William V. Skall Net Worth is
$1.4 Million
William V. Skall Bio/Wiki, Net Worth, Married 2018
William V. Skall (October 5, 1897, Chicago – March 22, 1976, Los Angeles) was an American cinematographer who specialized in Technicolor.
| Date Of Birth | October 5, 1897, Chicago, Illinois, United States |
| Died | March 22, 1976, Los Angeles, California, United States |
| Place Of Birth | Chicago, Illinois, USA |
| Profession | Cinematographer, Camera Department, Miscellaneous Crew |
| Awards | Academy Award for Best Cinematography, Golden Globe Award for Best Cinematography - Color |
| Star Sign | Libra |
| # | Fact |
|---|
| 1 | Director of Photography, who specialized almost exclusively in Technicolor film during the "Golden Age of Hollywood". |
Cinematographer
| Title | Year | Status | Character |
|---|
| Window on Main Street | | TV Series 5 episodes, 1961 director of photography - 3 episodes, 1961 | |
| The Twilight Zone | 1961 | TV Series director of photography - 1 episode | |
| Rescue 8 | 1958 | TV Series 1 episode | |
| The Real McCoys | | TV Series 25 episodes, 1957 - 1958 director of photography - 3 episodes, 1958 | |
| Alcoa Theatre | 1958 | TV Series 1 episode | |
| Richard Diamond, Private Detective | | TV Series 1 episode, 1958 director of photography - 2 episodes, 1958 | |
| All Mine to Give | 1957 | director of photography - as William Skall | |
| The Ford Television Theatre | 1956-1957 | TV Series 2 episodes | |
| Chevron Hall of Stars | 1956 | TV Series 5 episodes | |
| Four Star Playhouse | 1956 | TV Series 1 episode | |
| Cavalcade of America | 1956 | TV Series 2 episodes | |
| Father Knows Best | 1955-1956 | TV Series 18 episodes | |
| Walt Disney's Wonderful World of Color | 1955 | TV Series director of photography - 1 episode | |
| The Silver Chalice | 1954 | photographed by | |
| Everything I Have Is Yours | 1952 | | |
| The Golden Hawk | 1952 | director of photography | |
| Cripple Creek | 1952 | | |
| Brave Warrior | 1952 | director of photography | |
| The Half-Breed | 1952 | | |
| Quo Vadis | 1951 | director of photography | |
| Kim | 1950 | director of photography - as William Skall | |
| Joan of Arc | 1948 | as W.V. Skall, Technicolor photographer | |
| Two Guys from Texas | 1948 | | |
| Rope | 1948 | director of photography | |
| My Wild Irish Rose | 1947 | director of photography - as William R. Skall | |
| Life with Father | 1947 | director of photography | |
| Song of Scheherazade | 1947 | | |
| The Time, the Place and the Girl | 1946 | | |
| Night and Day | 1946 | director of photography | |
| San Antonio | 1945 | director of photography - uncredited | |
| Frontier Days | 1945 | Short | |
| The Memphis Belle: A Story of a Flying Fortress | 1944 | Documentary uncredited | |
| The Forest Rangers | 1942 | | |
| To the Shores of Tripoli | 1942 | director of photography - as William Skall | |
| Reap the Wild Wind | 1942 | director of photography | |
| Billy the Kid | 1941 | director of photography | |
| Virginia | 1941 | | |
| Northwest Passage | 1940 | director of photography | |
| The Little Princess | 1939 | as William Skall, photography: in Technicolor | |
| The Mikado | 1939 | as William Skall, photography: Technicolor | |
| Victoria the Great | 1937 | | |
| Penny Wisdom | 1937 | Short | |
| Ramona | 1936 | technicolor photography | |
| The Song of a Nation | 1936 | Short as William Skall | |
| Dancing Pirate | 1936 | photographed by | |
| King of the Islands | 1936 | Short as William Skall | |
| Carnival Day | 1936 | Short as William Skall | |
| Okay, José | 1935 | Short as William Skall | |
| Gypsy Sweetheart | 1935 | Short | |
| Two Hearts in Wax Time | 1935 | Short as William Skall, photographed by | |
| The Little Colonel | 1935 | as William Skall, color photography: Technicolor | |
| Gypsy Night | 1935 | Short as William Skall | |
| Star Night at the Cocoanut Grove | 1934 | Short as William Skall | |
Camera Department
| Title | Year | Status | Character |
|---|
| Joan of Arc | 1948 | photographer: Technicolor - as Wm. V. Skall | |
| Arabian Nights | 1942 | associate cinematographer | |
| The Return of Frank James | 1940 | associate director of photography | |
| Sweethearts | 1938 | first camera - uncredited | |
| Queen of Destiny | 1938 | photographer: Technicolor - as W.V. Skall | |
| The Adventures of Robin Hood | 1938 | camera operator: Technicolor - uncredited | |
| Change of Heart | 1934 | second camera operator - uncredited | |
| Paddy the Next Best Thing | 1933 | camera operator - uncredited | |
| I Loved You Wednesday | 1933 | camera operator - uncredited | |
| The Warrior's Husband | 1933 | camera operator - uncredited | |
| State Fair | 1933 | camera operator - uncredited | |
| Tess of the Storm Country | 1932 | assistant camera | |
| Lady with a Past | 1932 | second camera operator - uncredited | |
| A Woman Commands | 1932 | second camera operator - uncredited | |
| Devotion | 1931 | second camera operator - uncredited | |
Miscellaneous
| Title | Year | Status | Character |
|---|
| The Divorce of Lady X | 1938 | photographic adviser: Technicolor | |
| God's Country and the Woman | 1937 | photographic advisor: Technicolor | |
Won Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|
| 1952 | Golden Globe | Golden Globes, USA | Best Cinematography - Color | Quo Vadis (1951) |
| 1949 | Oscar | Academy Awards, USA | Best Cinematography, Color | Joan of Arc (1948) |
Nominated Awards
| Year | Award | Ceremony | Nomination | Movie |
|---|
| 1955 | Oscar | Academy Awards, USA | Best Cinematography, Color | The Silver Chalice (1954) |
| 1952 | Oscar | Academy Awards, USA | Best Cinematography, Color | Quo Vadis (1951) |
| 1948 | Oscar | Academy Awards, USA | Best Cinematography, Color | Life with Father (1947) |
| 1943 | Oscar | Academy Awards, USA | Best Cinematography, Color | Arabian Nights (1942) |
| 1943 | Oscar | Academy Awards, USA | Best Cinematography, Color | Reap the Wild Wind (1942) |
| 1943 | Oscar | Academy Awards, USA | Best Cinematography, Color | To the Shores of Tripoli (1942) |
| 1942 | Oscar | Academy Awards, USA | Best Cinematography, Color | Billy the Kid (1941) |
| 1941 | Oscar | Academy Awards, USA | Best Cinematography, Color | 'Northwest Passage' (Book I -- Rogers' Rangers) (1940) |
| 1940 | Oscar | Academy Awards, USA | Best Cinematography, Color | The Mikado (1939) |
Known for movies
Rope (1948)
as Cinematographer
Quo Vadis (1951)
as Cinematographer
The Little Princess (1939)
as Cinematographer
Life with Father (1947)
as Cinematographer
