Brien | 1997-2007 | TV Series | Himself |
| CenterStage | 2007 | TV Series documentary | Himself |
| Iconoclasts | 2006 | TV Series documentary | Himself |
| Scream Awards 2006 | 2006 | TV Special | Himself |
| Space Top 10 Countdown | 2006 | TV Series | Himself |
| 50 Films to See Before You Die | 2006 | TV Movie documentary | Himself |
| The Tyra Banks Show | 2006 | TV Series | Himself |
| The 4th Annual TV Land Awards | 2006 | TV Special | Himself |
| 2006 Asian Excellence Awards | 2006 | TV Special | Himself - Winner: Bridge Award |
| Back to the Well: 'Clerks II' | 2006 | Video documentary | Himself |
| Budd Boetticher: An American Original | 2005 | Video documentary | Himself |
| Budd Boetticher: A Man Can Do That | 2005 | TV Movie documentary | Interviewee |
| El Magacine | 2005 | TV Series | Himself |
| 2005 Taurus World Stunt Awards | 2005 | TV Special | Himself |
| The Blvd | 2005 | Video documentary | Himself (unconfirmed) |
| Close-up | 2005 | TV Series documentary | Himself |
| The 57th Annual Primetime Emmy Awards | 2005 | TV Special | Himself - Presenter: Outstanding Made for Television Movie |
| Blood, Guts & Cleaning Supplies: The Making of 'The Janitor' | 2005 | Video documentary | Himself |
| Kathy Griffin: My Life on the D-List | 2005 | TV Series | Himself |
| 2005 MTV Movie Awards | 2005 | TV Special | Himself |
| Sin City: The Premiere | 2005 | TV Movie documentary | Himself |
| Starz on the Set: Sin City | 2005 | TV Short documentary | Himself |
| Empire Movie Awards 2005 | 2005 | TV Special | Himself |
| The 20th IFP Independent Spirit Awards | 2005 | TV Special documentary | Himself - Presenter: Special Awards |
| The 47th Annual Grammy Awards | 2005 | TV Special | Himself - Presenter |
| Tsunami Aid: A Concert of Hope | 2005 | TV Special | Himself |
| Celluloid Horror | 2004 | Documentary | Himself |
| Planet of the Pitts | 2004 | Himself | |
| The Cutting Edge: The Magic of Movie Editing | 2004 | Documentary | Himself |
| A Conversation with Quentin Tarantino & Scott Spiegel | 2004 | Video documentary short | Himself |
| 'Pulp Fiction' on a Dime: A 10th Anniversary Retrospect | 2004 | TV Short documentary | Himself |
| 2004 MTV Movie Awards | 2004 | TV Special | Himself - Presenter |
| Filmland | 2004 | TV Series documentary | Himself - Jury President of Cannes Film Festival |
| Z Channel: A Magnificent Obsession | 2004 | TV Movie documentary | Himself |
| Tracks | 2004 | TV Series documentary | Himself |
| Mario Bava: Operazione paura | 2004 | TV Movie documentary | Himself |
| 4Pop | 2003-2004 | TV Series documentary | Himself |
| John Travolta: The Inside Story | 2004 | TV Movie documentary | Himself |
| Howard Stern | 1998-2004 | TV Series | Himself |
| On-Air with Ryan Seacrest | 2004 | TV Series | Himself |
| The Making of 'Kill Bill: Volume 2' | 2004 | TV Movie documentary | Himself |
| Double Dare | 2004 | Documentary | Himself |
| The 46th Annual Grammy Awards | 2004 | TV Special | Himself - Presenter |
| Silenci? | 2004 | TV Series | Himself |
| The 2003 European Film Awards | 2003 | TV Movie | Himself - Nominee European Film Academy Non-European Film - Prix Screen International |
| Charlotte Roche trifft... | 2003 | TV Series documentary | Himself |
| Extra | 2003 | TV Series | Himself |
| The Making of 'Kill Bill' | 2003 | TV Movie documentary | Himself |
| Tinseltown TV | 2003 | TV Series | Himself |
| Being Simon Cowell | 2003 | TV Movie documentary | Himself |
| 2003 ABC World Stunt Awards | 2003 | TV Special | Himself (uncredited) |
| Biography | 1999-2003 | TV Series documentary | Himself |
| The Class of '92 | 2002 | Video documentary short | Himself |
| Jackie Brown: How It Went Down | 2002 | Video documentary short | Himself |
| Pulp Fiction: The Facts | 2002 | Video documentary short | Himself |
| Baadasssss Cinema | 2002 | TV Movie documentary | Himself |
| All the Love You Cannes! | 2002 | Documentary | Himself |
| 8th Annual Screen Actors Guild Awards | 2002 | TV Special | Himself |
| Sundance 20 | 2002 | Documentary | Himself |
| Film Genre | 2002 | TV Series documentary | Himself |
| The 100 Greatest Films | 2001 | TV Movie documentary | Himself |
| Once Upon a Time: Sergio Leone | 2001 | Video documentary | Himself |
| The 10 Commandments of Creativity | 2001 | TV Movie documentary | Himself |
| Music Behind the Scenes | 2001 | TV Mini-Series documentary | Himself |
| Hollywood Goes to Hell | 2000 | TV Short documentary | Himself |
| Forever Hollywood | 1999 | TV Movie documentary | Himself |
| Intimate Portrait | 1999 | TV Series documentary | Himself |
| E! True Hollywood Story | 1999 | TV Series documentary | Himself |
| Bravo Profiles: The Entertainment Business | 1998 | TV Mini-Series documentary | Himself |
| Ôsama no buranchi | 1998 | TV Series | Himself |
| Mundo VIP | 1998 | TV Series | Himself |
| God Said, 'Ha!' | 1998 | Himself | |
| Off the Menu: The Last Days of Chasen's | 1997 | Documentary | Himself (uncredited) |
| Full Tilt Boogie | 1997 | Documentary | Himself - 'Richie Gecko' |
| AFI Life Achievement Award: A Tribute to Martin Scorsese | 1997 | TV Special documentary | Himself (uncredited) |
| Caiga quien caiga | 1996 | TV Series | Himself |
| Això no és tot! | 1996 | TV Series | Himself |
| The Typewriter, the Rifle & the Movie Camera | 1996 | Documentary | Himself |
| AFI Life Achievement Award: A Tribute to Clint Eastwood | 1996 | TV Special documentary | Himself |
| The 68th Annual Academy Awards | 1996 | TV Special | Himself - Audience Member |
| 2nd Annual Screen Actors Guild Awards | 1996 | TV Special | Himself |
| Dennis Miller Live | 1996 | TV Series | Himself |
| 1995 MTV Movie Awards | 1995 | TV Special | Himself |
| The Anatomy of Horror | 1995 | TV Movie documentary | Himself |
| Oscars 1995 | 1995 | TV Movie | Himself |
| The 67th Annual Academy Awards | 1995 | TV Special | Himself - Winner: Best Original Screenplay & Nominee: Best Director |
| Moviewatch | 1995 | TV Series documentary | Himself - Interviewee |
| American Cinema | 1995 | TV Series documentary | Himself |
| The 52nd Annual Golden Globe Awards | 1995 | TV Special | Himself - Winner |
| The 20th Annual Los Angeles Film Critics Awards | 1995 | TV Special | Himself - Winner: Best Director |
| Omnibus | 1994 | TV Series documentary | Himself |
| Cinefile: Made in the USA | 1993 | TV Movie documentary | Himself |
Archive Footage
| Title | Year | Status | Character |
|---|---|---|---|
| Make Your Own Damn Movie! | 2005 | Video documentary | Himself |
| Silenci? | 2004 | TV Series | Himself |
| The Anti-Hero's Journey | 2004 | Video documentary short | Pick-up Guy (uncredited) |
| Histoires de festival | 2002 | TV Short | Himself |
| De 10 | 1999 | TV Series documentary | Himself |
| Jackie Chan: My Story | 1998 | Video documentary | Himself |
| Empire of the Censors | 1995 | TV Movie documentary | Himself |
| MST3K Little Gold Statue Preview Special | 1995 | TV Special | Himself |
| The Golden Girls | 1990 | TV Series | Elvis Impersonator |
| Entertainment Tonight | 2015 | TV Series | Himself |
| Democracy Now! | 2015 | TV Series | Himself |
| Missing Reel | 2014 | TV Mini-Series documentary | Himself |
| Cinemassacre's Monster Madness | 2007-2013 | TV Series documentary | Newsreader / Richard Gecko |
| The Graham Norton Show | 2013 | TV Series | Himself |
| UCB Comedy Originals | 2013 | TV Series | |
| The Hour | 2012 | TV Series | Himself |
| World's Dumbest | 2010 | TV Series | Himself |
| Cámara negra. Teatro Victoria Eugenia | 2007 | TV Short documentary | Himself |
| Cannes, 60 ans d'histoires | 2007 | TV Movie documentary | Himself |
| Manufacturing Dissent | 2007 | Documentary | Himself |
| Ellen: The Ellen DeGeneres Show | 2007 | TV Series | Himself |
| Cinema mil | 2005 | TV Series | Himself |
| 'Reservoir Dogs' Revisited | 2005 | TV Special documentary | Himself |
Won Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2016 | Distinguished Collaborator Award | Costume Designers Guild Awards | ||
| 2015 | NBR Award | National Board of Review, USA | Best Original Screenplay | The Hateful Eight (2015) |
| 2015 | Capri Movie of the Year Award | Capri, Hollywood | The Hateful Eight (2015) | |
| 2015 | Golden Schmoes | Golden Schmoes Awards | Best Screenplay of the Year | The Hateful Eight (2015) |
| 2014 | OFTA Film Hall of Fame | Online Film & Television Association | Creative | |
| 2014 | Cinema Brazil Grand Prize | Cinema Brazil Grand Prize | Best Foreign-Language Film (Melhor Filme Estrangeiro) | Django Unchained (2012) |
| 2014 | Audience Award | Cinema Brazil Grand Prize | Best Foreign-Language Film (Melhor Filme Estrangeiro) | Django Unchained (2012) |
| 2013 | American Riviera Award | Santa Barbara International Film Festival | ||
| 2013 | Oscar | Academy Awards, USA | Best Writing, Original Screenplay | Django Unchained (2012) |
| 2013 | Golden Globe | Golden Globes, USA | Best Screenplay - Motion Picture | Django Unchained (2012) |
| 2013 | BAFTA Film Award | BAFTA Awards | Best Original Screenplay | Django Unchained (2012) |
| 2013 | AACTA International Award | AACTA International Awards | Best Screenplay | Django Unchained (2012) |
| 2013 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Writing | Django Unchained (2012) |
| 2013 | Bronze Wrangler | Western Heritage Awards | Theatrical Motion Picture | Django Unchained (2012) |
| 2013 | Spur Award | Western Writers of America | Best Western Drama Script (Fiction) | Django Unchained (2012) |
| 2013 | Critics Choice Award | Broadcast Film Critics Association Awards | Best Original Screenplay | Django Unchained (2012) |
| 2013 | CinEuphoria | CinEuphoria Awards | Career - Audience Award | |
| 2013 | David | David di Donatello Awards | Best Foreign Film (Miglior Film Straniero) | Django Unchained (2012) |
| 2013 | Gold Derby Award | Gold Derby Awards | Original Screenplay | Django Unchained (2012) |
| 2013 | Huading Award | Huading Award | Best Global Director for a Motion Picture | Django Unchained (2012) |
| 2013 | IOMA | Italian Online Movie Awards (IOMA) | Best Picture (Miglior film) | Django Unchained (2012) |
| 2013 | IOMA | Italian Online Movie Awards (IOMA) | Best Director (Miglior regia) | Django Unchained (2012) |
| 2013 | IOMA | Italian Online Movie Awards (IOMA) | Best Original Screenplay (Miglior sceneggiatura originale) | Django Unchained (2012) |
| 2012 | Lifetime Achievement Award | Rome Film Fest | ||
| 2012 | ACCA | Awards Circuit Community Awards | Best Original Screenplay | Django Unchained (2012) |
| 2012 | BFCC Award | Black Film Critics Circle Awards | Best Original Screenplay | Django Unchained (2012) |
| 2012 | Golden Schmoes | Golden Schmoes Awards | Best Screenplay of the Year | Django Unchained (2012) |
| 2012 | Hollywood Film Award | Hollywood Film Awards | Screenwriter of the Year | Django Unchained (2012) |
| 2012 | IFJA Award | Indiana Film Journalists Association, US | Best Director | Django Unchained (2012) |
| 2011 | Honorary César | César Awards, France | ||
| 2010 | Dilys Powell Award | London Critics Circle Film Awards | ||
| 2010 | OFCS Award | Online Film Critics Society Awards | Best Original Screenplay | Inglourious Basterds (2009) |
| 2010 | Sonny Bono Visionary Award | Palm Springs International Film Festival | ||
| 2010 | Sant Jordi | Sant Jordi Awards | Best Foreign Film (Mejor Película Extranjera) | Inglourious Basterds (2009) |
| 2010 | Kirk Douglas Award for Excellence in Film | Santa Barbara International Film Festival | ||
| 2010 | Critics Award | SESC Film Festival, Brazil | Best Foreign Film (Melhor Filme Estrangeiro) | Inglourious Basterds (2009) |
| 2010 | Critics Award | SESC Film Festival, Brazil | Best Foreign Director (Melhor Diretor Estrangeiro) | Inglourious Basterds (2009) |
| 2010 | Audience Award | SESC Film Festival, Brazil | Best Foreign Film (Melhor Filme Estrangeiro) | Inglourious Basterds (2009) |
| 2010 | Audience Award | SESC Film Festival, Brazil | Best Foreign Director (Melhor Diretor Estrangeiro) | Inglourious Basterds (2009) |
| 2010 | Critics Choice Award | Broadcast Film Critics Association Awards | Best Screenplay, Original | Inglourious Basterds (2009) |
| 2010 | COFCA Award | Central Ohio Film Critics Association | Best Original Screenplay | Inglourious Basterds (2009) |
| 2010 | Cinema Brazil Grand Prize | Cinema Brazil Grand Prize | Best Foreign-Language Film (Melhor Filme Estrangeiro) | Inglourious Basterds (2009) |
| 2010 | CinEuphoria | CinEuphoria Awards | Top Ten of the Year - International Competition | Inglourious Basterds (2009) |
| 2010 | CinEuphoria | CinEuphoria Awards | Top Ten of the Year - Audience Award | Inglourious Basterds (2009) |
| 2010 | David | David di Donatello Awards | Best Foreign Film (Miglior Film Straniero) | Inglourious Basterds (2009) |
| 2010 | DFCS Award | Denver Film Critics Society | Best Original Screenplay | Inglourious Basterds (2009) |
| 2010 | Audience Award | FICE - Federazione Italiana Cinema d'Essai | Best Foreign Film (Miglior Film Straniero) | Inglourious Basterds (2009) |
| 2010 | FCCA Award | Film Critics Circle of Australia Awards | Best Foreign Film - English Language | Inglourious Basterds (2009) |
| 2010 | Gold Derby Award | Gold Derby Awards | Original Screenplay | Inglourious Basterds (2009) |
| 2010 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Non-European Director (Regista del Miglior Film Non-Europeo) | Inglourious Basterds (2009) |
| 2010 | IOMA | Italian Online Movie Awards (IOMA) | Best Director (Miglior regia) | Inglourious Basterds (2009) |
| 2010 | IOMA | Italian Online Movie Awards (IOMA) | Best Original Screenplay (Miglior sceneggiatura originale) | Inglourious Basterds (2009) |
| 2010 | Jupiter Award | Jupiter Award | Best International Director | Inglourious Basterds (2009) |
| 2009 | NYFCO Award | New York Film Critics, Online | Best Screenplay | Inglourious Basterds (2009) |
| 2009 | PFCS Award | Phoenix Film Critics Society Awards | Best Director | Inglourious Basterds (2009) |
| 2009 | SDFCS Award | San Diego Film Critics Society Awards | Best Director | Inglourious Basterds (2009) |
| 2009 | SDFCS Award | San Diego Film Critics Society Awards | Best Screenplay, Original | Inglourious Basterds (2009) |
| 2009 | SFFCC Award | San Francisco Film Critics Circle | Best Original Screenplay | Inglourious Basterds (2009) |
| 2009 | TFCA Award | Toronto Film Critics Association Awards | Best Screenplay | Inglourious Basterds (2009) |
| 2009 | WAFCA Award | Washington DC Area Film Critics Association Awards | Best Screenplay, Original | Inglourious Basterds (2009) |
| 2009 | Austin Film Critics Award | Austin Film Critics Association | Best Original Screenplay | Inglourious Basterds (2009) |
| 2009 | ACCA | Awards Circuit Community Awards | Best Original Screenplay | Inglourious Basterds (2009) |
| 2009 | Golden Schmoes | Golden Schmoes Awards | Best Director of the Year | Inglourious Basterds (2009) |
| 2009 | Golden Schmoes | Golden Schmoes Awards | Best Screenplay of the Year | Inglourious Basterds (2009) |
| 2009 | KCFCC Award | Kansas City Film Critics Circle Awards | Best Screenplay, Original | Inglourious Basterds (2009) |
| 2008 | Filmmaker on the Edge Award | Provincetown International Film Festival | ||
| 2008 | Capri Legend Award | Capri, Hollywood | ||
| 2007 | ShoWest Award | ShoWest Convention, USA | Director of the Year | |
| 2007 | Golden Eddie Filmmaker of the Year Award | American Cinema Editors, USA | ||
| 2007 | Lifetime Achievement Award | Cinemanila International Film Festival | ||
| 2006 | Filmmaker Award | Cinema Audio Society, USA | ||
| 2005 | Sant Jordi | Sant Jordi Awards | Best Foreign Film (Mejor Película Extranjera) | Kill Bill: Vol. 1 (2003) |
| 2005 | Action Movie Director Award | World Stunt Awards | ||
| 2005 | Special Award | Empire Awards, UK | "Icon of the Decade". | |
| 2005 | IOMA | Italian Online Movie Awards (IOMA) | Best Director (Miglior regia) | Kill Bill: Vol. 2 (2004) |
| 2005 | Jupiter Award | Jupiter Award | Best International Director | Kill Bill: Vol. 2 (2004) |
| 2004 | American Choreography Award | American Choreography Awards, USA | Outstanding Achievment in Choreography - Fight | Kill Bill: Vol. 2 (2004) |
| 2004 | Career Achievement Award | Casting Society of America, USA | ||
| 2004 | Empire Award | Empire Awards, UK | Best Director | Kill Bill: Vol. 1 (2003) |
| 2004 | Golden Schmoes | Golden Schmoes Awards | Best Director of the Year | Kill Bill: Vol. 2 (2004) |
| 2004 | IOMA | Italian Online Movie Awards (IOMA) | Best Director (Miglior regia) | Kill Bill: Vol. 1 (2003) |
| 2003 | Audience Award | Sitges - Catalonian International Film Festival | Best Feature Film | Kill Bill: Vol. 1 (2003) |
| 2003 | Pioneer Award | DVD Exclusive Awards | ||
| 2000 | Golden Slate | Csapnivalo Awards | Best Screenplay | Jackie Brown (1997) |
| 1996 | Time-Machine Honorary Award | Sitges - Catalonian International Film Festival | ||
| 1995 | ALFS Award | London Critics Circle Film Awards | Screenwriter of the Year | Pulp Fiction (1994) |
| 1995 | NSFC Award | National Society of Film Critics Awards, USA | Best Director | Pulp Fiction (1994) |
| 1995 | NSFC Award | National Society of Film Critics Awards, USA | Best Screenplay | Pulp Fiction (1994) |
| 1995 | Oscar | Academy Awards, USA | Best Writing, Screenplay Written Directly for the Screen | Pulp Fiction (1994) |
| 1995 | SEFCA Award | Southeastern Film Critics Association Awards | Best Director | Pulp Fiction (1994) |
| 1995 | Golden Globe | Golden Globes, USA | Best Screenplay - Motion Picture | Pulp Fiction (1994) |
| 1995 | BAFTA Film Award | BAFTA Awards | Best Screenplay - Original | Pulp Fiction (1994) |
| 1995 | Blue Ribbon Award | Blue Ribbon Awards | Best Foreign Language Film | Pulp Fiction (1994) |
| 1995 | CFCA Award | Chicago Film Critics Association Awards | Best Director | Pulp Fiction (1994) |
| 1995 | CFCA Award | Chicago Film Critics Association Awards | Best Screenplay | Pulp Fiction (1994) |
| 1995 | DFWFCA Award | Dallas-Fort Worth Film Critics Association Awards | Best Director | Pulp Fiction (1994) |
| 1995 | DFWFCA Award | Dallas-Fort Worth Film Critics Association Awards | Best Screenplay | Pulp Fiction (1994) |
| 1995 | David | David di Donatello Awards | Best Foreign Film (Miglior Film Straniero) | Pulp Fiction (1994) |
| 1995 | Edgar | Edgar Allan Poe Awards | Best Motion Picture | Pulp Fiction (1994) |
| 1995 | Empire Award | Empire Awards, UK | Best Director | Pulp Fiction (1994) |
| 1995 | Independent Spirit Award | Independent Spirit Awards | Best Director | Pulp Fiction (1994) |
| 1995 | Independent Spirit Award | Independent Spirit Awards | Best Screenplay | Pulp Fiction (1994) |
| 1995 | Kinema Junpo Award | Kinema Junpo Awards | Best Foreign Language Film Director | Pulp Fiction (1994) |
| 1994 | ALFS Award | London Critics Circle Film Awards | Newcomer of the Year | Reservoir Dogs (1992) |
| 1994 | LAFCA Award | Los Angeles Film Critics Association Awards | Best Director | Pulp Fiction (1994) |
| 1994 | LAFCA Award | Los Angeles Film Critics Association Awards | Best Screenplay | Pulp Fiction (1994) |
| 1994 | NBR Award | National Board of Review, USA | Best Director | Pulp Fiction (1994) |
| 1994 | NYFCC Award | New York Film Critics Circle Awards | Best Director | Pulp Fiction (1994) |
| 1994 | NYFCC Award | New York Film Critics Circle Awards | Best Screenplay | Pulp Fiction (1994) |
| 1994 | STFC Award | Society of Texas Film Critics Awards | Best Director | Pulp Fiction (1994) |
| 1994 | STFC Award | Society of Texas Film Critics Awards | Best Screenplay | Pulp Fiction (1994) |
| 1994 | Lifetime Achievement Award | Stockholm Film Festival | ||
| 1994 | Bronze Horse | Stockholm Film Festival | Pulp Fiction (1994) | |
| 1994 | Best Screenplay | Stockholm Film Festival | Pulp Fiction (1994) | |
| 1994 | ACCA | Awards Circuit Community Awards | Best Director | Pulp Fiction (1994) |
| 1994 | ACCA | Awards Circuit Community Awards | Best Original Screenplay | Pulp Fiction (1994) |
| 1994 | BSFC Award | Boston Society of Film Critics Awards | Best Director | Pulp Fiction (1994) |
| 1994 | BSFC Award | Boston Society of Film Critics Awards | Best Screenplay | Pulp Fiction (1994) |
| 1994 | Palme d'Or | Cannes Film Festival | Pulp Fiction (1994) | |
| 1994 | KCFCC Award | Kansas City Film Critics Circle Awards | Best Director | Pulp Fiction (1994) |
| 1993 | Critics Award | Yubari International Fantastic Film Festival | Reservoir Dogs (1992) | |
| 1992 | Best Director | Sitges - Catalonian International Film Festival | Reservoir Dogs (1992) | |
| 1992 | Best Screenplay | Sitges - Catalonian International Film Festival | Reservoir Dogs (1992) | |
| 1992 | Bronze Horse | Stockholm Film Festival | Reservoir Dogs (1992) | |
| 1992 | International Critics' Award (FIPRESCI) | Toronto International Film Festival | Reservoir Dogs (1992) | |
| 1992 | Prix Tournage | Avignon Film Festival | USA | Reservoir Dogs (1992) |
Nominated Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2016 | NCFCA Award | North Carolina Film Critics Association | Best Original Screenplay | The Hateful Eight (2015) |
| 2016 | Seattle Film Critics Award | Seattle Film Critics Awards | Best Screenplay, Original | The Hateful Eight (2015) |
| 2016 | Golden Globe | Golden Globes, USA | Best Screenplay - Motion Picture | The Hateful Eight (2015) |
| 2016 | BAFTA Film Award | BAFTA Awards | Best Original Screenplay | The Hateful Eight (2015) |
| 2016 | Critics Choice Award | Broadcast Film Critics Association Awards | Best Original Screenplay | The Hateful Eight (2015) |
| 2016 | COFCA Award | Central Ohio Film Critics Association | Best Original Screenplay | The Hateful Eight (2015) |
| 2016 | DFCS Award | Denver Film Critics Society | Best Original Screenplay | The Hateful Eight (2015) |
| 2016 | Empire Award | Empire Awards, UK | Best Screenplay | The Hateful Eight (2015) |
| 2016 | Gold Derby Award | Gold Derby Awards | Original Screenplay | The Hateful Eight (2015) |
| 2016 | HFCS Award | Houston Film Critics Society Awards | Best Screenplay | The Hateful Eight (2015) |
| 2015 | PCC Award | Phoenix Critics Circle | Best Director | The Hateful Eight (2015) |
| 2015 | SDFCS Award | San Diego Film Critics Society Awards | Best Original Screenplay | The Hateful Eight (2015) |
| 2015 | SLFCA Award | St. Louis Film Critics Association, US | Best Original Screenplay | The Hateful Eight (2015) |
| 2015 | Austin Film Critics Award | Austin Film Critics Association | Best Director | The Hateful Eight (2015) |
| 2015 | Austin Film Critics Award | Austin Film Critics Association | Best Original Screenplay | The Hateful Eight (2015) |
| 2015 | ACCA | Awards Circuit Community Awards | Best Original Screenplay | The Hateful Eight (2015) |
| 2015 | CFCA Award | Chicago Film Critics Association Awards | Best Original Screenplay | The Hateful Eight (2015) |
| 2015 | DFCS Award | Detroit Film Critic Society, US | Best Screenplay | The Hateful Eight (2015) |
| 2015 | FFCC Award | Florida Film Critics Circle Awards | Best Original Screenplay | The Hateful Eight (2015) |
| 2015 | Golden Schmoes | Golden Schmoes Awards | Best Director of the Year | The Hateful Eight (2015) |
| 2015 | KCFCC Award | Kansas City Film Critics Circle Awards | Best Original Screenplay | The Hateful Eight (2015) |
| 2014 | Robert | Robert Festival | Best American Film (Årets amerikanske film) | Django Unchained (2012) |
| 2014 | Bodil | Bodil Awards | Best American Film (Bedste amerikanske film) | Django Unchained (2012) |
| 2014 | CinEuphoria | CinEuphoria Awards | Best Director - International Competition | Django Unchained (2012) |
| 2014 | CinEuphoria | CinEuphoria Awards | Best Screenplay - International Competition | Django Unchained (2012) |
| 2014 | César | César Awards, France | Best Foreign Film (Meilleur film étranger) | Django Unchained (2012) |
| 2014 | Jupiter Award | Jupiter Award | Best International Film | Django Unchained (2012) |
| 2013 | NCFCA Award | North Carolina Film Critics Association | Best Original Screenplay | Django Unchained (2012) |
| 2013 | OFTA Film Award | Online Film & Television Association | Best Writing, Screenplay Written Directly for the Screen | Django Unchained (2012) |
| 2013 | Golden Globe | Golden Globes, USA | Best Director - Motion Picture | Django Unchained (2012) |
| 2013 | David Lean Award for Direction | BAFTA Awards | Best Director | Django Unchained (2012) |
| 2013 | VFCC Award | Vancouver Film Critics Circle | Best Screenplay | Django Unchained (2012) |
| 2013 | Amanda | Amanda Awards, Norway | Best Foreign Feature Film (Årets utenlandske kinofilm) | Django Unchained (2012) |
| 2013 | COFCA Award | Central Ohio Film Critics Association | Best Original Screenplay | Django Unchained (2012) |
| 2013 | DFCS Award | Denver Film Critics Society | Best Original Screenplay | Django Unchained (2012) |
| 2013 | DFCC | Dublin Film Critics Circle Awards | Best Director | Django Unchained (2012) |
| 2013 | Empire Award | Empire Awards, UK | Best Director | Django Unchained (2012) |
| 2013 | Gold Derby Award | Gold Derby Awards | Director | Django Unchained (2012) |
| 2013 | INOCA | International Online Cinema Awards (INOCA) | Best Original Screenplay | Django Unchained (2012) |
| 2013 | ALFS Award | London Critics Circle Film Awards | Screenwriter of the Year | Django Unchained (2012) |
| 2012 | SDFCS Award | San Diego Film Critics Society Awards | Best Original Screenplay | Django Unchained (2012) |
| 2012 | VVFP Award | Village Voice Film Poll | Best Screenplay | Django Unchained (2012) |
| 2012 | WAFCA Award | Washington DC Area Film Critics Association Awards | Best Original Screenplay | Django Unchained (2012) |
| 2012 | ACCA | Awards Circuit Community Awards | Best Director | Django Unchained (2012) |
| 2012 | CFCA Award | Chicago Film Critics Association Awards | Best Original Screenplay | Django Unchained (2012) |
| 2012 | HFCS Award | Houston Film Critics Society Awards | Best Director | Django Unchained (2012) |
| 2012 | IGN Award | IGN Summer Movie Awards | Best Movie Director | Django Unchained (2012) |
| 2010 | OFTA Film Award | Online Film & Television Association | Best Director | Inglourious Basterds (2009) |
| 2010 | OFTA Film Award | Online Film & Television Association | Best Writing, Screenplay Written Directly for the Screen | Inglourious Basterds (2009) |
| 2010 | OFCS Award | Online Film Critics Society Awards | Best Director | Inglourious Basterds (2009) |
| 2010 | Robert | Robert Festival | Best American Film (Årets amerikanske film) | Inglourious Basterds (2009) |
| 2010 | Oscar | Academy Awards, USA | Best Achievement in Directing | Inglourious Basterds (2009) |
| 2010 | Oscar | Academy Awards, USA | Best Writing, Original Screenplay | Inglourious Basterds (2009) |
| 2010 | Golden Globe | Golden Globes, USA | Best Director - Motion Picture | Inglourious Basterds (2009) |
| 2010 | Golden Globe | Golden Globes, USA | Best Screenplay - Motion Picture | Inglourious Basterds (2009) |
| 2010 | David Lean Award for Direction | BAFTA Awards | Best Director | Inglourious Basterds (2009) |
| 2010 | BAFTA Film Award | BAFTA Awards | Best Screenplay - Original | Inglourious Basterds (2009) |
| 2010 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Director | Inglourious Basterds (2009) |
| 2010 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Writing | Inglourious Basterds (2009) |
| 2010 | VFCC Award | Vancouver Film Critics Circle | Best Director | Inglourious Basterds (2009) |
| 2010 | VFCC Award | Vancouver Film Critics Circle | Best Screenplay | Inglourious Basterds (2009) |
| 2010 | Amanda | Amanda Awards, Norway | Best Foreign Feature Film (Årets utenlandske kinofilm) | Inglourious Basterds (2009) |
| 2010 | Critics Choice Award | Broadcast Film Critics Association Awards | Best Director | Inglourious Basterds (2009) |
| 2010 | DFCS Award | Denver Film Critics Society | Best Director | Inglourious Basterds (2009) |
| 2010 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | Inglourious Basterds (2009) |
| 2010 | Empire Award | Empire Awards, UK | Best Director | Inglourious Basterds (2009) |
| 2010 | Gold Derby Award | Gold Derby Awards | Director | Inglourious Basterds (2009) |
| 2010 | Gold Derby Award | Gold Derby Awards | Creative Person of the Decade | |
| 2010 | Golden Eagle | Golden Eagle Awards, Russia | Best Foreign Film | Inglourious Basterds (2009) |
| 2010 | ICS Award | International Cinephile Society Awards | Best Director | Inglourious Basterds (2009) |
| 2010 | IOFCP Award | International Online Film Critics' Poll | Best Director of the Decade | Inglourious Basterds (2009) |
| 2009 | SLFCA Award | St. Louis Film Critics Association, US | Best Director | Inglourious Basterds (2009) |
| 2009 | SLFCA Award | St. Louis Film Critics Association, US | Best Screenplay | Inglourious Basterds (2009) |
| 2009 | TFCA Award | Toronto Film Critics Association Awards | Best Director | Inglourious Basterds (2009) |
| 2009 | WAFCA Award | Washington DC Area Film Critics Association Awards | Best Director | Inglourious Basterds (2009) |
| 2009 | EDA Award | Alliance of Women Film Journalists | Best Director | Inglourious Basterds (2009) |
| 2009 | Palme d'Or | Cannes Film Festival | Inglourious Basterds (2009) | |
| 2009 | CFCA Award | Chicago Film Critics Association Awards | Best Director | Inglourious Basterds (2009) |
| 2009 | CFCA Award | Chicago Film Critics Association Awards | Best Screenplay, Original | Inglourious Basterds (2009) |
| 2009 | DFWFCA Award | Dallas-Fort Worth Film Critics Association Awards | Best Director | Inglourious Basterds (2009) |
| 2009 | DFCS Award | Detroit Film Critic Society, US | Best Director | Inglourious Basterds (2009) |
| 2009 | Golden Schmoes | Golden Schmoes Awards | Favorite Celebrity of the Year | |
| 2009 | HFCS Award | Houston Film Critics Society Awards | Best Director | Inglourious Basterds (2009) |
| 2009 | HFCS Award | Houston Film Critics Society Awards | Best Screenplay | Inglourious Basterds (2009) |
| 2007 | TV Land Award | TV Land Awards | Favorite Elvis Impersonation | The Golden Girls (1985) |
| 2007 | Austin Film Award | Austin Film Critics Association | Grindhouse (2007) | |
| 2007 | Palme d'Or | Cannes Film Festival | Death Proof (2007) | |
| 2006 | WGA Award (TV) | Writers Guild of America, USA | Episodic Drama | CSI: Crime Scene Investigation (2000) |
| 2006 | Czech Lion | Czech Lions | Best Foreign Language Film (Nejlepsí zahranicní film) | Sin City (2005) |
| 2006 | Edgar | Edgar Allan Poe Awards | Best Television Episode Teleplay | CSI: Crime Scene Investigation (2000) |
| 2005 | OFCS Award | Online Film Critics Society Awards | Best Original Screenplay | Kill Bill: Vol. 2 (2004) |
| 2005 | Primetime Emmy | Primetime Emmy Awards | Outstanding Directing for a Drama Series | CSI: Crime Scene Investigation (2000) |
| 2005 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Director | Kill Bill: Vol. 2 (2004) |
| 2005 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Writer | Kill Bill: Vol. 2 (2004) |
| 2005 | Empire Award | Empire Awards, UK | Best Director | Kill Bill: Vol. 2 (2004) |
| 2005 | Gold Derby Award | Gold Derby Awards | Original Screenplay | Kill Bill: Vol. 2 (2004) |
| 2005 | Gold Derby TV Award | Gold Derby Awards | Drama Episode of the Year | CSI: Crime Scene Investigation (2000) |
| 2005 | Grammy | Grammy Awards | Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media | Kill Bill: Vol. 2 (2004) |
| 2005 | IOMA | Italian Online Movie Awards (IOMA) | Best Picture (Miglior film) | Kill Bill: Vol. 2 (2004) |
| 2005 | IOMA | Italian Online Movie Awards (IOMA) | Best Original Screenplay (Miglior sceneggiatura originale) | Kill Bill: Vol. 2 (2004) |
| 2004 | OFTA Film Award | Online Film & Television Association | Best Director | Kill Bill: Vol. 1 (2003) |
| 2004 | OFCS Award | Online Film Critics Society Awards | Best Director | Kill Bill: Vol. 1 (2003) |
| 2004 | OFCS Award | Online Film Critics Society Awards | Best Original Screenplay | Kill Bill: Vol. 1 (2003) |
| 2004 | Golden Satellite Award | Satellite Awards | Best Screenplay, Original | Kill Bill: Vol. 1 (2003) |
| 2004 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Director | Kill Bill: Vol. 1 (2003) |
| 2004 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Writing | Kill Bill: Vol. 1 (2003) |
| 2004 | Amanda | Amanda Awards, Norway | Best Foreign Feature Film (Årets utenlandske kinofilm) | Kill Bill: Vol. 2 (2004) |
| 2004 | ACCA | Awards Circuit Community Awards | Best Director | Kill Bill: Vol. 2 (2004) |
| 2004 | COFCA Award | Central Ohio Film Critics Association | Best Director | Kill Bill: Vol. 1 (2003) |
| 2004 | COFCA Award | Central Ohio Film Critics Association | Best Screenplay, Original | Kill Bill: Vol. 1 (2003) |
| 2004 | Gold Derby Award | Gold Derby Awards | Original Screenplay | Kill Bill: Vol. 1 (2003) |
| 2004 | Gold Derby Award | Gold Derby Awards | Director | Kill Bill: Vol. 1 (2003) |
| 2004 | Golden Schmoes | Golden Schmoes Awards | Best Screenplay of the Year | Kill Bill: Vol. 2 (2004) |
| 2004 | Golden Schmoes | Golden Schmoes Awards | Favorite Celebrity of the Year | |
| 2004 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Kill Bill: Vol. 1 (2003) |
| 2004 | IOMA | Italian Online Movie Awards (IOMA) | Best Original Screenplay (Miglior sceneggiatura originale) | Kill Bill: Vol. 1 (2003) |
| 2004 | Sierra Award | Las Vegas Film Critics Society Awards | Best Director | Kill Bill: Vol. 1 (2003) |
| 2003 | VVFP Award | Village Voice Film Poll | Best Director | Kill Bill: Vol. 1 (2003) |
| 2003 | ACCA | Awards Circuit Community Awards | Best Director | Kill Bill: Vol. 1 (2003) |
| 2003 | DVD Premiere Award | DVD Exclusive Awards | Best Audio Commentary, Library Release | True Romance (1993) |
| 2003 | Screen International Award | European Film Awards | Kill Bill: Vol. 1 (2003) | |
| 2003 | Golden Schmoes | Golden Schmoes Awards | Best Screenplay of the Year | Kill Bill: Vol. 1 (2003) |
| 1998 | OFTA Film Award | Online Film & Television Association | Best Writing, Screenplay Based on Material from Another Medium | Jackie Brown (1997) |
| 1998 | Golden Berlin Bear | Berlin International Film Festival | Jackie Brown (1997) | |
| 1997 | Razzie Award | Razzie Awards | Worst Supporting Actor | From Dusk Till Dawn (1996) |
| 1996 | Stinker Award | The Stinkers Bad Movie Awards | Worst Supporting Actor | From Dusk Till Dawn (1996) |
| 1996 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Supporting Actor | From Dusk Till Dawn (1996) |
| 1996 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Writing | From Dusk Till Dawn (1996) |
| 1995 | ALFS Award | London Critics Circle Film Awards | Director of the Year | Pulp Fiction (1994) |
| 1995 | Oscar | Academy Awards, USA | Best Director | Pulp Fiction (1994) |
| 1995 | Golden Globe | Golden Globes, USA | Best Director - Motion Picture | Pulp Fiction (1994) |
| 1995 | David Lean Award for Direction | BAFTA Awards | Pulp Fiction (1994) | |
| 1995 | Best Foreign Film Award | Australian Film Institute | Pulp Fiction (1994) | |
| 1995 | César | César Awards, France | Best Foreign Film (Meilleur film étranger) | Pulp Fiction (1994) |
| 1995 | DGA Award | Directors Guild of America, USA | Outstanding Directorial Achievement in Motion Pictures | Pulp Fiction (1994) |
| 1995 | Silver Ribbon | Italian National Syndicate of Film Journalists | Best Foreign Director (Regista del Miglior Film Straniero) | Pulp Fiction (1994) |
| 1994 | Saturn Award | Academy of Science Fiction, Fantasy & Horror Films, USA | Best Writing | True Romance (1993) |
| 1993 | CFCA Award | Chicago Film Critics Association Awards | Best Picture | Reservoir Dogs (1992) |
| 1993 | CFCA Award | Chicago Film Critics Association Awards | Best Director | Reservoir Dogs (1992) |
| 1993 | International Fantasy Film Award | Fantasporto | Best Film | Reservoir Dogs (1992) |
| 1993 | Independent Spirit Award | Independent Spirit Awards | Best First Feature | Reservoir Dogs (1992) |
| 1993 | Independent Spirit Award | Independent Spirit Awards | Best Director | Reservoir Dogs (1992) |
| 1992 | Best Film | Sitges - Catalonian International Film Festival | Reservoir Dogs (1992) | |
| 1992 | Grand Jury Prize | Sundance Film Festival | Dramatic | Reservoir Dogs (1992) |
| 1992 | Gold Hugo | Chicago International Film Festival | Best Feature | Reservoir Dogs (1992) |
2nd Place Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2012 | SLFCA Award | St. Louis Film Critics Association, US | Best Director | Django Unchained (2012) |
| 2012 | SLFCA Award | St. Louis Film Critics Association, US | Best Original Screenplay | Django Unchained (2012) |
| 2012 | DFWFCA Award | Dallas-Fort Worth Film Critics Association Awards | Best Screenplay | Django Unchained (2012) |
| 2012 | Golden Schmoes | Golden Schmoes Awards | Best Director of the Year | Django Unchained (2012) |
| 2012 | IFJA Award | Indiana Film Journalists Association, US | Best Original Screenplay | Django Unchained (2012) |
| 2010 | COFCA Award | Central Ohio Film Critics Association | Best Director | Inglourious Basterds (2009) |
| 2010 | ICS Award | International Cinephile Society Awards | Best Original Screenplay | Inglourious Basterds (2009) |
| 2009 | UFCA Award | Utah Film Critics Association Awards | Best Screenplay | Inglourious Basterds (2009) |
| 2009 | ACCA | Awards Circuit Community Awards | Best Director | Inglourious Basterds (2009) |
| 2009 | ICP Award | Indiewire Critics' Poll | Best Screenplay | Inglourious Basterds (2009) |
| 2007 | Rondo Statuette | Rondo Hatton Classic Horror Awards | Best Movie | Grindhouse (2007) |
| 2004 | ACCA | Awards Circuit Community Awards | Best Original Screenplay | Kill Bill: Vol. 2 (2004) |
| 2004 | ICS Award | International Cinephile Society Awards | Best Director | Kill Bill: Vol. 1 (2003) |
| 2003 | ACCA | Awards Circuit Community Awards | Best Original Screenplay | Kill Bill: Vol. 1 (2003) |
| 2003 | Golden Schmoes | Golden Schmoes Awards | Best Director of the Year | Kill Bill: Vol. 1 (2003) |
| 1997 | ACCA | Awards Circuit Community Awards | Best Adapted Screenplay | Jackie Brown (1997) |
| 1992 | NYFCC Award | New York Film Critics Circle Awards | Best New Director | Reservoir Dogs (1992) |
3rd Place Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|---|---|---|---|
| 2013 | Humanitas Prize | Humanitas Prize | Feature Film Category | Django Unchained (2012) |
| 2010 | NSFC Award | National Society of Film Critics Awards, USA | Best Screenplay | Inglourious Basterds (2009) |
| 2009 | NYFCC Award | New York Film Critics Circle Awards | Best Director | Inglourious Basterds (2009) |
| 2009 | NYFCC Award | New York Film Critics Circle Awards | Best Screenplay | Inglourious Basterds (2009) |
Known for movies
Pulp Fiction (1994)
as Writer
Reservoir Dogs (1992)
as Writer
Kill Bill: Vol. 1 (2003)
as Writer
Kill Bill: Vol. 2 (2004)
as Writer