| Title | Year | Status | Character |
|---|
| 10,000 BC | 2008 | software development: MPC - as David Gregory | |
| Highlander: Endgame | 2000 | optical effects: BiPack Inc. | |
| Cherry Falls | 2000 | optical effects: BiPack Inc. | |
| From Dusk Till Dawn 3: The Hangman's Daughter | 1999 | Video optical effects: BiPack Inc. | |
| From Dusk Till Dawn 2: Texas Blood Money | 1999 | Video optical effects: BiPack Inc. | |
| Brave New World | 1998 | TV Movie optical effects: BiPack Inc. | |
| House of Frankenstein | 1997 | TV Mini-Series optical effects - 2 episodes | |
| Conspiracy Theory | 1997 | visual effects: color imaging supervisor: Warner Digital - uncredited | |
| Contact | 1997 | visual effects, color imaging supervisor: Warner Digital | |
| Vegas Vacation | 1997 | color imaging supervisor: Warner Digital - uncredited | |
| Mars Attacks! | 1996 | color imaging supervisor: Warner Digital Studios | |
| The Sunchaser | 1996 | optical effects supervision: Title House Inc. | |
| The Arrival | 1996 | optical effects supervision: Title House Inc. | |
| The Darkening | 1995 | optical supervision | |
| A Kid in King Arthur's Court | 1995 | optical supervisor: Title House | |
| Leapin' Leprechauns! | 1995 | special optical effects supervisor & rotoscope animation: Title House Inc. | |
| The Expert | 1995 | optical supervisor | |
| The Prophecy | 1995 | optical composites: enemy ghost sequence, Todd Masters Company - as David Gregory / titles and opticals: Title House | |
| Dead on Sight | 1994 | special optical effects design and supervision | |
| Cyber Tracker | 1994 | optical effects supervisor | |
| Full Eclipse | 1993 | TV Movie optical supervisor: Title House Inc. | |
| Necronomicon: Book of Dead | 1993 | optical effects supervisor | |
| Quest of the Delta Knights | 1993 | Video visual effects design & supervision | |
| Weekend at Bernie's II | 1993 | optical supervisor | |
| Warlock: The Armageddon | 1993 | optical supervisor, main title sequence: Title House Inc. | |
| Hellraiser III: Hell on Earth | 1992 | optical supervisor, main title: Title House Inc. | |
| Reservoir Dogs | 1992 | optical supervisor: Title House Inc. - uncredited | |
| Poison Ivy | 1992 | optical supervisor | |
| California Casanova | 1991 | optical effects and titles - uncredited | |
| Johnny Stecchino | 1991 | US version: end credits optical montage - uncredited | |
| Shatterbrain | 1991 | optical effects supervisor | |
| Dolly Dearest | 1991 | opticals | |
| Showdown in Little Tokyo | 1991 | photographic effects supervisor: Title House Inc. - uncredited | |
| Genuine Risk | 1990 | optical supervisor | |
| The Spirit of '76 | 1990 | optical compositing: Title House, Inc. | |
| Pale Blood | 1990 | optical effects supervisor | |
| Circuitry Man | 1990 | special optical effects supervisor | |
| Night Shadow | 1989 | photographic effects supervisor: Title House Inc. | |
| Moonstruck | 1987 | optical composite photography: Robert Abel & Associates - uncredited | |
| Hangar 18 | 1980 | special optical effects design & line-up: Pacific Title - uncredited | |
| Star Trek: The Motion Picture | 1979 | special optical effects lineup & plotting: Pacific Title - uncredited | |
| Star Wars: Episode IV - A New Hope | 1977 | optical effects lineup & plotting: Ray Mercer & Co. - uncredited | |
$11 Million
