Georg Muschner (1885–1971) was a German cinematographer. He worked on over sixty productions during his career in the Weimar Republic, Austria and Nazi Germany. Muschner originally worked as a portrait photographer, before entering the film industry during the silent era. He worked on several Harry Piel films, including His Greatest Bluff. During the 1930s he often worked with the director Johann Alexander Hubler-Kahla.
For the short movie "Unsere Artillerie" (1939) Georg Muschner was not only responsible for the camera but was also the director.
2
Georg Muschner decided after World War I to become a cinematographer and when he met the actor Harry Piel he was responsible for the camera for many of his movies.
3
His career became interrupted by World War I and he served for the "Bild- und Filmamt" where he widened his film experiences.
4
His last cinematical works came in the sound film era of the 30s.
5
The cinematographer Georg Muschner first learnt the profession of a photographer and he worked in this field for the next twelve years.
6
In the 20s he became an established cinematographer and he banned the pictures of many movies to the big screen.
7
He dedicated to the film business in 1913 where he first was active as an operator.
Cinematographer
Title
Year
Status
Character
Menschen und Masken, 1. Teil - Der falsche Emir
1924
Menschen und Masken, 2. Teil - Ein gefährliches Spiel
1924
Frauenmoral
1923
Judith
1923
Abenteuer einer Nacht
1923
Der letzte Kampf
1923
Rivalen
1923
Das schwarze Kuvert
1922
Das verschwundene Haus
1922
Unus, der Weg in die Welt. Der Fürst der Berge - 2. Teil
1921
Der Fürst der Berge
1921
Der Reiter ohne Kopf, 3. Teil - Harry Piels schwerster Sieg
1921
Der Reiter ohne Kopf, 2. Teil - Die geheimnisvolle Macht